Famous Rack

Hugh Padgham

Hugh Padgham retains a large number of older digital effects units in his racks, mostly classic old Japanese effects from Roland and Yamaha, and multiples of some of those units.

AMS DMX 15-80S Stereo Digital Delay
AMS RMX 16 Digital Reverberation System
Bel BD-80 Digital Delay
Boss CE-300 Super Chorus
dbx 160 Compressor/Limiter
dbx 160A Compressor Limiter
Empirical Labs Distressor
EMT 140 Plate Reverb
Eventide H3000 D/SE Ultra-Harmonizer®
GML Model 8200 Parametric Equalizer
Lexicon 300 Digital Effects System
Lexicon 480L Digital Effects System
Lexicon PCM 42 Digital Delay Processor
Lexicon PCM 90 Digital Reverberator
Manley Stereo Variable MU Limiter Compressor
Retro STA-LEVEL Tube Compressor
Roland RE-201 Space Echo
Roland SDE-2000 Digital Delay
Roland SDE-3000 Digital Delay
Roland SDE-330 Dimensional Space Delay
Roland SRV-2000 MIDI Digital Reverb
Roland SRV-330 Dimensional Space Reverb
Teletronix LA-2A Leveling Amplifier
TUBE-TECH PE 1C Program Equalizer
Urei 1176 Limiting Amplifier
Yamaha REV7 Digital Reverberator
Yamaha SPX1000 Professional Multi-Effect Processor
Yamaha SPX90 Multi-Effects Processor
Yamaha SPX900 Professional Multi-Effect Processor
Yamaha SPX90II Multi-Effects Processor
Hugh Padgham

Hugh Padgham is a highly successful and influential mixing engineer in the music industry, best known for his work with artists such as Phil Collins, Genesis, The Police, and Sting. Born in 1955 in Bath, England, Padgham began his career in the music industry in the late 1970s as a tape operator at the Advision Studios in London.

One of Hugh Padgham’s biggest successes was his work on Phil Collins’ 1981 solo album, “Face Value.” The album, which includes hit songs such as “In the Air Tonight” and “Against All Odds,” was a commercial and critical success, and helped to establish Collins as a solo artist. Padgham’s innovative approach to mixing on the album, which involved using drum machines and gated reverb effects, helped to create a distinctive sound that became a signature of Collins’ later work.

Padgham’s collaboration with Collins continued on subsequent albums, including “Hello, I Must Be Going!” and “No Jacket Required,” which both became major commercial successes and won multiple Grammy Awards. In addition to his work with Collins, Padgham also worked with other high-profile artists, such as Genesis, The Police, and Sting, helping to create some of their most iconic and enduring albums.

Hugh Padgham’s mixing style is characterized by his attention to detail and his innovative use of technology and effects. He is credited with pioneering the use of gated reverb on drums, which became a popular technique in the 1980s and is still widely used today. He is also known for his ability to create dynamic and powerful mixes that enhance the emotional impact of the music.

Padgham’s work has earned him multiple Grammy Awards and nominations, and he is widely regarded as one of the most influential and innovative mixing engineers of his generation. His contributions to the music industry have helped to shape the sound of popular music and have inspired countless other engineers and producers to push the boundaries of what is possible in music production.

Location: London, UK