Other Digital Effects

Other Digital Effects from 1974 through to 2018 by companies such as Alesis, AMS, Boss, Ensoniq, Eventide, Korg, Lexicon, Mackie, Roland, Sony, TC Electronic and Yamaha.

Eventide Model H910
The Eventide Model H910 Harmonizer was the world’s first commercially available digital audio effects device.
1974
MXR Model 129 Pitch Transposer
1986 This Image was created by and is the Copyright of Vintage Digital Main Description Main Description The MXR rack line of gear line began with 2-space rack units such as the MXR Model 113 Digital Delay, MXR Model 124 Dual 15-Band Graphic EQ, MXR Model 126 Flanger/Doubler, and the MXR Model 129 Pitch Transposer. […]
1976
Eventide Model H949
The Eventide Model H949 Harrnonizer is a combination digital delay line, pitch changer, and all-round special effects unit.
1977
Deltalabs DL-4
The DeltaLabs DL-4 TIME LINE is a studio quality special effects processor designed for the professional musician to use in live performances.
1977
Yamaha SPX90
The Yamaha SPX90 is an amalgam of advanced acoustical research and digital technology designed to provide home recording enthusiasts a wide range of effects.
1985
Lexicon PCM 70
The Lexicon PCM 70 Digital Effects Processor gives you access to the same astonishing digital effects used by the world’s top artists and studios.
1985
Eventide H3000-D/SE Ultra Harmonizer
The Eventide H3000 Ultra-Hannonizer is a family of products based around a multi-purpose programmable, digital audio signal processor.
1986
Yamaha SPX90II
The Yamaha SPX90II is an amalgam of advanced acoustical research and digital technology designed to provide musicians and home recording enthusiasts with a wide range of exciting effects.
1986
Roland DEP-5
The Roland DEP-5 is a versatile effect unit that features Non-linear Reverb (Gate Reverb) and Delay effects as well as Reverb and Chorus.
1986
Korg DVR 3000
The Korg DRV-3000 is designed and constructed to professional specifications, and incorporates sophisticated state-of-the-art LSI technology to create a wide variety of superb effects.
1987
Lexicon 480L
The 480L is engineered for the emerging all - digital production environment. Digital audio places strict requirements on every link in the signal chain, and the 480L meets those requirements.
1988
Yamaha SPX900
The Yamaha SPX900 is a highly sophisticated digital reverberation and effects system which offers 50 preset effect programs inciuding accurate simulations of natural reverberation and more.
1988
Alesis Quadraverb
The Alesis QuadraVerb is a full 20K bandwidth, stereo effects unit allows up to 4 of the most popular digital effects (Reverb, Delay, Pitch Change, and EQ) to be used simultaneously.
1988
Alesis Midiverb II
The Alesis Midiverb II is a full stereo professional quality multiple effects device that doesn't require a professional to operate. The great variety of sounds heard in modern music production have been captured in Midiverb II for instant recall through either manual control or MIDI command.
1988
Yamaha SPX1000
The Yamaha SPX1000 is a highly sophisticated digital reverberation and effects system which offers 40 preset effect programs including accurate simulations of natural reverberation and more.
1988
Alesis Midiverb III
The Alesis Midiverb III is a high quality multi-effects unit which features up to 4 simultaneous effects (Delay, Reverb, Chorus, EQ) at a full 15KHz bandwidth and with 16 bit resolution.
1990
Roland SRP-550
The Roland RSP-550 is equipped with a wide variety of high-quality effects which are suited to a great range of applications; whether it be for line signal processing or for enhancing musical instrument sounds.
1991
Korg A1
The Korg A1 Performance Signal Processor offers flexible multi-effect processing with no compromises.
1991
Sony DPS-M7
The DPS-M7 is a digital sonic modulator developed with the wealth of digital and audio technology accumulated over the years by Sony, innovator of the highly acclaimed Digital Reverberator DRE -2000 and MU-R201.
1992
Sony DPS-F7
The DPS-F7 Digital Dynamic Filter Plus is a new signal effector using innovations in signal processing based on digital filter technology. The ten types of algorithms create a superior sound environment considerably exceeding the possibilities available through conventional effectors.
1992
Ensoniq DP/4
The Ensoniq DP/4 is a great sounding 24-bit digital effects processor combining four independent effects processors, and four independent inputs and outputs featuring full mixdown capabilities.
1992
Yamaha SPX990
The Yamaha SPX990 offers 80 preset effect programs including accurate simultaneous natural reverberation and early reflections, delay and echo effects, gated effects, and much more.
1993
Sony HR-MP5
The Sony HR-MP5 is a compact multi-effects processor most suitable for recording studio use. Up to seven effects can be obtained simultaneously.
1994
Roland SDX-330
The Roland SDX-330 is a high quality studio effects unit designed to provide exceptional digital effects such as Chorus, Flanging, Phasing and Delays along with a variety of pitch based effects.
1994
Eventide DSP4000 Ultra Harmonizer
The 'then' latest and greatest in a line of pitch change special effects units stretching back to before most audio manufacturers ever heard of digital.
1994
Other Effects 1
The Sony DPS-V77 incorporates both quality preset effects chosen from the DPS-R7/D7/ M7/F7 sound series and a host of exciting newly developed effects that let you go beyond traditional genre classifications.
1995
TC Electronic M5000
The unique design of the TC Electronic M5000 hardware platform allows for future upgrading of both the software and hardware aspects. It will far outlast any other signal processor you own or can buy today.
1995
Ensoniq DP/2
The Ensoniq DP/2 creates 24-bit digital effects using two independent processors, and features two independent inputs and outputs with full internal mixing capabilities and discrete stereo processing.
1995
Ensoniq DP/4+
The Ensoniq DP/4+ creates 24-bit digital effects using four independent processors, and features four independent inputs and outputs with full internal mixing capabilities.
1995
Lexicon PCM 80
The Lexicon PCM 80 brings you exciting new effects with extensive processing and control capabilities, and uncompromising sonic clarity. The Lexicon PCM 80 contains a built-in library of 200 preset programs that provide a comprehensive array of effects ranging from beautiful and lush to completely wild.
1995
Alesis Midiverb 4
The Alesis MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects.
1995
TC Electronic M2000
The TC Electronic M2000 provides you with a broad palette of high quality effects enabling you to create magical effects.
1996
Lexicon MPX1
The Lexicon MPX1 is the processor that fulfills the promise implied by the term, "multi-effects." Multiple Processor FX technology with an interactive front panel.
1996
Lexicon 300
The 300 not only contains the finest sounds, as you've come to expect from Lexicon, it incorporates new functions that satisfy the needs of today's audio production.
1997
Sony DPS-V55
The Sony DPS-V55 is outfitted with four inputs (and outputs) and can route the input signals in a variety of different ways depending on the chosen effect algorithms and program structures.
1998
TC Electronic Fireworx
The FireworX is the most radical sounding Multi-Effects Processor you've ever heard and a real challenge to your imagination.
1998
TC Electronic M-ONE-XL
TC Electronic M•One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects such as Compressor, Chorus, Delay, Gate, etc.
1999
Eventide Eclipse
The Eventide Eclipse is the only digital effects processor in its class to feature 24-bit digital conversion and 96kHz sampling.
2001
Eventide DSP7000
The members of the Eventide DSP7000 family are programmable, multipurpose, 24-bit/96kHz digital audio signal processors with UltraShifter capability and are the stereo, single-processor companion product range to the Eventide’s Orville.
2001
Eventide Orville Harmonizer
The Eventide Orville is a programmable, multichannel, multipurpose, dual digital signal processor (DSP), 24 bit digital audio signal processor with UltraShifter capability.
2001
Yamaha SPX2000
The heart of the Yamaha SPX2000 hardware is a 96-kHz DSP LSI with 32-bit internal processing (58-bit accumulator) that delivers plenty of processing power for the unit's advanced effect algorithms.
2003
Mackie QUAD EQ
The four-channel, 30-band graphic, Adaptive-Q equalizer has a user-friendly front panel, and a host of features that go beyond it’s simple appearance.
2005
Mackie QUAD Comp
The four channel gate/expander and compressor/limiter has a friendly front panel and a host of features that go beyond its simple appearance.
2005
Eventide H8000 Ultra Harmonizer
The H8000FW offers four channels of pristine analog I/O combined with eight channels of AES/EBU, ADAT, and S/PDIF I/O. New FireWire I/O now allows direct connection to your Mac or PC.
2005
Other Effects 2
The H7600 provides 1100 preset-algorithms, 174-second sampler, and sorting capabilities for unprecedented stereo effects processing prowess.
2006
Alesis Microverb4
The MicroVerb4 is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians.
2008
Eventide H9000
The Eventide H9000 continues Eventide's unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000 features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability.
2019