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Classic Recording Studio Equipment

EMT 252 Digital Reverb

It’s no secret that the “EMT sound” is a key ingredient of many hit records. It’s been that way for over 25 years. The very first unit, the EMT 140, is still used by major studios. And the sound of their big digital units. the 250 and 251, is legendary. In 1985 EMT introduced the EMT 252, offering more features than the 250 and 251.
EMT 252

Lexicon PCM 70 Digital Effects Processor

The Lexicon PCM 70 has become something of a legend of late, with good examples selling for the same money or more, than what they sold for when new. It is ironic really…when the Lexicon PCM 70 was released everyone said it was not a ‘real’ Lexicon. While it may not be a 224X, released the same year, it does offer a taste of the Lexicon sound.
Lexicon PCM 70

ART DR2a Digital Reverberation System

The ART DR2a Digital Reverberation System is a high quality digital signal processing device providing realistic natural reverberation as well as creative new reverb effects. In designing the DR2a, ART incorporated the latest findings in digital reverberation research and gave careful consideration to user feedback on desirable features.
ART DR2a

Roland SDE-2500 MIDI Digital Delay

The Roland SDE-2500 Digital Delay came after the Roland SDE-3000 and coincided with the release of the equally excellent Roland SRV-2000 Digital Reverb.
Roland SDE-2500

Lexicon Model 95 Prime Time II Digital Delay

New creative worlds of musical adventure can be discovered through the magic of Lexicon Prime Time II, the successor to the most popular digital delay ever.
Lexicon Model 95 Prime Time II

Alesis XT Digital Reverb

The Alesis XT Digital Reverb, released in 1985, is a high quality digital signal processing system, specifically designed to simulate natural reverberation and special acoustic effects.
Alesis XT Digital Reverb

dbx 160A Compressor Limiter

Since its introduction in the mid 1970’s, the dbx 160 series has been the world’s most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. And now, the 160A.
dbx 160A

Eventide Model H969 Harmonizer®

Eventide’s newest Harmonizer in 1985 was the Eventide Model H969, which expanded on Eventide’s already capable Eventide Model H949 Harmonizer. The Evenride Model H969’s new ProPitch digital electronic-splicing algorithm gives you the cleanest, most glitch-free pitch change ever. Deglitching is active over a wider bandwidth, too – a full octave wider.
Eventide Model H969

Boss RPS-10 Digital Pitch Shiter Delay

The Boss RPS-10 Digital Pitch Shiter Delay from 1986 is ideal for Ultra-High Speed Pitch Shifting and Superior Sound Quality.
Boss RPS-10

Boss RPQ-10 Preamp Parametric EQ

The Boss RPQ-10 Preamp Parametric EQ released in 1986, is A 2-band Parametric Equalizer that’s a key performer when creating sounds.
Boss RPQ-10

Boss ROD-10 Over Drive Distortion

The Boss ROD-10 featuring three different overdrive effects and a distortion fuzz and it can create wide variety of distortions.
Boss ROD-10

Ibanez SDR 1000 Stereo Digital Reverb

Welcome to a whole new realm of digital signal processing! The Ibanez SDR 1000 Stereo Digital Reverb re-defines digitally-simulated reverberation with true stereo operation. Featuring 16-bit digital processing for crystal-clear reverberation, and factory preset programs developed by professional studio engineers, for the Ibanez SDR 1000.
Ibanez SDR 1000
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