SPL Transpressor Transient Designer + Compressor

SPL Transpressor
The SPL Transpressor combines level independent transient shaping with high quality compression in a single channel processor, offering exceptional flexibility, precision, and creative control for both studio and live dynamic processing tasks.

SPL Transpressor Transient Designer + Compressor Details

The SPL Transpressor is a single channel dynamic processor that combines two fundamentally different approaches to dynamics control in one signal path: compression and level independent transient processing. By uniting these technologies, SPL set out to overcome the traditional limitations of dynamic processing and create a processor that operates both on signal level and on signal shape. The result is an ultraversatile tool suitable for corrective and creative applications in both studio and live environments.

At the heart of the SPL Transpressor is the interaction between a Transient Designer and a compressor. A transient is the initial impulse of a waveform, occurring before a full cycle has developed and playing a decisive role in how a sound is recognised. The Transient Designer shapes the waveform directly according to this transient information, allowing the attack and sustain to be amplified or attenuated without reference to signal level. This makes it possible to modify the character of a sound independently of how loud it is, whether shaping percussion, tightening bass instruments, enhancing or softening string attacks, or controlling vocal consonants.

The compressor section is based on SPL’s Twin Core Circuit design and offers extremely low distortion performance. It provides all standard compression parameters, including threshold, ratio, attack, release, and make up gain. In addition, the attack and release times can be set to operate automatically in response to the input signal, adapting dynamically in a manner comparable to cruise control. This allows for consistent and musical compression across a wide range of sources.

To further increase flexibility, the SPL Transpressor includes frequency selective side chain filtering. Two low pass filters and a mid band pass filter allow compression to focus on specific frequency ranges, making it easier to control complex material or target particular instruments within a mix. An external side chain input enables additional control options, while a Dry Wet control allows precise blending of the processed signal with the original.

A key design feature of the SPL Transpressor is the freedom to place the Transient Designer and compressor in either order within the signal path. This opens up a wide range of creative possibilities. Transients can be shaped before compression to achieve tighter and more controlled attacks, or compression can be applied first, followed by transient enhancement to restore or improve character. This flexibility makes the SPL Transpressor far more than the sum of its individual modules.

Although designed as a single channel unit, two SPL Transpressor units can be linked for stereo operation using the dedicated link function. This ensures coherent processing across stereo material while retaining all of the processor’s dynamic control capabilities.

In both studio and live use, the SPL Transpressor serves as a comprehensive dynamic processing solution. It can function purely as a Transient Designer, purely as a compressor, or as a powerful combination of both, making it suitable for drums, bass, guitar, piano, vocals, and any source with demanding dynamic behaviour.

Features

  • Combines compression and transient shaping in one processor
  • Level independent Transient Designer for attack and sustain control
  • Low distortion compressor based on Twin Core Circuit design
  • Automatic attack and release options for adaptive compression
  • Frequency selective side chain filtering for focused processing
  • External side chain input and Dry Wet control
  • Selectable processing order for Transient Designer and compressor
  • Stereo link capability using two units

Specifications

Released in: 2007
Made in: Germany
  • Inputs And Outputs: Electronically balanced instrumentation amplifiers
  • Inputs: XLR and TRS
  • Side Chain: TS
  • Outputs: XLR and TRS
  • Stereo Link: RJ45 for 568A cable
  • Input Impedance: 10 kOhm balanced, 5 kOhm unbalanced, side chain approximately 80 kOhm
  • Output Impedance: 150 Ohm balanced, 75 Ohm unbalanced
  • Nominal Input Level: +4 dBu and -10 dBV
  • Maximum Input Level: 20.5 dBu at +4 dBu, 13.2 dBu at -10 dBV
  • Maximum Output Level: 21 dBu
  • Frequency Response: 10 Hz to greater than 200 kHz at -3 dB
  • Common Mode Rejection: Greater than 60 dB at 1 kHz, 0 dBu input level and unity gain
  • THD: Transient Designer 0.004 percent, Compressor 0.005 percent at 1 kHz, 0 dBu input level and unity gain
  • Signal To Noise Ratio: Transient Designer -96.4 dB A weighted, Compressor -96.5 dB A weighted, overall 94.6 dB
  • Dynamic Range: Transient Designer 114.5 dB unweighted, Compressor 114.5 dB unweighted, overall 112.5 dB
  • Filters: Low pass 100 Hz 18 dB per octave, low pass 540 Hz 18 dB per octave, band pass 800 Hz to 3.1 kHz 12 dB per octave
  • Power Consumption: 19 VA
  • Dimensions: 88mm x 482mm x 239mm
  • Weight: 3.8 kg
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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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