Other Analogue Effects

Other analogue effects include a wide range of processors that fall outside traditional categories such as delay, reverb or modulation. This area covers specialised tools like enhancers, exciters, transient shapers, noise gates and various vintage units designed to add colour, control or unique character to audio. These processors often bring distinctive analogue flavour and creative flexibility to studio workflows, making them useful additions alongside more common effects.

Decades
Made In U.S.A.
Released in 1970 /
The Allison Research Kepex 500 was a 1970 keyable program expander for professional multi-track studios, designed to reduce unwanted track noise while also providing external keying, creative dynamic control and solid-state peak metering.
Made In U.S.A.
Released in 1973 /
The DBX 117 is a dynamic range modifier. It can compress or expand the dynamic range of any audio program by a constant factor. It will expand previously compressed material or compress material with excessive dynamic range. may be used in any situation where dynamic range must be compressed to meet limitations of recording equipment or listening environment or expanded to rectify the effects of previous compression.
Made In U.S.A.
Released in 1974 /
The Orban 245F Stereo Synthesizer transformed mono sources into realistic stereo using a patented phase-cancellation method. With adjustable dimension and separation controls, it maintained perfect mono compatibility while creating depth, space, and width ideal for mastering, FM broadcasting, and reissue work.
Made In U.S.A.
Released in 1975 /
An effects box that provided a very special kind of enhancement to your tracks, that you could not buy, but instead had to rent, really? The Aphex Aural Exciter was something of a mystery box when it was released in 1975, but it provided a solution that was perfectly timed, however is no longer relevant in today’s recording world.
Made In U.S.A.
Released in 1976 /
The dbx 118 Dynamic Range Enhancer, despite being initially targeted at consumers, has earned a solid reputation in professional studio environments.
Made In U.S.A.
Released in 1976 /
The dbx 119 is remembered for its versatility and advanced features, offering extended compression range, precise threshold-based control, and dual modes for professional and audiophile use. Its ability to enhance dynamic range and provide consistent, high-quality sound made it a valuable tool in studios and public address systems, all at an affordable price.
Made In Japan
Released in 1977 /
The Roland RE-301 Chorus Echo is a vintage tape delay unit known for its warm analogue sound. It features a built-in chorus for added modulation. The unit has straightforward controls for easy manipulation and is suitable for musicians seeking a classic, reliable delay effect with a touch of vintage charm.
Explore the full Series
Made In U.S.A.
Released in 1977 /
The dbx 3BX is a state-of-the-art dynamic range expander that enhances audio quality by dividing the sound spectrum into three frequency bands. Utilising advanced RMS detectors and voltage-controlled amplifiers, it individually expands bass, midrange, and treble, ensuring pristine sound clarity and preserving musical integrity even in the most complex compositions.
Made In U.S.A.
Released in 1977 /
The dbx 110 is an innovative device that enhances stereo systems by addressing the limitation of reproducing deep bass frequencies below 50 Hz. It samples low-frequency fundamentals, generates these signals an octave lower, and mixes them back in at controllable levels. This results in a rich, deep bass experience, similar to that of a live performance.
Made In Japan
Released in 1978 /
The dbx 228 combined the professional noise reduction of the dbx 224 with the dynamic range expansion of the 1BX Series Two, providing 30dB noise reduction, 100dB dynamic range, and complete tape hiss elimination. With its dbx Disc Decoder and linear decibel companding system, it brought the sound and presence of live music to home and studio playback systems alike.
Explore the full Series
Made In U.S.A.
Released in 1978 /
The dbx 100 Boom Box: revolutionising your audio experience by restoring the missing low-frequency bass in your favourite recordings. Say hello to a new dimension of sound fidelity and depth.
Made In U.S.A.
Released in 1978 /
The marketing material for the dbx 128 said: ‘Records deliver only half of the dynamics of live music. What happened to the other half?’ And that is the solution the dbx 128 tried to provide.