Vintage Digital

Microphone Preamplifiers

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding “soft knee” vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. Upon it’s release in 1993, it was THE mic pre to have!
In designing the D.W. Fearn VT-1 preamp, no compromise in sonic quality, reliability, or ruggedness was permitted. Like the best tube equipment of the 1950s and ’60s, the VT preamp is built on a heavy-gauge aluminum chassis, utilizing point-to-point wiring.
In designing the D.W. Fearn VT-2 preamp, no compromise in sonic quality, reliability, or ruggedness was permitted. Like the best tube equipment of the 1950s and ’60s, the VT preamp is built on a heavy-gauge aluminum chassis, utilizing point-to-point wiring.
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