Audio Interfaces

Audio interfaces form the connection between microphones, instruments and computer-based recording systems. By converting analogue signals into digital audio and routing playback back to monitoring systems, interfaces became central to modern studio workflows as recording shifted from standalone machines to computer-based production.

This archive includes both early digital recording interfaces and modern professional systems used in studio environments. From rack-mounted converters and integrated preamp units to advanced multi-channel recording interfaces, these devices shaped the evolution of digital audio production.

Decades
Made In U.S.A.
Released in 2003 /
The Universal Audio 2192 Master Audio Interface is the perfect two-channel master audio interface for every digital studio. It was also one of the sweetest sounding converters ever made, not deadly accurate, but truly musical.
Made In China
Released in 2005 /
The MOTU 2408 Mk3 transforms your computer into a 24-bit/96kHz digital audio workstation, offering 8 channels of high-resolution analogue I/O plus 24 channels of ADAT and Tascam digital I/O. With the PCI-424 card, up to four interfaces can be connected for 96 simultaneous inputs and outputs at 96kHz.
Made In China
Released in 2005 /
The MOTU 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources.
Made In China
Released in 2006 /
The Mackie Onyx 400F Studio Recording Preamp with 192kHz FireWire I/O is a premium audio interface featuring four high-end Onyx mic preamps, mastering-grade AKM converters, and a 10 x 10 DSP Matrix Mixer with 64-bit floating-point processing. Built for professional recording on Mac or PC, it offers robust construction, near-zero-latency monitoring, and flexible routing options.
Made In China
Released in 2008 /
The MOTU 828 Mk3 is MOTU’s most advanced FireWire audio interface. Once again it raised the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Made In China
Released in 2008 /
The Mackie Onyx 1200F FireWire audio interface offers 30 inputs, 34 outputs, and 12 premium Onyx mic preamps, providing full-band tracking in a single take. With 8 analogue outputs, 4 headphone outs, AES/EBU, S/PDIF, ADAT, WordClock, MIDI I/O, and a customisable routing matrix, it’s built for versatility. High-end AKM 24-bit, 192 kHz converters ensure pristine sound, while Mackie’s legendary reliability makes it a powerhouse for any studio setup.
Made In China
Released in 2008 /
The Lexicon I•ONIX FW810S is a 1U FireWire studio hub combining eight dbx mic preamps, dbx dynamics and EQ on every channel, Lexicon zero-latency monitor reverb, Type IV conversion and a powerful snapshot-enabled software Mixer, bundled with Cubase LE 4, EZ Drummer Lite and Pantheon II.
Made In China
Released in 2012 /
The MOTU 896mk3 Hybrid is a professional audio interface with FireWire and USB2 connectivity, offering eight channels of 24-bit/192 kHz analogue I/O, extensive digital connections, and DSP-powered effects. Its CueMix FX mixer provides zero-latency monitoring, while advanced analysis tools enable precise audio diagnostics. Usable as a standalone digital mixer, it delivers high-quality performance for both studio and live applications.
Made In China
Released in 2014 /
The MOTU 828x is a professional 28-in/30-out audio interface with Thunderbolt and USB connectivity, high-resolution 192 kHz audio, and built-in DSP effects. It features extensive analogue and digital I/O, zero-latency monitoring, and standalone mixing capability. Housed in a durable aluminium chassis, it is ideal for both studio and live use.
Made In China
Released in 2014 /
The MOTU 8M is a professional audio interface featuring eight pristine mic preamps, 48-channel digital mixing, and AVB audio networking. It offers ultra-low latency, ESS Sabre32 Ultra™ converters for exceptional audio quality, and versatile connectivity via Thunderbolt, USB, and Ethernet.
Made In China
Released in 2014 /
The MOTU 16A is a professional audio interface with 16 analogue inputs and outputs, 48-channel digital mixing, and AVB audio networking. It features ESS Sabre32 Ultra™ converters, ultra-low latency via Thunderbolt and USB, and a powerful 48-channel mixer with modelled analogue EQ and compression.
Made In China
Released in 2014 /
The MOTU 24Ai is a professional audio interface with 24 balanced analogue inputs, 48 digital channels via ADAT, and a total of 72 audio channels. It features USB and AVB Ethernet connectivity, a 48-channel digital mixer with DSP effects, and flexible control via a web app, ideal for studio and live environments.