Compressors & Limiters

Compressors and limiters are essential dynamics processors used throughout recording, mixing and mastering. From early valve and variable-mu designs to FET, VCA and optical circuits, hardware compressors have shaped the control, punch and tonal character of recorded sound across decades of studio production.

This archive covers both vintage studio compressors and modern hardware designs, including faithful recreations and contemporary interpretations of classic circuits. From original units produced in the 1960s and 1970s to current production models and replicas, these dynamics processors remain central to professional studio workflows.

Decades
Made In U.K.
Released in 1999 /
The Maselec MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
Made In Japan
Released in 1999 /
Sony SRP-L210 delivers a versatile combination of compression, expansion, harmonics processing, and peak limiting in a dual-channel analogue format, suitable for both studio and live applications.
Made In U.K.
Released in 1999 /
The Focusrite Compounder is a high-performance dual mono compressor, limiter, and gate, tailored for audio professionals and project studio owners seeking top-tier quality.
Made In U.S.A.
Released in 2000 /
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
Made In U.K.
Released in 2000 /
The Klark Teknik DN 504 is a 1RU unit with four compressors, hard/soft knee options, auto/manual controls, and stereo linking. Ideal for in-ear monitoring, it includes gain reduction and output level metering.
Made In Denmark
Released in 2001 /
The TC Electronic Triple-C combined multi-band, full-band and envelope compression in a 1U digital processor with presets, MIDI automation, sidechain functions, spectral adjustment and S/PDIF digital I/O.
Made In U.K.
Released in 2001 /
The Maselec MLA-4 splits the input into three adjustable frequency bands, each processed by its own stereo compressor/expander with selectable crossover points and independent gain controls, allowing precise dynamic shaping or equalisation of each band.
Made In U.S.A.
Released in 2001 /
The Empirical Labs FATSO is one of those effects that until you use one, you really do not fully understand just how useful it truly is, and it is one truly useful box of tricks it has to be said!
Made In U.K.
Released in 2001 /
The Focusrite Penta packs every dynamics processor you could ever need into a compact 2U rack-mountable unit, making it a standout addition to your recording setup and one of the best investments you’ll ever make.
Made In U.S.A.
Released in 2002 /
The Avalon Design AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements.
Made In U.S.A.
Released in 2003 /
Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in and get it LOUD.
Made In U.S.A.
Released in 2003 /
The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.