Vintage Digital

Microphone Preamplifiers

Classic Recording Studio Equipment

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

The Manley Voxbox combines the Manley Mono Mic Preamp, the ELOP reborn as a lower ratio compressor, the MID EQ blown out as a full range PEAK-DIP-PEAK EQ, and a DeEsser with a second ELOP limiter at the end.
The Gyraf Audio G9 is a dual true tube microphone preamp – made like our mother did it. It’s a simple, yet powerful unit, based on a variable-gain input tube stage driving a tube SRPP output stage. No silicon or other crap in signal path.
The Aphex Channel Master Preamp is a microphone preamplifier used for professional recording. It has a clean sound with low noise and distortion, and includes features such as a high-pass filter, impedance control, and optical compression.
The dbx 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination.
Building upon its 25-year legacy producing revered recording studio equipment; Manley Labs has distilled its core technologies from this lineage. 2014 delivered the Manley Core, an innovative channel strip that combines Manley’s Greatest Hits with fresh technology.
The SPL Crescendo Duo Dual-Channel Microphone Preamplifier with 120V technology provides exceptional headroom and low noise floor.
The Locomotive Audio 86B-2 Vacuum Tube Preamp provides Two Huge Channels of Sweet and Harmonic Tube Preamp Gain that can sound Warm and Clean to Aggressive and Grungy.
dbx Professional Products are proud to introduce the all new dbx 676 Tube Mic Pre Channel Strip. The 676 represents all of the best of dbx’s more than 40 years of dynamics processing.
From America’s premier high-end studio gear manufacturer, the Manley Force contains four channels of real High Voltage vacuum tube microphone preamplifiers extracted from the hugely popular and award winning Manley CORE®, housed in an exquisitely gorgeous chassis, and meticulously hand-crafted in California.
The Locomotive Audio WT-72 is a two-channel all-tube equalizer that is renowned for its warm and musical sound, and is commonly used in professional recording studios for mixing and mastering applications.
The Neve 1073DPX has two channels of 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and a high pass filter.
The all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.
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