The dbx 160 Series marked a major step forward in professional dynamics control, introducing engineers to one of the most musically transparent compressors ever made. Launched in the mid-1970s, the series was based on David Blackmer’s RMS detection and feed-forward VCA design, delivering smooth, natural compression that responded directly to perceived loudness rather than peak levels. Known for its simplicity and precision, the dbx 160 quickly became a studio staple, praised for its ability to control dynamics without altering tone or attack. Its trademark “OverEasy” compression curve, introduced in later versions, made gain reduction virtually inaudible, establishing the 160 Series as a benchmark for clean, musical compression that remains a recording industry standard to this day.