Preserving the GEAR that shaped music HISTORY
Vintage Recording Equipment Archive
Vintage Digital is an archive of vintage recording equipment and classic studio gear documenting the history of recording technology. From early tape recorders to breakthrough digital processors of the 1980s and beyond, it traces how recording technology shaped modern music.
1,865
Equipment Entries
240+
Brands
780+
Manuals
90+ Years
of Recording History
The Latest Classic Recording Gear Additions
Explore our growing library of 1,865 classic recording equipment entries
Made In U.S.A.
Released in 1976 /
Introduced in 1976, the Crown EQ 2 Graphic Equaliser combined two channels of eleven-band equalisation with independently adjustable bass and treble shelving controls. Each equaliser band offered stepped boost and cut together with a variable centre frequency, allowing adjustments between the nominal octave centres. Its combination of broad tonal adjustment and more selective frequency correction formed Crown’s synergistic equalisation system, intended to compensate for response irregularities in audio equipment, room acoustics and recorded material.
Made In U.S.A.
Released in 1961 /
The Langevin EQ-252-A was a seven-band passive graphic equaliser designed for recording, television broadcasting and motion-picture sound. It combined individual sliding controls with fixed frequency bands, providing up to 8 dB of boost or attenuation in 1 dB steps. Its bridged-T circuitry required no valves or power supply, while seven plug-in filter sections, sealed toroidal coils and gold-plated switching contacts formed a compact assembly intended for panel mounting.
Made In U.S.A.
Released in 1976 /
Introduced in 1976, the Crown EQ 2 Graphic Equaliser combined two channels of eleven-band equalisation with independently adjustable bass and treble shelving controls. Each equaliser band offered stepped boost and cut together with a variable centre frequency, allowing adjustments between the nominal octave centres. Its combination of broad tonal adjustment and more selective frequency correction formed Crown’s synergistic equalisation system, intended to compensate for response irregularities in audio equipment, room acoustics and recorded material.
Made In U.S.A.
Released in 1961 /
The Langevin EQ-252-A was a seven-band passive graphic equaliser designed for recording, television broadcasting and motion-picture sound. It combined individual sliding controls with fixed frequency bands, providing up to 8 dB of boost or attenuation in 1 dB steps. Its bridged-T circuitry required no valves or power supply, while seven plug-in filter sections, sealed toroidal coils and gold-plated switching contacts formed a compact assembly intended for panel mounting.
Classic Tracks from Recording History
Deep dives into iconic songs and how they were recorded
Recently Added Manuals
The latest user manuals and service manuals added to the archive
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