DTRS Recorders

DTRS recorders introduced digital multitrack recording using compact video cassette media adapted for audio storage. Emerging during the 1990s, Hi8-based systems provided an alternative to other digital tape formats and played a role in the evolution of project studio recording.

This archive includes DTRS digital recording machines used in professional and semi-professional environments. These systems bridged the gap between analogue tape workflows and later hard disc and solid state recording platforms, contributing to the transition toward fully digital production.

Decades
Made In Japan
Released in 1992 /
The Yamaha DRU8 is an eight track PCM digital recorder designed for professional music, broadcast and post production systems, offering 20 bit recording, reliable tape handling, flexible system control and full integration with Yamaha’s digital mixing consoles.
Made In Japan
Released in 1993 /
The year of 1993 saw the arrival of the first challenger to the groundbreaking Alesis ADAT, and what a challenger it was too, with smaller tape size, and importantly better sound quality! It went on to become the biggest selling product in Tascam’s history, selling more than 60,000 units!
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Made In Japan
Released in 1994 /
In the realm of embracing budget-friendly digital 8-track recording, Sony took a collaborative approach instead of crafting their own system. Opting to partner with Tascam, the result is the Sony PCM-800, essentially a Tascam DA-88 with a touch of rebranding.
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Made In Japan
Released in 1997 /
The TASCAM DA-98 takes all the advantages offered by the DTRS format and significantly ups the ante for the professional and post-production professional alike. With enhanced A/D and D/A convertors, a comprehensive LCD display and full compatibility with the DA-88 and DA-38, the TASCAM DA-98 delivers the absolute best in digital multitrack functionality.
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Made In Japan
Released in 1997 /
The TASCAM DA-38 Multitrack DAT Recorder is an 8-track Hi-8mm digital multitrack system from 1997, offering extended recording time, DA-88 compatibility, and a modular design for scalable digital recording setups.
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Made In Japan
Released in 1998 /
The TASCAM DS-D98 builds on the DA-98HR platform to offer the world’s only tape-based Direct Stream Digital recorder capable of both two-track DSD and multitrack PCM recording, fully compatible with up to 256-unit DTRS environments and synchronisable for up to 32 DSD tracks, while also supporting selectable 16- or 24-bit PCM at sample rates up to 192 kHz, comprehensive digital I/O and professional synchronization features.
Made In Japan
Released in 2000 /
The TASCAM DA-78HR is the first 24-bit DTRS format 8-track Modular Multitrack Recorder, designed primarily for professional recording studios, project studios and home recording studios where 24-bit high quality digital audio recording is essential.
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Made In Japan
Released in 2004 /
The TASCAM DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post-production and the highest end of commercial recording facilities. Since its introduction in 1993, TASCAM’s DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry.
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