Released in 1991

Sony DPS-R7 Reverberator

The Sony DPS-R7 was the first in a new digital effects line up from Sony, its success spawned a number of other effects using the same architecture as the DPS-R7. The Sony DPS-R7 is an excellent digital reverb that still stands up today, with its full bandwidth and excellent reverb algorithms, it is hampered only by its truly awful interface if you wish to program it.

Released in 1991

Sony DPS-D7 Digital Delay

On the back of the success of the Sony DPS-R7, Sony developed and released the next processor in the line-up, the DPS-D7 Digital Delay with audible improvements. Sony didn’t just add in the new algorithms and release it, they also chose to make the DPS-D7 use a higher sampling rate of 48kHz to improve the bandwidth even further than the DPS-R7.

Released in 1991

dbx 163X Compressor Limiter

The dbx 163X Compressor/Limiter provides smooth, natural-sounding OverEasy® compression with easy, hands-on control, versatile inputs for recording and live use, and features like stereo-strapping for balanced stereo compression, making it ideal for enhancing instrument and vocal levels while preventing PA overload.

Released in 1991

dbx 263x De-Esser

The dbx 263x De-Esser is a highly effective and versatile tool for any audio engineer or producer looking to improve the quality of their vocal recordings.

Released in 1991

TASCAM 488 Portastudio 8 Track Cassette Recorder

The Tascam 488 Portastudio is an eight-track, eight-channel rackmount recording system that combines a twelve-input mixer (eight mono channels with trim and EQ plus two stereo auxiliaries, four group busses and dual effect sends) with a four-track simultaneous overdub recorder at 9.5 cm/s.

Released in 1991

Yamaha DTR2 Digital Audio Tape Recorder

The Yamaha DTR2 is a professional rack-mounted DAT recorder designed for studio mastering. It offers optical and coaxial digital I/O, balanced and unbalanced analogue connections, and high-quality 1-bit AD/DA conversion. With excellent audio specs, intuitive controls, and a full-function remote, it delivers strong performance but lacks external control ports for integration with automation systems.

Released in 1991

Roland DM-80 Multi-Track Disk Recorder

The Roland DM-80 is an affordable mufti track recorder system for tapeless recording. It is a complete music production system that provides comprehensive control over recording, playback and editing operations.

Released in 1991

RSP Technologies Saturator

The RSP Technologies Saturator is a dual channel, two rack space unit finished in anodised blue.

Released in 1991

TUBE-TECH CL 1B Opto Compressor

The Tube-Tech CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.

Released in 1991

TUBE-TECH PE 1C Program Equaliser

The TUBE-TECH PE 1C is a passive, all-tube EQ, based on the legendary PULTEC EQP 1A design and featuring a passive EQ section and a high-quality op amp.

Released in 1991

Roland RSP-550 Stereo Signal Processor

After failing to make an impact with the Roland R-880, Roland went back to what they do best, affordable multi effects processors and the Roland RSP-550 was born. The Roland RSP-550 was a departure from the norm for Roland, gone was the SRV nomenclature, but only for a short while when they returned with the SRV-330.

Released in 1991

Lexicon LXP-15 Multi-Effects Processor

The Lexicon LXP-15 offers a rich and distinctive palette of special effects, including 128 preset effects programs to get you started. Each program has up to five display pages of variable parameters that you can adjust for subtle or dramatic changes in the program’s sound, and you can store as many as 128 customised programs in user memory.