Released in 2020

Gainlab Audio Empress Tube Equaliser

The Gainlab Audio Empress stands as a dual-channel passive equaliser featuring a tube amplifier and three bands on each side. Its compact design occupies only 2U of studio space, yet it wields a profound influence over your sound.

Released in 2020

Avedis Audio E12G 12 Band Graphic Equaliser

The Avedis Audio E12G 12 Band Graphic Equaliser was designed for the need for a high-quality graphic equaliser in a 500 series module format.

Released in 2020

Stam SA-660 Stamchild Tube Compressor

The Stam SA-660 Stamchild recreates every drop of character of the original Fairchild 660 originally developed in the US in the early ‘50s.

Released in 2020

dbx 166xs Compressor Limiter Gate

Adding a dbx 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound.

Released in 2020

Black Lion Audio Bluey FET Limiting Amplifier

Black Lion Audio Bluey is a faithful recreation of Chris Lord-Alge’s modified 1176 Blue Stripe, with added wet/dry mix, stereo linking, and enhanced circuitry, built to deliver the unique character of a legendary vocal compressor.

Released in 2020

RME ADI-2 FS AD/DA converter

The RME ADI-2 FS is a compact, high-precision 2-channel AD/DA converter featuring SteadyClock FS for ultra-low jitter, 24-bit resolution, and support for sample rates up to 192 kHz. With balanced analogue I/O, AES/EBU, SPDIF coaxial and optical digital connections, it delivers transparent conversion and versatile routing in a rugged, studio-ready design.

Released in 2020

RME Fireface UFX II USB Audio Interface

The RME Fireface UFX II is a 60-channel USB audio interface offering high-end 24-bit/192 kHz AD/DA conversion, four digitally controlled mic preamps, dual ADAT, AES/EBU, SPDIF, MIDI, and Word Clock I/O. It features SteadyClock FS for ultra-low jitter, TotalMix FX for zero-latency DSP mixing, and DURec for standalone multitrack USB recording—making it a versatile, professional-grade solution for studio and live use.

Released in 2020

RME 12Mic Digitally Controlled Microphone Preamplifier

The RME 12Mic is a 12-channel digitally controlled microphone preamp with exceptional A/D conversion, AVB and MADI connectivity, and precise remote control. It offers up to 75dB of gain, instrument compatibility, and seamless integration into modern networked audio systems, making it ideal for studio, live, and broadcast use.

Released in 2020

RME M-32 AD Analogue to Digital Converter

The RME M-32 AD is a 32-channel high-end analogue-to-digital converter designed for professional studio and broadcast environments. It features balanced inputs, analogue limiters, switchable reference levels up to +24 dBu, and digital outputs via MADI and ADAT. With SteadyClock technology and a 2U rackmount design, it delivers precise, transparent conversion for demanding multichannel workflows.

Released in 2020

RME M-16 AD Analogue to Digital Converter

The RME M-16 AD is a 16-channel high-end analogue-to-digital converter featuring balanced inputs, analogue limiters, selectable reference levels, and digital output via MADI and ADAT. With SteadyClock, MIDI control, and a rugged 2U rackmount design, it delivers precision A/D conversion for studio, stage, and broadcast environments.

Released in 2020

RME M-32 DA Digital to Analogue Converter

The RME M-32 DA is a professional 32-channel digital-to-analogue converter with balanced outputs, selectable reference levels, MADI and ADAT input, and SteadyClock technology. It provides precise, low-distortion conversion and remote control capability in a robust 2U rackmount design.

Released in 2020

RME M-16 DA Digital to Analogue Converter

The RME M-16 DA is a 16-channel professional digital-to-analogue converter with balanced outputs, ADAT and MADI input, SteadyClock jitter suppression, and MIDI control. With precision conversion and flexible I/O in a 2U rackmount design, it’s ideal for studio, live, and broadcast applications.