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Ensoniq DP/2 Parallel Effects Processor

Ensoniq DP/2
The Ensoniq DP/2 is equally at home in a professional recording studio, home studio, guitar rig, MIDI setup, or PA system. The Ensoniq DP/2 creates 24-bit digital effects using two independent processors and features two independent inputs and outputs with full internal mixing capabilities and discrete stereo processing.
User Manual

Ensoniq DP/2 Parallel Effects Processor Details

The Ensoniq DP/2 Parallel Effects Processor has over 60 high-fidelity fully programmable digital effect algorithms. Reverb, chorusing, flanging, delay, distortion, pitch shifting, and an assortment of other effects are provided with dynamic control over most of the settings.

There are 600 effect presets: 300 permanent in ROM (Read Only Memory) and 300 additional presets in RAM (Random Access Memory) for you to edit or store your own creations.

The Ensoniq DP/2’s two-in, two-out design permits stereo processing of two parallel channels (multi-processing). There is only one user interface, but up to two different input signals can each go to a separate internal signal processor. Independently configurable inputs and outputs also allow for special types of effects, like keyed expansion and ducking.

The Ensoniq DP/2 can be used as one big effects box, or two separate effects boxes. The routing between the two processing units is programmable, allowing for a serial or parallel combination of effects. The DP/2 also offers paths to feedback the signal, and side-chain capability. The variable architecture and rich assortment of algorithms provides for unusual effect structures not found in fixed routing systems.

The Ensoniq DP/2 is equipped with an advanced digital signal processing system based on the Ensoniq Signal Processor (ESP) chip. The ESP chip is designed specifically for digital audio signal processing, and in the DP/2, two ESP chips work in conjunction with 16-bit analogue-to-digital and digital-to-analogue converters to provide a studio-quality output signal.

The digital effects processing capability has been designed to complement any input source (balanced/unbalanced; +4dBu to-10dBV), and all of the algorithms (except the Guitar Tuner) can have specific parameters modulated by various MIDI and non-MIDI controllers such as a keyboard’s pitch wheel, or the local CV Pedal.

Specifications

Released in: 1995
Made in: U.S.A.
  • A/D – D/A conversion: 16 bit linear
  • Input Level: -18.5 dBV to +19.5 dBu
  • Maximum output level:
  • Output impedance: 220 Kohms
  • Frequency Response: 2 Hz-16 kHz “wet”
  • Dynamic Range: 96dB
  • Signal to Noise ratio: -90dB “A” weighted
  • THD+Noise: >.0032% (90dB) “A” weighted
  • Crosstalk between channels: better than -80 dB (1 kHz) IM distortion (SMPTE): 0.05%
  • Dimensions: 482mm x 43mm x 236mm
    Weight: 2.9 kg
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User Reviews

Ensoniq DP/2 Parallel Effects Processor User Reviews

Sonic versatility

By Lektromulus

Sound Quality 95%
Build Quality 85%
Usefullness 100%
Mojo/Funk 100%
Reliability 75%

My unit required extensive work including new, encoder knob, screen, all new capacitors and jumping and work in the input and output circuits because of leaky caps and a power supply rebuild. However, 2 years of running alongside lexicon, eventide, Strymon, and GFI processors and pedals the dp2 definitely holds its own! The phasers, flangers and pitch shifting are superb. The reverbs are hit and miss and some are a bit grainy or metallic in a funky way and others are good and still useful today. The 2 line display is a bit tedious but terse enough to work well enough. If you find one, buy it!

Dope

By Theo H

Sound Quality 100%
Build Quality 100%
Usefullness 100%
Mojo/Funk 100%
Reliability 100%

Charasmatic FX unit

By Anonymous

Sound Quality 90%
Build Quality 80%
Usefullness 90%
Mojo/Funk 70%
Reliability 85%

Many FX algorithm in this unit, and all are premium quality. Interface is a bit boring for editing, especially in 2DSP mode, but presets are good. (boring editing = bad mojo note) This unit has some secrets weapons in my point of view: fat “Roland” ultra-chorus, complex reverbs, even compressor algorithm is really cool, it gives my samples an EMU fat vibe. I had also an Ensoniq DP/PRO, sound quality is nearly the same although DSP is newer on PRO model, but reliability was poor on my PRO unit. This dp2 is a killer ;) (I “work” with lexicon, eventide, publison, roland space echo)

Useful!

By Anonymous

Sound Quality 90%
Build Quality 80%
Usefullness 95%
Mojo/Funk 95%
Reliability 80%

This unit has some really quality FXs. I like it for coloured reverbs and especially for its doubler-widening programs (I have not found such nice widening-doubler algos in plugins and I own…many. Eventide H3000 native, Soundtoys, many reverbs etc… ). It has also very very good phaser-flangers.

Review

By Alex909

Sound Quality 100%
Build Quality 80%
Usefullness 80%
Mojo/Funk 100%
Reliability 80%

Used it? Leave your rating and review.

1-Unit RAM Presets (Bank 1)

Category # Name Description
Reverbs 00 Vocal Plate 1 Bright with lots of early reflections. Try it on backing vocals.
Reverbs 01 Synth Plate Long, bright decay.
Reverbs 02 Vocal Plate 2 Dark, long decay.
Reverbs 03 Glitter Plate A bright plate with good spread; try it with drums.
Reverbs 04 Reflections Very live plate, with high early reflection levels.
Reverbs 05 Zobie Plate High reflection levels and a short decay time. Foot switch 1-L adds pre-delay.
Reverbs 06 Slam Plate Tight, with short decay. Foot switch 1-L offers longer variation.
Reverbs 07 Multi Plate Foot switch 1-L toggles two decay variations.
Reverbs 08 Short Plate Short .71 second decay.
Reverbs 09 Ballad Reverb Dark decay, great on vocals.
Reverbs 10 Close Hall Second row, center.
Reverbs 11 Bright Hall Big space with hard surfaces.
Reverbs 12 Vocal Hall Foot switch 1-L toggles two different listening positions within the hall.
Reverbs 13 Concert Hall 1 Foot switch 1-L will alternate dark and bright variations.
Reverbs 14 Concert Hall 2 Big hall with lots of reflections. Foot switch 1-L alters decay time.
Reverbs 15 Summer Hall Starts with medium decay, foot switch 1-L shortens decay time.
Reverbs 16 Famous Hall Smooth, bright decay; 3.47 decay time.
Reverbs 17 Movie Hall Hollywood soundtrack reverb; a long decay, bright hall with plenty of sizzle.
Reverbs 18 Huge Empty Hall You’re in a concert hall all alone… Foot switch 1-L toggles the HF bandwidth.
Reverbs 19 Dry Room Tight room sound with quick decay time.
Reverbs 20 Room 224 Bright room reverb.
Reverbs 21 Medium Room Foot switch 1-L will make the room smaller.
Reverbs 22 Dark Room Extra rear wall reflections can be added with foot switch 1-L.
Reverbs 23 Early Reflects Non linear reverb simulates early echo reflections in a room.
Reverbs 24 Distant Mics/Rm Ambience from the back of the room.
Reverbs 25 Conga Room Rev Medium size room optimized for percussion.
Reverbs 26 Live Perc Room Bright live space; try it with Latin percussion.
Reverbs 27 Smooth Non Lin Great for pop dance drum tracks.
Reverbs 28 Bright Non Lin Fast decay; try it with drums and percussion.
Reverbs 29 Fake Linear Verb Non-linear hall simulation.
Reverbs 30 Vintage Verb Sounds like a loosely tuned plate reverb.
Reverbs 31 Gated Verb Smooth release, great for toms.
Reverbs 32 Dark Drum Room Small room with very absorptive surfaces.
Reverbs 33 Digital Drm Room Foot switch 1-L offers two time variations.
Reverbs 34 Smooth Gated Rev Gated reverb with a less abrupt decay. Foot Sw 1-L adds the slapback DDL.
Reverbs 35 DynamicGatedRev Gated reverb pulses according to the source’s dynamic level.
Reverbs 36 Boom Room Non linear reverb with plenty of bottom.
Reverbs 37 Kickdrum NonLin Medium decay; try it on toms, too.
Reverbs 38 Doppler Hall Deep flanging creates the doppler pitch bending effect.
Reverbs 39 Tiled Room Short decay time, bright room with hard surfaces.
Reverbs 40 Gymnasium A big open room, long decay.
Reverbs 41 Backstage Small room, all-purpose.
Reverbs 42 String Verb Long pre-delay adds depth.
Reverbs 43 French Horn Verb A dark reverb with a long decay for brass.
Reverbs 44 Slap Room Small room with an obvious slap echo off the back wall.
Reverbs 45 Quick Slaps Small room with hard surfaces and prominent early reflections.
Reverbs 46 Splatter Plate Louder early echos thicken & spread. Optimized for synths and lead sounds.
Reverbs 47 Small Reflection Small room, short decay, with a pronounced back wall reflection.
Reverbs 48 Small Room Gtr Small bright wood room designed for acoustic guitars; also try it with brass.
Reverbs 49 Bat Cave Cavernous open space with long decay time.
Reverbs 50 Small Room Rev Foot switch 1-L toggles two decay variations.
Reverbs 51 Large Room Rev Foot switch 1-L toggles two decay variations.
Reverbs 52 Hall Reverb Large, bright hall with highly reflective walls.
Reverbs 53 Small Plate Rev All-purpose plate sound with 1.35 second decay.
Reverbs 54 Large Plate Rev Decay time is 2.89 seconds.
Reverbs 55 Reverse Reverb FtSw 1-L toggles slapback echo on/off. CV pedal changes trigger threshold.
Reverbs 56 RetrigReverseRev Each signal that crosses the threshold will re-start the reverb’s envelope.
Reverbs 57 Gated Reverb Gated Reverb that has a more abrupt release time than preset #31.
Reverbs 58 Non Lin Reverb 1 Foot switch 1-L toggles two variations in brightness.
Reverbs 59 Non Lin Reverb 2 More stereo movement.
Reverbs 60 Non Lin Reverb 3 Optimized for percussion.
Time Based Processing 61 Plate-Chorus 1 Plate reverb runs through chorusing for an extra smooth decay.
Time Based Processing 62 Plate-Chorus 2 Longer plate reverb through chorusing; nice on electric keyboards.
Time Based Processing 63 Chorus-Reverb 1 Smooth chorus into bright plate reverb.
Time Based Processing 64 Chorus-Reverb 2 Faster chorus rate and shorter decay time.
Time Based Processing 65 8 Voice Chorus Use foot switch 1-L to add more chorus regeneration for a thicker texture.
Time Based Processing 66 EQ-Chorus-DDL Foot switch 1-L turns on the DDL repeats.
Time Based Processing 67 Lush Keys EQ, chorus and delays set up for electric pianos, synths, etc.
Time Based Processing 68 Wet Chorus Chorusing plus delays. Parameters 07 and 08 set delay times.
Time Based Processing 69 Fusion Bass Delays are added to the chorus; great with fretless bass.
Time Based Processing 70 Slow Chorus Slow LFO, less wide, with a slight bit of DDL added.
Time Based Processing 71 Fast Chorus Quicker LFO speed and more width.
Time Based Processing 72 NonLin Chorus Smooth chorusing coupled with a quickly decaying plate.
Time Based Processing 73 Sci-Fi Flanger Deep flanging bends the signal up & down slowly for instant sound effects.
Time Based Processing 74 Fast Flanger-Rev Edit parameter 04 for different rates.
Time Based Processing 75 Flanger-Reverb Flanger plus plate reverb combined in one unit.
Time Based Processing 76 EQ-Flanger-DDL Thick, slow flanging with delays; try it on guitars or synth pads.
Time Based Processing 77 Phaser-DDL Deep phase shifting with long delays.
Time Based Processing 78 Flanger CV pedal sweeps the flanger rate.
Time Based Processing 79 Country Keys Keyboard phase shifter texture.
Time Based Processing 80 Medium Flange Try sweeping the flanging rate with a CV pedal during a solo.
Time Based Processing 81 Tight Flange Deep, slow flanging effect.
Time Based Processing 82 Key Funk Flange Medium flanging along with DDL fatten up rhythm parts.
Time Based Processing 83 Key Funk Phaze Delays with a thick phasing effect; try with clav or percussive keyboard parts.
Time Based Processing 84 Phaser-Reverb Slow moving phase shifter feeds a plate reverb.
Time Based Processing 85 Surf Organ Fast phaser creates 60’s cheesy organ sound. FtSw 1-L toggles two rates.
Time Based Processing 86 Multi Tap Delay Four delay taps with separate time, level, pan and regeneration amounts.
Time Based Processing 87 Dual Delay Two delay taps set up for a ping-pong effect.
Time Based Processing 88 Tempo Delay 1/2 note delays at 120 BPM. Set parameters 03 and 04 to your needs.
Time Based Processing 89 EQ-DDL-with LFO The LFO moves the delay for a fat delay effect. Try changing parameter 06.
Time Based Processing 90 FS Tap-Tempo DDL Tapping foot switch 1-L sets the delay tempo.
Time Based Processing 91 Vocal Spice Tight slap echos fatten the vocal; set tap 1 time to fit your tempo.
Time Based Processing 92 Slap Vocal Two slapback echoes create a classic vocal treatment.
Time Based Processing 93 MIDI Clock Delay Send MIDI clocks to control delay time. Ft Sw 1-L toggles 1/4 & 1/8 delays.
Time Based Processing 94 Multi Slaps Four quick slap echoes; try it on vocals.
Time Based Processing 95 Mono Multi Taps Four delays in mono; delay times set for 100 BPM.
Time Based Processing 96 Ping Pong Delay Delays slap from one side to the other. Set rate with parameters 03 and 04.
Time Based Processing 97 Pitch Shifter Foot switch 1-L toggles intervals.
Time Based Processing 98 Pitch Shift-DDL Harmonies spiral upward; delay controlled by foot switch 1-L.
Time Based Processing 99 Fast Pitch Shift CV Pedal increases the detuning.

1-Unit RAM Presets (Bank 2)

Category # Name Description
Time Based Processing 00 Vocal Spreader Popular de-tune effect with wide panning.
Time Based Processing 01 Tape Stop Effect Great for sound effects; sounds like the abrupt stop of an analog tape deck.
Time Based Processing 02 Slap in the Face Four fast delays spread across the stereo field.
Time Based Processing 03 Vintage Delay CV CV pedal moves the delay time just as you could on an old tape delay.
Time Based Processing 04 Pitch Correction MIDI pitch bend (DP/2 controllers channel) changes pitch; record into a sequencer.
Time Based Processing 05 Unique Doubler Short delays, detuning and feedback loop; try it on synths.
Time Based Processing 06 Octave Shift/DDL An octave harmony through delays.
Time Based Processing 07 Fast LFO Detune 10 cent detuning with fast LFO modulation.
Time Based Processing 08 Phase-0 Slow phasing creates 3-dimensional spacial manipulation and surround FX.
Time Based Processing 09 Dimensional DDL Unique delay preset created with the reverb pre-delay parameter.
Time Based Processing 10 Sparkle PS-DDL Swirly vocal effect using a small pitch shift and short delay times.
Time Based Processing 11 1/16 Note DDL Plays one beat of 1/16th notes. 90 BPM, internal clock controls tempo.
Time Based Processing 12 1/16 Triplet DDL 90 BPM, internal clock controls tempo.
Time Based Processing 13 1/8 Note DDL Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04.
Time Based Processing 14 1/8 Triplet DDL Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04.
Time Based Processing 15 1/4 Note DDL Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04.
Time Based Processing 16 1/2 Note DDL Internal clock controls tempo. 100 BPM. Set the tempo with parameter 04.
Amps, Speakers, Instrument Effects 17 Slappin’ Bass 10:1 compression and bright EQ for slap style bass.
Amps, Speakers, Instrument Effects 18 Orange Phaser Classic stomp-box. CV Pedal adds echo.
Amps, Speakers, Instrument Effects 19 Recording Bass EQ and compression set up for recording a bass direct through a console.
Amps, Speakers, Instrument Effects 20 Grungy Bass Amp Dirty amp in a room; Foot switch 1-L will toggle chorus on/off.
Amps, Speakers, Instrument Effects 21 Contemporary Bs Bass amp in a room with flanger. Toggle reverb off with foot switch 1-L.
Amps, Speakers, Instrument Effects 22 Bass Speaker Tunable Speaker set up for electric bass.
Amps, Speakers, Instrument Effects 23 60’s Tube Bs Amp Retro feel and tone.
Amps, Speakers, Instrument Effects 24 Ratty Fuzz Bass It’s that cheesy old fuzz box from up in the attic…
Amps, Speakers, Instrument Effects 25 60’s Soul Classic fuzz solo sound with flanging.
Amps, Speakers, Instrument Effects 26 Roto-Uni-Vibe Re-creation of a 60’s rotary speaker emulator.
Amps, Speakers, Instrument Effects 27 Dead Battry Fuzz Simulates that cheesy old fuzz box when the 9 volt’s on the way out!
Amps, Speakers, Instrument Effects 28 Semi Clean Swirl Rotary speaker with distortion. Foot switch 1-L toggles speed.
Amps, Speakers, Instrument Effects 29 Super 4-10 Amp Lightly crunchy all-purpose rock amp tone.
Amps, Speakers, Instrument Effects 30 Tube Mic Preamp Insert into a mixer channel for vocals or bass.
Amps, Speakers, Instrument Effects 31 It’s the Cops! Wide stereo spread amp tone made famous by the British trio.
Amps, Speakers, Instrument Effects 32 Happy Fuzz Face Raunchy fuzz box emulation for guitars or bass.
Amps, Speakers, Instrument Effects 33 Muff Fuzz Box Classic 70’s and ‘alternative’ fuzz sound.
Amps, Speakers, Instrument Effects 34 Tube Saturator Add warmth and harmonics to anything!
Amps, Speakers, Instrument Effects 35 Octavia Produces a note an octave above the input.
Amps, Speakers, Instrument Effects 36 SlowAutoWah+Dist Param 11 controls the speed of the wah attack. Optimized for single notes.
Amps, Speakers, Instrument Effects 37 Meaty Speaker Dark speaker tone with plenty of bottom.
Amps, Speakers, Instrument Effects 38 2-Speed Vib.Amp FtSw 1-L toggles 2 vibrato speeds on this somewhat distorted amp tone.
Amps, Speakers, Instrument Effects 39 2-Speed TremAmp Clean amp tone with 2 tremolo speeds; toggle with foot switch 1-L.
Amps, Speakers, Instrument Effects 40 Shimmer Fast vibrato effect with delays for guitars or keyboards.
Amps, Speakers, Instrument Effects 41 Dark Jazzy Spkr Useful when recording single coil pickups direct.
Amps, Speakers, Instrument Effects 42 Nasty Fuzz Foot switch 1-L toggles 2 different reverb times. Best on single notes.
Amps, Speakers, Instrument Effects 43 Slide Master For rock slide guitar. The auto-wah adds a little random tone variation.
Amps, Speakers, Instrument Effects 44 Live Clean Amp Dynamic clean guitar amp with a bit of edge to it.
Amps, Speakers, Instrument Effects 45 ’58 Tweed Cool classic amp sound.
Amps, Speakers, Instrument Effects 46 CV Wah Wah 1 Use the CV pedal to control the wah.
Amps, Speakers, Instrument Effects 47 CV Wah Wah 2 A wah with 2 filters tuned an octave apart, controlled by the CV pedal.
Amps, Speakers, Instrument Effects 48 ’66 Car Radio Makes any signal sent through it sound like it’s played from a 3” speaker.
Amps, Speakers, Instrument Effects 49 Rhythm Amp Slightly distorted amp tone set up for chords.
Amps, Speakers, Instrument Effects 50 VCF-Distortion 1 Distorted auto-wah tone for guitars, but try it on bass & keyboards, too.
Amps, Speakers, Instrument Effects 51 VCF-Distortion 2 Parameter 13 will bypass the distortion portion.
Amps, Speakers, Instrument Effects 52 Guitar Amp 1 Rock guitar tone. Experiment with the EQ controls to shape your own preset.
Amps, Speakers, Instrument Effects 53 Guitar Amp 2 Parameters 15-20 offer many tonal variations.
Amps, Speakers, Instrument Effects 54 Guitar Amp 3 High-gain lead sound.
Amps, Speakers, Instrument Effects 55 Guitar Amp 4 Big stack tone.
Amps, Speakers, Instrument Effects 56 Digital Tube Amp Tonal changes respond to your playing dynamics.
Amps, Speakers, Instrument Effects 57 Dynamic Tube Amp Versatile touch responsive guitar amp simulation.
Amps, Speakers, Instrument Effects 58 Speaker Cabinet Try inserting this into a track where you need the sound of a speaker cabinet.
Amps, Speakers, Instrument Effects 59 TunableSpeaker 1 A versatile speaker emulator with tunable EQ.
Amps, Speakers, Instrument Effects 60 TunableSpeaker 2 Combines a tunable speaker emulator with a noise gate.
Amps, Speakers, Instrument Effects 61 FlngCmprDstRev Flanging, compression, and distorted guitar amp in one unit.
Amps, Speakers, Instrument Effects 62 Wah-Dist-Revrb Auto-wah into a distorted amp with reverb for guitar.
Amps, Speakers, Instrument Effects 63 Dist-Cho-Revrb All purpose crunch with chorus and a medium plate reverb.
Amps, Speakers, Instrument Effects 64 Dist-Roto-Revrb Foot switch 1-L toggles rotary speaker speed.
Amps, Speakers, Instrument Effects 65 Rotating Speaker A clean organ speaker simulation.
Amps, Speakers, Instrument Effects 66 Dist. RotarySpkr Overdriven rotary organ tone. Parameter 07 adds more distortion.
Amps, Speakers, Instrument Effects 67 Modern Blues Contemporary blues lead tone. Foot switch 1-L will turn off chorus.
Amps, Speakers, Instrument Effects 68 The Fuzz Box A versatile vintage distortion/fuzz simulation.
Amps, Speakers, Instrument Effects 69 Grilled Cloth Rippin’ lead tone, circa 1970.
Amps, Speakers, Instrument Effects 70 The Fuzz Wahd CV Raunchy lead guitar tone with a CV pedal controlled wah wah.
Amps, Speakers, Instrument Effects 71 Fast Vibrato Great for guitars or electric pianos.
Amps, Speakers, Instrument Effects 72 EQ-Vibrato-DDL Use a CV pedal to sweep the rate and width of the vibrato.
Amps, Speakers, Instrument Effects 73 Analog Flanger Retro flanging effect that works well with synths and keyboards.
Amps, Speakers, Instrument Effects 74 EQ-Tremolo-DDL CV pedal sweeps the rate, foot switch 1-L adds the delays.
Amps, Speakers, Instrument Effects 75 Fast L-R Tremolo Great for vintage electric piano simulations.
Studio Tools 76 EQ-Panner-DDL Three effects in one.
Studio Tools 77 Wild Panner Sample & Hold creates a unique effect.
Studio Tools 78 Slow Panner Slow stereo panning from left to right.
Studio Tools 79 Fast Panner Fast left to right panning.
Studio Tools 80 Subtle Panner&EQ Slow panner set for narrow stereo field.
Studio Tools 81 Staccato Rhythmic staccato effect; change rate with parameter 03.
Studio Tools 82 ADSR Env Gen Simulates the volume pedal swell popularized by guitarists.
Studio Tools 83 Syn Pad ADSR Use to re-shape the envelope of a synth, background vocal, etc.
Studio Tools 84 EQ-Gate 3-band EQ with a noise gate.
Studio Tools 85 Parametric EQ Versatile EQ with high and low shelving filters and 2 sweepable mid bands.
Studio Tools 86 EQ-Compressor Two effects in one; this variation is set up with 4:1 compression, with no EQ.
Studio Tools 87 Vocal Compressor The EQ-Compressor optimized for vocals.
Studio Tools 88 Snare Compressor The EQ-Compressor optimized for drums.
Studio Tools 89 Expander 1:2 expansion exaggerates the dynamics of a track.
Studio Tools 90 1:10 Expansion Useful in any situation where you might use a noise gate.
Studio Tools 91 Inverse Expander Sound that cross below the threshold will be compressed.
Studio Tools 92 Noise Gate Set parameters 09 and 10 for your source material.
Studio Tools 93 Squish and Gate 2:1 compression and a fast gate.
Studio Tools 94 VanderPol Filter Adds high frequency ‘exciter’ effect. Mix level is critical.
Studio Tools 95 De-esser Vary the EQ controls while listening to the processed signal.
Studio Tools 96 Rumble Filter Adjust parameter 03 to suit your program material.
Studio Tools 97 Instant Oldies Run a loop sample through this to instantly age it.
Studio Tools 98 Signal Generator Foot switch 1-L changes between 1k sine wave and white noise.
Studio Tools 99 No Effect/Silent Mix parameter set to ‘99’ makes it completely silent.

1-Unit ROM Presets (Bank 1)

Category # Name Description
Reverbs 50 Small Room Rev Foot switch 1-L toggles two decay variations.
Reverbs 51 Large Room Rev Foot switch 1-L toggles two decay variations.
Reverbs 52 Hall Reverb Large, bright hall with highly reflective walls.
Reverbs 53 Small Plate Rev All-purpose plate sound with 1.35 second decay.
Reverbs 54 Large Plate Rev Decay time is 2.89 seconds.
Reverbs 55 Reverse Reverb FtSw 1-L toggles slapback echo on/off. CV pedal changes trigger threshold.
Reverbs 56 RetrigReverseRev Each signal that crosses the threshold will re-start the reverb’s envelope.
Reverbs 57 Gated Reverb Gated Reverb that has a more abrupt release time than preset #31.
Reverbs 58 Non Lin Reverb 1 Foot switch 1-L toggles two variations in brightness.
Reverbs 59 Non Lin Reverb 2 More stereo movement.
Reverbs 60 Non Lin Reverb 3 Optimized for percussion.
Time Based Processing 61 Plate-Chorus 1 Plate reverb runs through chorusing for an extra smooth decay.
Time Based Processing 62 Plate-Chorus 2 Longer plate reverb through chorusing; nice on electric keyboards.
Time Based Processing 63 Chorus-Reverb 1 Smooth chorus into bright plate reverb.
Time Based Processing 64 Chorus-Reverb 2 Faster chorus rate and shorter decay time.
Time Based Processing 65 8 Voice Chorus Use foot switch 1-L to add more chorus regeneration for a thicker texture.
Time Based Processing 66 EQ-Chorus-DDL Foot switch 1-L turns on the DDL repeats.
Time Based Processing 67 Lush Keys EQ, chorus and delays set up for electric pianos, synths, etc.
Time Based Processing 68 Wet Chorus Chorusing plus delays. Parameters 07 and 08 set delay times.
Time Based Processing 69 Fusion Bass Delays are added to the chorus; great with fretless bass.
Time Based Processing 70 Slow Chorus Slow LFO, less wide, with a slight bit of DDL added.
Time Based Processing 71 Fast Chorus Quicker LFO speed and more width.
Time Based Processing 72 NonLin Chorus Smooth chorusing coupled with a quickly decaying plate.
Time Based Processing 73 Sci-Fi Flanger Deep flanging bends the signal up & down slowly for instant sound effects.
Time Based Processing 74 Fast Flanger-Rev Edit parameter 04 for different rates.
Time Based Processing 75 Flanger-Reverb Flanger plus plate reverb combined in one unit.
Time Based Processing 76 EQ-Flanger-DDL Thick, slow flanging with delays; try it on guitars or synth pads.
Time Based Processing 77 Phaser-DDL Deep phase shifting with long delays.
Time Based Processing 78 Flanger CV pedal sweeps the flanger rate.
Time Based Processing 79 Country Keys Keyboard phase shifter texture.
Time Based Processing 80 Medium Flange Try sweeping the flanging rate with a CV pedal during a solo.
Time Based Processing 81 Tight Flange Deep, slow flanging effect.
Time Based Processing 82 Key Funk Flange Medium flanging along with DDL fatten up rhythm parts.
Time Based Processing 83 Key Funk Phaze Delays with a thick phasing effect; try with clav or percussive keyboard parts.
Time Based Processing 84 Phaser-Reverb Slow moving phase shifter feeds a plate reverb.
Time Based Processing 85 Surf Organ Fast phaser creates 60’s cheesy organ sound. FtSw 1-L toggles two rates.
Time Based Processing 86 Multi Tap Delay Four delay taps with separate time, level, pan and regeneration amounts.
Time Based Processing 87 Dual Delay Two delay taps set up for a ping-pong effect.
Time Based Processing 88 Tempo Delay 1/2 note delays at 120 BPM. Set parameters 03 and 04 to your needs.
Time Based Processing 89 EQ-DDL-with LFO The LFO moves the delay for a fat delay effect. Try changing parameter 06.
Time Based Processing 90 FS Tap-Tempo DDL Tapping foot switch 1-L sets the delay tempo.
Time Based Processing 91 Vocal Spice Tight slap echos fatten the vocal; set tap 1 time to fit your tempo.
Time Based Processing 92 Slap Vocal Two slapback echoes create a classic vocal treatment.
Time Based Processing 93 MIDI Clock Delay Send MIDI clocks to control delay time. Ft Sw 1-L toggles 1/4 & 1/8 delays.
Time Based Processing 94 Multi Slaps Four quick slap echoes; try it on vocals.
Time Based Processing 95 Mono Multi Taps Four delays in mono; delay times set for 100 BPM.
Time Based Processing 96 Ping Pong Delay Delays slap from one side to the other. Set rate with parameters 03 and 04.
Time Based Processing 97 Pitch Shifter Foot switch 1-L toggles intervals.
Time Based Processing 98 Pitch Shift-DDL Harmonies spiral upward; delay controlled by foot switch 1-L.
Time Based Processing 99 Fast Pitch Shift CV Pedal increases the detuning.

1-Unit ROM Presets (Bank 2)

Category # Name Description
Amps, Speakers, Instrument Effects 50 VCF-Distortion 1 Distorted auto-wah tone for guitars, but try it on bass & keyboards, too.
Amps, Speakers, Instrument Effects 51 VCF-Distortion 2 Parameter 13 will bypass the distortion portion.
Amps, Speakers, Instrument Effects 52 Guitar Amp 1 Rock guitar tone. Experiment with the EQ controls to shape your own preset.
Amps, Speakers, Instrument Effects 53 Guitar Amp 2 Parameters 15–20 offer many tonal variations.
Amps, Speakers, Instrument Effects 54 Guitar Amp 3 High-gain lead sound.
Amps, Speakers, Instrument Effects 55 Guitar Amp 4 Big stack tone.
Amps, Speakers, Instrument Effects 56 Digital Tube Amp Tonal changes respond to your playing dynamics.
Amps, Speakers, Instrument Effects 57 Dynamic Tube Amp Versatile touch responsive guitar amp simulation.
Amps, Speakers, Instrument Effects 58 Speaker Cabinet Try inserting this into a track where you need the sound of a speaker cabinet.
Amps, Speakers, Instrument Effects 59 TunableSpeaker 1 A versatile speaker emulator with tunable EQ.
Amps, Speakers, Instrument Effects 60 TunableSpeaker 2 Combines a tunable speaker emulator with a noise gate.
Amps, Speakers, Instrument Effects 61 FlngCmprDstRev Flanging, compression, and distorted guitar amp in one unit.
Amps, Speakers, Instrument Effects 62 Wah-Dist-Revrb Auto-wah into a distorted amp with reverb for guitar.
Amps, Speakers, Instrument Effects 63 Dist-Cho-Revrb All purpose crunch with chorus and a medium plate reverb.
Amps, Speakers, Instrument Effects 64 Dist-Roto-Revrb Foot switch 1-L toggles rotary speaker speed.
Amps, Speakers, Instrument Effects 65 Rotating Speaker A clean organ speaker simulation.
Amps, Speakers, Instrument Effects 66 Dist. RotarySpkr Overdriven rotary organ tone. Parameter 07 adds more distortion.
Amps, Speakers, Instrument Effects 67 Modern Blues Contemporary blues lead tone. Foot switch 1-L will turn off chorus.
Amps, Speakers, Instrument Effects 68 The Fuzz Box A versatile vintage distortion/fuzz simulation.
Amps, Speakers, Instrument Effects 69 Grilled Cloth Rippin’ lead tone, circa 1970.
Amps, Speakers, Instrument Effects 70 The Fuzz Wahd CV Raunchy lead guitar tone with a CV pedal controlled wah wah.
Amps, Speakers, Instrument Effects 71 Fast Vibrato Great for guitars or electric pianos.
Amps, Speakers, Instrument Effects 72 EQ-Vibrato-DDL Use a CV pedal to sweep the rate and width of the vibrato.
Amps, Speakers, Instrument Effects 73 Analog Flanger Retro flanging effect that works well with synths and keyboards.
Amps, Speakers, Instrument Effects 74 EQ-Tremolo-DDL CV pedal sweeps the rate, foot switch 1-L adds the delays.
Amps, Speakers, Instrument Effects 75 Fast L-R Tremolo Great for vintage electric piano simulations.
Studio Tools 76 EQ-Panner-DDL Three effects in one.
Studio Tools 77 Wild Panner Sample & Hold creates a unique effect.
Studio Tools 78 Slow Panner Slow stereo panning from left to right.
Studio Tools 79 Fast Panner Fast left to right panning.
Studio Tools 80 Subtle Panner&EQ Slow panner set for narrow stereo field.
Studio Tools 81 Staccato Rhythmic staccato effect; change rate with parameter 03.
Studio Tools 82 ADSR Env Gen Simulates the volume pedal swell popularized by guitarists.
Studio Tools 83 Syn Pad ADSR Use to re-shape the envelope of a synth, background vocal, etc.
Studio Tools 84 EQ-Gate 3-band EQ with a noise gate.
Studio Tools 85 Parametric EQ Versatile EQ with high and low shelving filters and 2 sweepable mid bands.
Studio Tools 86 EQ-Compressor Two effects in one; this variation is set up with 4:1 compression, with no EQ.
Studio Tools 87 Vocal Compressor The EQ-Compressor optimized for vocals.
Studio Tools 88 Snare Compressor The EQ-Compressor optimized for drums.
Studio Tools 89 Expander 1:2 expansion exaggerates the dynamics of a track.
Studio Tools 90 1:10 Expansion Useful in any situation where you might use a noise gate.
Studio Tools 91 Inverse Expander Sound that cross below the threshold will be compressed.
Studio Tools 92 Noise Gate Set parameters 09 and 10 for your source material.
Studio Tools 93 Squish and Gate 2:1 compression and a fast gate.
Studio Tools 94 VanderPol Filter Adds high frequency ‘exciter’ effect. Mix level is critical.
Studio Tools 95 De-esser Vary the EQ controls while listening to the processed signal.
Studio Tools 96 Rumble Filter Adjust parameter 03 to suit your program material.
Studio Tools 97 Instant Oldies Run a loop sample through this to instantly age it.
Studio Tools 98 Signal Generator Foot switch 1-L changes between 1k sine wave and white noise.
Studio Tools 99 No Effect/Silent Mix parameter set to ‘99’ makes it completely silent.

2-Unit RAM Presets (Bank 1)

Category # Name Description
Reverbs 00 Best Small Space General-purpose small room reverb.
Reverbs 01 Luscious Plate Long plate reverb with a bit of chorus for a smooth decay.
Reverbs 02 Versatile Hall Dense hall reverb with medium decay time.
Reverbs 03 Oldtime Plate Use anytime you need a slightly ‘springy’ reverb.
Reverbs 04 Tube Plate Dark tone, medium decay.
Reverbs 05 Trumpet Plate Versatile plate with a touch of chorusing.
Reverbs 06 Compressed Plate Plate reverb into 20:1 compression.
Reverbs 07 Horn Verb Try it with any brass solo instrument.
Reverbs 08 Twisting Hall Flanged reverb; a cool special effect.
Reverbs 09 EQ/Gate > Hall Allows you to EQ and gate your console aux send.
Reverbs 10 In the Room An all-purpose ambience to add a little air around your instrument(s).
Reverbs 11 Bloom Canyon Long decay that builds in intensity.
Reverbs 12 Dark Verb A tunable speaker shapes the tone of the reverb component.
Reverbs 13 Warm Room Smooth decaying small ambience for guitars, percussion, etc.
Reverbs 14 Small Space Amb Very short decay, with obvious early reflections.
Reverbs 15 Star Gate Reverb A vintage digital reverb simulation.
Reverbs 16 Smooth Bloom A long reverb that slowly builds.
Reverbs 17 Early & Plate Short decay, aggressive plate.
Reverbs 18 Classic 80s Verb Deep chorusing make this reverb unique.
Reverbs 19 Cloud Reverb Creates ever-shifting soundscapes through psycho-acoustic panning.
Reverbs 20 Town Hall A small concert hall; try it with piano.
Reverbs 21 Nice Small Space Small room tone adds a little air around any track.
Reverbs 22 Smooth Plate Long decay; for synths, airy vocals, etc.
Reverbs 23 Smooth Hall You’re standing on the stage.
Reverbs 24 Parametric Room Small room reverb is fed from a parametric EQ. Try other EQ settings.
Reverbs 25 Pop NonLin Room Small room texture with a non linear component.
Reverbs 26 Gated Plate Plate reverb into a medium length release expander.
Reverbs 27 Warm Hall Long smooth decay; Unit A mix parameter offers many tonal variations.
Reverbs 28 Drum Verb This one really moves in stereo.
Reverbs 29 Tight Pop Drums Feel free to try this on non-pop drums, too.
Reverbs 30 Drums in Big Rm Add the sound of Studio 1 to your next mix.
Reverbs 31 Dark Drum Room Medium room with a nice, smooth decay.
Reverbs 32 Compressed Room A classic engineer’s mixdown tool.
Reverbs 33 Kick Non Lin Quick decay pop and dance drum sound.
Reverbs 34 Mega Non Lin Short decay time; try this one anytime you’d use a room reverb.
Reverbs 35 Wet Non Lin Similar to the decay from a gated reverb.
Reverbs 36 Big Non Lin 1 Pop, dance or techno aggressive reverb.
Reverbs 37 Big Non Lin 2 A shorter decay time than Big Non Lin 1.
Reverbs 38 Gated Room 1 Parameter 10 controls the gate threshold.
Reverbs 39 Gated Room 2 Gate closes slower than in the variation above.
Reverbs 40 Short Space Good all-purpose small room ambience. Foot switch toggles two decay times.
Reverbs 41 Big Rock Dr Rm You’re listening to Studio ‘A’ of a world famous recording studio.
Reverbs 42 Rock Toms Long decay time nonlin and plate.
Reverbs 43 Percussion Plate Very quick decay plate.
Reverbs 44 Rap Boom Room Extra bottom; try running a loop through this one.
Reverbs 45 Airplane Hangar Big reverb blooms slowly; make monstrous rock drum sounds.
Reverbs 46 Octave Hall Verb Reverb is pitched up an octave.
Reverbs 47 Echoing Verbs Four loud reflections create a novel timbre.
Reverbs 48 Flanged Reverb 1 Short decay reverb into sweeping flanger.
Reverbs 49 Flanged Reverb 2 Long decay reverb into flanging; send a percussion track into this one.

2-Unit ROM Presets (Bank 1)

Category # Name Description
Time Based Processing with Reverb 50 Phased Hall Hall reverb is sent into a slow moving phase shifter.
Time Based Processing with Reverb 51 Feedback Verb Shows the versatility of the feedback loop routing.
Time Based Processing with Reverb 52 Sample&Phaz Verb Sample and hold circuit creates a cool special effect.
Time Based Processing with Reverb 53 Spiral Ambience The signal is pitch shifted and then sent to reverb in a feedback loop.
Time Based Processing with Reverb 54 Coordinates The flanger is using sample and hold to create this effect.
Time Based Processing with Reverb 55 Jet Reverb Super-thick flanging applied to reverb.
Time Based Processing with Reverb 56 30th St. Station That ambience you can only get in a huge open room like a train station.
Time Based Processing with Reverb 57 Parking Garage The underground sound.
Time Based Processing with Reverb 58 Bend Up Reverb Reverb is sent to a pitch shifter, bending up, in feedback mode.
Time Based Processing with Reverb 59 Bend Down Reverb Reverb is sent to a pitch shifter, bending downward, in feedback mode.
Time Based Processing with Reverb 60 Fast Pan Reverb Source is sent to reverb, which is then panned left to right.
Time Based Processing with Reverb 61 Vocal Magic Detuning and long delays into reverb.
Time Based Processing with Reverb 62 Chorus & Plate General purpose chorusing feeding into plate reverb.
Time Based Processing with Reverb 63 Chorus & Room Try this on guitar or keyboard parts.
Time Based Processing with Reverb 64 Phaser & Plate For a cool effect, use FtSw 1-L. It’s set to extend the decay time 140 seconds.
Time Based Processing with Reverb 65 Phaser & Room Tight reverb with subtle phaser for keyboards, pop guitar, clav, etc.
Time Based Processing with Reverb 66 Flanger & Plate Flanger and delays feed into reverb. Great on synths.
Time Based Processing with Reverb 67 Flanger & Room Slow flanging effect in a tight room.
Time Based Processing with Reverb 68 Delay & Reverb 1 Four multi-taps into plate reverb.
Time Based Processing with Reverb 69 Delay & Reverb 2 Swirling long delays into reverb.
Time Based Processing with Reverb 70 TempoDly & Hall 1/4 note delays. Foot switch tapping will set the tempo for the delays.
Time Based Processing with Reverb 71 TempoDly & Plate 1/4 note delays. Incoming MIDI clocks set the tempo for the delays.
Time Based Processing with Reverb 72 Sparkles & Verbs Chorus with delays and reverb. For guitars, electric pianos, etc.
Time Based Processing with Reverb 73 Inverse Space Two reverbs that echo one another.
Time Based Processing with Reverb 74 Backing Vox-Rock Dense harmonizing into tight reverb.
Time Based Processing with Reverb 75 Parallel Rooms Two room reverbs in parallel routing create one dense timbre.
Time Based Processing with Reverb 76 Vocal Dbl & Plate Mono vocal doubling/detuning into plate reverb.
Time Based Processing with Reverb 77 Vocal Non Lin A pitch shifter spreads out vocals before they’re sent to the reverb.
Time Based Processing with Reverb 78 Multi Tap Vocals Four long multi-taps create a wide stereo image.
Time Based Processing with Reverb 79 Special Sauce Great lush keyboard texture.
Time Based Processing with Reverb 80 Vocal Swirl Adds depth to any vocal track with delays and chorusing.
Time Based Processing with Reverb 81 Plate w/ Doubler Slap back echos great for fattening backing vocals.
Time Based Processing with Reverb 82 Pad Vibe Slow chorusing reverb for synths and electric piano.
Time Based Processing with Reverb 83 Fat Vocals Detuned and doubled into a 12.75 second plate.
Time Based Processing with Reverb 84 Big Phased Toms Special effect; Phased non linear reverb.
Time Based Processing with Reverb 85 Dbl,DDL and Verb Doubling with long DDL into long reverb.
Time Based Processing 86 Swirling Notch Fat phase shifter into pitch shifter set to detune the source.
Time Based Processing 87 Feedback Phaser Feedback loop creates unique sci-fi effects on percussive sources.
Time Based Processing 88 Laser Flange Radical flanging with delays.
Time Based Processing 89 Phasers on Stun Super-deep phasing; try guitars, percussion, toms or clavs.
Time Based Processing 90 Blazing Phaser Delays and phases with sample and hold.
Time Based Processing 91 Serial Florus It’s flangers fed into chorus, get it?
Time Based Processing 92 Phase & Spread Slow phase shifter feeds into a pitch shifter to spread the sound out.
Time Based Processing 93 Panning Delays 1/8 note delays with tempo controlled by incoming MIDI clock into panner.
Time Based Processing 94 MultiTap&Flange Four delay taps fed to a slow flanger.
Time Based Processing 95 Ascending Delays Spacey delay effects that climb forever upward.
Time Based Processing 96 Pan-Tapstic Rich chorus pans in stereo; great for any backing track.
Time Based Processing 97 Special Taps Small room reverb is sent to multi-tap delay.
Time Based Processing 98 4 Voice Detune Two pitch shifter create a fat detune effect.
Time Based Processing 99 Old Tape Echo That old grungy tape echo sound that you used to hate.

2-Unit RAM Presets (Bank 2)

Category # Name Description
Time Based Processing 00 Backing Vox-Lush A bit of phase shifter makes a cool texture.
Time Based Processing 01 Super Doubler Use this to fatten background vocals, synths, etc.
Time Based Processing 02 FtSwitchLoop DDL FtSw 1-L toggles record/playback modes; delay/loop time is set for 2 seconds.
Time Based Processing 03 Air Backgrounds Panning and chorus designed for vocals.
Time Based Processing 04 Ambient Taps Tight multi-taps with a small reverb.
Time Based Processing 05 Rhythmic Panner Delays pan in the stereo field.
Time Based Processing 06 Slap Happy Slap echos dancing in stereo.
Time Based Processing 07 Chorus-DDL-Pan Rich chorus sound sweeps across the stereo field.
Time Based Processing 08 Vibrates & Pans Vibrato that pans in stereo.
Time Based Processing 09 Harmonized Echos Send single notes into this one for best effect.
Time Based Processing 10 Major Triad Echo Single notes get made into three note chords.
Time Based Processing 11 Darth Send a vocal into this to create your own sci-fi voice.
Time Based Processing 12 Detune & Spread Fattens up keyboards, electric pianos or guitars.
Time Based Processing 13 Slap Station 1 Simulates a classic 8-tap digital delay processor.
Time Based Processing 14 Slap Station 2 A second emulation of a vintage delay processor with longer delay times.
Time Based Processing 15 Ambient Flange Long delays are slowly flanged.
Amps, Speakers Instruments Effects 16 Honky Tonk Piano Play a standard piano through this for an instant bar-room sound.
Amps, Speakers Instruments Effects 17 RotoSpkr & Hall Foot switch 1-L will toggle the rotary speed.
Amps, Speakers Instruments Effects 18 RotoSpkr & Plate Foot switch 1-L will toggle the rotary speed. Try it on guitar, too.
Amps, Speakers Instruments Effects 19 Lush El. Piano A cool R&B treatment for electric pianos or synth.
Amps, Speakers Instruments Effects 20 Kbd Chorus & Rev Bright chorus and long reverb.
Amps, Speakers Instruments Effects 21 R&B El. Piano A lush pad treatment; great on ballads.
Amps, Speakers Instruments Effects 22 Sweet El. Piano Pitch shifted and sent to reverb in a feedback loop.
Amps, Speakers Instruments Effects 23 Kbd Phaser&Plate Subtle phaser adds depth to any track.
Amps, Speakers Instruments Effects 24 E.Pno Phaser&Rev Deep phaser effect.
Amps, Speakers Instruments Effects 25 Soft Pad Reverb Set up for synths; reverb and chorusing.
Amps, Speakers Instruments Effects 26 Digable Guitar Fat amp and speaker combo.
Amps, Speakers Instruments Effects 27 Screamin’ Amp Heavy lead sound.
Amps, Speakers Instruments Effects 28 Touch Wa Guitar Auto wah into a distorted amp tone.
Amps, Speakers Instruments Effects 29 Amp Thru RotoSpk A favorite 60’s guitar sound.
Amps, Speakers Instruments Effects 30 Vintage Roto Gtr Cleaner guitar and rotary speaker for rhythm playing.
Amps, Speakers Instruments Effects 31 Tremolo Amp Cool rhythm sound with reverb.
Amps, Speakers Instruments Effects 32 Fretless Bs Solo Adds a touch of reverb and chorus.
Amps, Speakers Instruments Effects 33 Dist. Auto-Wah Crunchy amp tone and auto wah-wah.
Amps, Speakers Instruments Effects 34 Country Guitar Slap and tremolo combined.
Amps, Speakers Instruments Effects 35 Super Mute-ron Envelope follower effect for guitar or clavs.
Amps, Speakers Instruments Effects 36 Env Follower &Amp Stomp box reproduction for funky guitar fills.
Amps, Speakers Instruments Effects 37 Jangly 60’s Gtr Makes your rhythm 6-string sound like an electric 12.
Amps, Speakers Instruments Effects 38 Vintage Bass Warm bass tube amp tone for a retro-60’s vibe.
Amps, Speakers Instruments Effects 39 Gtr Dbl & EQ Use to fatten rhythm guitar tracks without being muddy.
Amps, Speakers Instruments Effects 40 Vibrato Amp Classic amp tone with vibrato circuit.
Amps, Speakers Instruments Effects 41 Clean Chorus Amp Chorusing into a dry, clean amp.
Amps, Speakers Instruments Effects 42 Tube Amp Lite Lightly crunchy, good for rhythm playing.
Amps, Speakers Instruments Effects 43 Amp in a Room Bright clean amp, with a little edge.
Amps, Speakers Instruments Effects 44 Pop Rhythm Amp Slightly aggressive big amp rhythm tone.
Amps, Speakers Instruments Effects 45 GtrDetune&CV Pan Use the CV pedal to increase the detune amount and to pan the signal.
Amps, Speakers Instruments Effects 46 CV +1-1 Oct Pedl The CV pedal shifts the pitch from an octave down to an octave above.
Amps, Speakers Instruments Effects 47 EQ Chorus Gtr Super-clean guitar tone with chorus, a classic combination!
Amps, Speakers Instruments Effects 48 Clean Amp 1 An all-purpose clean amp for guitars, keyboards, etc.
Amps, Speakers Instruments Effects 49 Clean Amp 2 Fatter clean amp with more bottom.

2-Unit ROM Presets (Bank 2)

Category # Name Description
Amps, Speakers Instruments Effects 50 Clean Amp 3 Another clean amp variation, with reverb.
Amps, Speakers Instruments Effects 51 Vibro Amp 1 Vintage practice amp, with medium speed vibrato.
Amps, Speakers Instruments Effects 52 Vibro Amp 2 A clean, big-speaker vibrato amp.
Amps, Speakers Instruments Effects 53 Clean Auto-Wah Input setting is crucial for use with a guitar. Set as high as possible without the peak LED lighting.
Amps, Speakers Instruments Effects 54 King-Wah / Plexi Fat wah-wah distorted amp combination.
Amps, Speakers Instruments Effects 55 Hot Singin Tubes Texas blues type lead sound.
Amps, Speakers Instruments Effects 56 Hot Tube Lead Warm in-yer-face tube sound for lead guitar solos.
Amps, Speakers Instruments Effects 57 Medium Crunch Lightly distorted amp tone out in the studio.
Amps, Speakers Instruments Effects 58 Voxy Lady CV Wah and amp combo. CV pedal controls wah-wah.
Amps, Speakers Instruments Effects 59 Ring Mod DDL CV CV pedal does ring modulation. Foot switch 1-L adds the long delay.
Amps, Speakers Instruments Effects 60 Wah + Echos CV Deep wah-wah with the CV pedal. Foot switch 1-L toggles delays on/off.
Amps, Speakers Instruments Effects 61 Cry-Fuzz+Echos CV Crying wah-wah into distortion and plenty of delay.
Amps, Speakers Instruments Effects 62 Pumpkin Amp A dynamic close-mic guitar amp.
Amps, Speakers Instruments Effects 63 Heavy Metal Amp Crunch guitar tone in a room.
Amps, Speakers Instruments Effects 64 Vain Helen 90210 Orange phaser into plexi amp. CV pedal adds echo.
Amps, Speakers Instruments Effects 65 Rocktave Divider Vintage stomp box reproduction adding slightly distorted lower octave, designed for single note lines.
Amps, Speakers Instruments Effects 66 Electric Sitar Convert your guitar into an exotic instrument.
Amps, Speakers Instruments Effects 67 Metallic Dobro Makes your guitar brighter and more metallic, like the metal bodied dobro.
Amps, Speakers Instruments Effects 68 Fuzzy Tube Gtr Lots of tube amp saturation.
Amps, Speakers Instruments Effects 69 Fretless Compression and EQ-Chorus-DDL optimized for fretless bass.
Amps, Speakers Instruments Effects 70 Clean Brit Amp A semi-clean amp in a room. A great rhythm tone.
Amps, Speakers Instruments Effects 71 Comp-Vol+Pitch CV pedal is set as a volume control; sound is compressed and up an octave.
Amps, Speakers Instruments Effects 72 Comp-Vol+Vibrato CV pedal swell volume into a deep vibrato amp sound.
Amps, Speakers Instruments Effects 73 Touch Wah & Echos Auto wah with DDL.
Amps, Speakers Instruments Effects 74 Bridge of Sighs Classic uni-vibe/amp combo.
Amps, Speakers Instruments Effects 75 Uni-Wah CV Subtle phaser with CV pedal wah-wah.
Amps, Speakers Instruments Effects 76 Room of Blues Blues guitar tone with dynamic distortion.
Amps, Speakers Instruments Effects 77 Shred Dark, fat, heavy metal power chord tone.
Amps, Speakers Instruments Effects 78 Fast Vibrato Amp Retro garage band tone.
Amps, Speakers Instruments Effects 79 Got the Blues Smooth bright lead sound with a touch of distortion.
Amps, Speakers Instruments Effects 80 Twang Slapback echos and a bit of distortion make a great rockabilly tone.
Amps, Speakers Instruments Effects 81 New Jazzy Amp Clean, dark amp tone with a bit of chorus.
Amps, Speakers Instruments Effects 82 Chorus/Pan Amp Clean amp with chorus and reverb that pans left to right.
Amps, Speakers Instruments Effects 83 Silver Tone Small practice amp turned up to ‘9’. CV pedal functions like a volume pedal.
Amps, Speakers Instruments Effects 84 Fat 4-12 Amp Thick, distorted rock tone.
Amps, Speakers Instruments Effects 85 Trem-O-Amp Extreme tremolo effect, with a crunchy amp tone. CV controls tremolo speed.
Amps, Speakers Instruments Effects 86 Spinning Guitar Pulses with tremolo while spinning around in stereo. CV controls tremolo.
Amps, Speakers Instruments Effects 87 Fat Flange Amp Chorus feeds the flanger/amp chain effect.
Amps, Speakers Instruments Effects 88 Pure Jazz Amp Just speakers and some reverb. Not just for guitars!
Amps, Speakers Instruments Effects 89 Bottleneck Lots of sustain, some distortion and slapback echo.
Amps, Speakers Instruments Effects 90 Keyboard Amp Try this to simulate the sound of running keyboards through a small amp.
Amps, Speakers Instruments Effects 91 70’s Keyboard Phase shifter and a panning speaker cabinet for vintage electric piano tones.
Amps, Speakers Instruments Effects 92 Chorus & Roto Suitable for keyboards, organ or guitar; chorus feeds a rotary speaker amp.
Amps, Speakers Instruments Effects 93 Kbd Phaser w/EQ Classic stereo electric piano effect.
Amps, Speakers Instruments Effects 94 Auto Vol & DDL ADSR generator fades in each note, which is then sent to dual delays.
Amps, Speakers Instruments Effects 95 Pink Like Floyd Psychedelic fuzz guitar tone into sweeping phaser and ping pong delays.
Amps, Speakers Instruments Effects 96 Eleven ! Cranked up amp designed for power chords.
Amps, Speakers Instruments Effects 97 Xpressive Fusion ADSR auto volume into crisp lead tone. Ft Sw 1-L toggles two fade in times.
Amps, Speakers Instruments Effects 98 Guitar Tuner Setup for guitar or other treble clef instruments.
Amps, Speakers Instruments Effects 99 Bass Tuner Setup for bass clef instruments.

Config RAM Presets (Bank 1)

Category # Name Description
One Source Configs 00 Mono Vocal Setup Use for lead vocals live or when mixing. Compressor and some de-tuning.
One Source Configs 01 Stereo Vox Setup Stereo input for backing vocals. Compressed and de-tuned.
One Source Configs 02 Mono In Keybard Parametric EQ and chorusing. Set up for a mono input from your keyboard.
One Source Configs 03 Stereo In Keybrd Smooth phaser and chorusing.
One Source Configs 04 Live AcousticGtr EQ into reverb; try plugging into the front panel Input 1 if you use a pickup.
One Source Configs 05 Rock Gtr Setup Fat, distorted amp and speaker combo. Plug in to Input 1 on the front panel.
One Source Configs 06 Rhythm Gtr Setup Full bodied, lightly distorted amp and speaker combination.
One Source Configs 07 Clean Gtr Setup A clean amp sound with chorus and reverb. Plug into front panel Input 1.
One Source Configs 08 R&B Gtr Setup A clean amp sound with chorus and reverb. Plug into front panel Input 1.
One Source Configs 09 Bass Setup Parametric EQ into a compressor for direct recording.
One Source Configs 10 Compresd&Chorusd 3:1 compression into chorus for keyboards or guitars.
One Source Configs 11 Gtr Slap & Chorus Pop and R&B clean guitar effect. CV pedal alters the chorus blend.
One Source Configs 12 Fine Wire Mesh EQ/Gate into a large, bright, shimmery plate.
One Source Configs 13 Frosty Reverb EQ/Gate into a large room reverb. Great on toms.
One Source Configs 14 Northern Plain Huge open spaces. For ambient music.
One Source Configs 15 Diffuse Swell Slow attack reverb for special effects.
One Source Configs 16 Big, Low Ceiling Underground parking lot reverb sound.
One Source Configs 17 Spring Reverb Slightly wobbly old-time reverb.
One Source Configs 18 Springy Slaps 4 fast delays with plenty of regeneration create a cheesy spring reverb effect.
One Source Configs 19 Hall a Looya Deep chorus, delays and hall for synths, choirs, ethereal effects.
One Source Configs 20 Pan the Halls Hall reverb pans across the stereo field. CV pedal changes the panning rate.
One Source Configs 21 TakeMeOutToThe.. Voice special effect. You’re at the ballpark, listening to the announcer…
One Source Configs 22 B-15 Bass Amp Simulation of a classic bass amp tone for recording.
One Source Configs 23 Tube Bass Amp Bass amp with subtle edge.
One Source Configs 24 McPick Bass For mute style pick bass a la that Liverpool guy.
One Source Configs 25 80’s Slap Bass Adds a touch of DDL for slap solos.
One Source Configs 26 Smooth Bass Compressed and lightly chorused.
One Source Configs 27 Stick-Man CV-DDL Progressive rock tone with phasing.
One Source Configs 28 Reggae Bass Muffled bass tone from the islands. De reel ting!
One Source Configs 29 Octave Bass CV CV pedal sweeps between lower or upper octave.
One Source Configs 30 Env Filter Bass A filter that doesn’t rob low frequency punch. Input level setting is critical.
One Source Configs 31 Classic 70s Bass Bright and slightly phase shifted. Try it for jazz.
One Source Configs 32 Z-Box Fat Bass Punchy bass tone with plenty of compression.
One Source Configs 33 Stereo Grunge CV Double amps. CV pedal moves from cleaner to more distorted.
One Source Configs 34 Regenerate Cool sound effect. Thick pitch shifting and phasing with feedback routing.
One Source Configs 35 3-D DDL Delays that seem to move around your head; great headphone effect.
One Source Configs 36 Chorus & Pan For direct recording of keyboards. Unit B parameter 03 controls pan rate.
One Source Configs 37 Delays into Comp Dual delays feed into a 2:1 compressor.
One Source Configs 38 Exciter & DDL Adjust parameter 01 of Unit A for a more intense effect.
One Source Configs 39 Slap Me Silly Multiple delays through slow phasing create a unique techno effect.
One Source Configs 40 Cymbal Phaser A special effect designed for hi-hat or ride cymbal grooves.
One Source Configs 41 TapeflangeVerb Simulates analog tape machine flanging of 2 reverb sources.
One Source Configs 42 Comb Filtering Very small delay times create the effect; vary the times to change the filter notches.
One Source Configs 43 Twisted Metal CV Move the CV pedal while listening to a percussive source; great special effect.
One Source Configs 44 Virtual Dirtbike No input necessary; sit back and watch the alien dirtbike race!
One Source Configs 45 Get Rappified Dual speakers add a unique EQ to vocals, loops, etc.
One Source Configs 46 Monster Drum Killer sound effect. Input 1 level sent to Envelope Follower is critical.
One Source Configs 47 Pitch Down Drums Non linear reverb through a pitch shifter.
One Source Configs 48 Sick Drums Warp a drum beat with this unusual timbre.
One Source Configs 49 Science Lab The DP/2 creates a sound effect for you. No input signal required.

Config ROM Presets (Bank 1)

Category # Name Description
One Source Configs 50 1 Src: Mono In Selects from the list of 2 Unit presets in RAM and ROM.
One Source Configs 51 1 Src: Stereo In Selects from the list of 2 Unit presets in RAM and ROM. Stereo input.
One Source Configs 52 Select 1U Preset Selects 1U presets; kills Unit B.
One Source Configs 53 Vocoder 2U Send trigger signal to Input 1 and signal to be vocoded to Input 2.
One Source Configs 54 Vocal Remover The settings of parameters 10 & 11 are critical here.
One Source Configs 55 Vocal EQ & Comp Parametric EQ and a 6:1 compressor.
One Source Configs 56 Live Vocal Chain Vocals are compressed and then sent to de-tuner and slap echos.
One Source Configs 57 3.6 Sec Delay 2U Set for the maximum delay time, 3668 ms.
One Source Configs 58 Pitch Shift 2U Set for detuning; Foot switch 1-L toggles LFO mod on/off.
One Source Configs 59 Detune Chorus 2U The 2U pitch shifter is used to create a fat chorus sound.
One Source Configs 60 Warm And Fuzzy An all-purpose smooth decaying, warm space.
One Source Configs 61 Wonderful Space Tricky serial routing makes a great percussion space.
One Source Configs 62 EQGateChorPlate For any source that can be chorused. EQ and gate shape the input.
One Source Configs 63 EQGatePlateChor For keys, percussion, etc. Gate keeps the input quiet, EQ shapes the reverb.
One Source Configs 64 70’s Road Rig A vintage speaker and phase shifter combination.
One Source Configs 65 Bkd Vox Spreader Stereo in; four voices of de-tune and panning.
One Source Configs 66 8 Panning Delays Two multi-tap delays pan from left to right.
One Source Configs 67 Analog Heaven Lush ambient space designed for analog synth textures.
One Source Configs 68 Euro Verb Reverb with a techno edge. Try it with synths or drums.
One Source Configs 69 Echo Synth Verb Feedback loop creates a super thick long delay and reverb texture for synths.
One Source Configs 70 Dark Taps Muted delays; great retro feel.
One Source Configs 71 Jazz Vibe Smooth space designed for vibes or mellow brass solos.
One Source Configs 72 DynGatedSlapVerb Play a groove into this one; gated reverb pulses to the beat, triggered by the threshold settings, parameters 08 and 09.
One Source Configs 73 Rock Snare 1 Aggressive tight reverb.
One Source Configs 74 Rock Snare 2 Quick slap delays and non linear reverb.
One Source Configs 75 Kick & Sn Crack! The ADSR is used to shape the reverb. Input level is very important.
One Source Configs 76 EQ & GatedReverb Signal is EQ’d then sent to a gated reverb.
One Source Configs 77 Plate&Multi Slap Try it in serial mode, too; an interesting variation.
One Source Configs 78 Schroeder’s Room Big drum room. Cold, hard, but home.
One Source Configs 79 Non Lin Panverb Non Linear reverb that moves across the stereo field.
One Source Configs 80 Quick Plate Small plate for brass and guitar.
One Source Configs 81 Little Big Room An extra large room with a smooth decay.
One Source Configs 82 Brass Ambience Fatten up that brass sound with some slap echos and tight reverb.
One Source Configs 83 Neat Place Classy reverb combo.
One Source Configs 84 Chorus Line Super thick 16-voice chorus; stereo in.
One Source Configs 85 Diffused Delays Delays with a unique decay character, perfect for solos.
One Source Configs 86 Modulators Phaser into flanger. Foot switch 1-L toggles delays on/off.
One Source Configs 87 Crystalline Adds a pair of de-tuned octaves to thick chorus; for synths, guitars, etc.
One Source Configs 88 Frontiers Gentle phasing into delays that ping-pong and shift slightly in and out of tune.
One Source Configs 89 Ducker & EQ Input 2 controls the volume of signals sent to Input 1. Remove trigger sound from mix with parameter 04.
One Source Configs 90 FS Stereo ADSR Foot switch 1-L will trigger the beginning of the ADSR envelope.
One Source Configs 91 MIDI Automation Mod wheel received on controller channel triggers envelope. Record moves into a sequencer for automation.
One Source Configs 92 Compress&De-ess Set up for stereo input vocals.
One Source Configs 93 De-Ess & Reverb Vocals are de-essed and then sent to a plate reverb.
One Source Configs 94 De-Essed Delays Vocals are de-essed and then sent to dual delays.
One Source Configs 95 Drum Squasher Very aggressive drum tone; signal is limited after passing through reverb.
One Source Configs 96 KeyedExpander&EQ Input 2 ‘keys’ the expansion for signals sent to Input 1.
One Source Configs 97 Resonant in E! Run a percussion sequence through this for a unique experience!
One Source Configs 98 EnvelopeShaperCV CV pedal moves from a staccato envelope to a longer swell envelope.
One Source Configs 99 Gobi Desert Dry, dry, dry. Utility effect, use in song chains when you need a bypass effect.

Config RAM Presets (Bank 2)

Category # Name Description
Two Source Configs 00 Basic Mixdown Plate reverb and a tempo delay. FtSw 1-L will toggle 2 reverb decay times.
Two Source Configs 01 Drum & Perc Mix Two room ambiences set up for drums and percussion when mixing.
Two Source Configs 02 Vocal Delays Long dual delays in Unit A and tight slap echos in Unit B.
Two Source Configs 03 Country Rm&Plate A: Country Room, great on guitar. B: Country Plate, Classic slap/plate effect.
Two Source Configs 04 Radical Drums Two different non linear reverbs.
Two Source Configs 05 Bright Lush Unit A: Bright plate reverb. Unit B: Lush plate-chorus for elec. piano, keys, etc.
Two Source Configs 06 Dark Medium Unit A: Dark large room reverb. Unit B: Thick plate with deep chorus.
Two Source Configs 07 Percs Keys Unit A: Tight reverb for percussion. Unit B: Plate with chorus for keyboards.
Two Source Configs 08 Short Lush Unit A: Short decay room for percussion. Unit B: Plate & chorus for keyboards.
Two Source Configs 09 Reflections Two different highly reflective spaces.
Two Source Configs 10 A Little Air Room ambiences that are perfect for adding a little air around an instrument.
Two Source Configs 11 Voc Sweetener 1 Unit A: Subtle detune. Unit B: 1/2 note tempo delay, internal clock 120 BPM.
Two Source Configs 12 Voc Sweetener 2 Unit A: More detuning. Unit B: 1/4 note tempo delay, internal clock 120 BPM.
Two Source Configs 13 Voc Sweetener 3 Unit A: Thick detuning. Unit B: 1/4 note tempo delay, internal clock 120 BPM.
Two Source Configs 14 Voc Sweetener 4 Unit A: Detuning. Unit B: 1/4 note tempo delay, MIDI clock controls tempo.
Two Source Configs 15 Vocal Toys 1 Unit A: Fat vocal detuning. Unit B: Slapback echos.
Two Source Configs 16 Vocal Toys 2 Unit A: Quick slaps spread the vocal out. Unit B: Ping pong delay.
Two Source Configs 17 Fat Bass + Harm A fattener for synth or electric bass plus a de-tune harmonizer.
Two Source Configs 18 MtdGtrChr+Spac Chorus for electric guitars plus a small space ambience.
Two Source Configs 19 Mix Tools 1 1/4 note delays and plate reverb for vocals. Internal tempo control.
Two Source Configs 20 Mix Tools 2 1/8 note delays and plate reverb. Internal tempo control.
Two Source Configs 21 Mix Tools 3 1/16 note delays and 3-second plate reverb. Internal tempo control.
Two Source Configs 22 Tiled + Nonlin Two tight, aggressive spaces.
Two Source Configs 23 Orchestra Spaces Two large hall reverbs for orchestral sections or soloists.
Two Source Configs 24 Short+Long Halls Unit A is dark with 3 sec. decay, Unit B is brighter with a 4.5 sec decay.
Two Source Configs 25 2 Tight Rooms Two variations. Small room ambiences that add a little space around a track.
Two Source Configs 26 2 Boom Rooms Two variations. Small, live rooms with reflective surfaces.
Two Source Configs 27 80’s BD/SN Rev A tighter reverb for the bass drum with a longer ambience for the snare.
Two Source Configs 28 Slick Dance Revb Two different ambiences for drums, percussion, etc.
Two Source Configs 29 Short Jazzy Amb Two tight ambiences for adding a bit of room sound.
Two Source Configs 30 Wide Rooms Different room tones, all-purpose.
Two Source Configs 31 Piano Chambers A pair of reverbs that are optimized for piano.
Two Source Configs 32 808 Spaces Two complementary reverbs for drum machine percussion instruments.
Two Source Configs 33 String Spaces Two spaces that are designed for strings and orchestral soloists.
Two Source Configs 34 Orch Chambers Two different reverbs for orchestral instruments.
Two Source Configs 35 Twin Speakers A pair of speakers; insert them into mixer channels to shape guitar sounds.
Two Source Configs 36 Panner Phaser Unit A is a stereo panner; Unit B is smooth phase shifter. Try them with synths.
Two Source Configs 37 Flanger Phaser Unit A is a flanger; Unit B is a phase shifter. Set up as console inserts.
Two Source Configs 38 Roto and Dirt Rotary speaker in Unit A; Unit B is a distorted amp. Great for adding grunge.
Two Source Configs 39 ReverseVariation A pair of variation on the reverse reverb algorithm.
Two Source Configs 40 * Available * Save your own custom Config preset here.
Two Source Configs 41 * Available * Save your own custom Config preset here.
Two Source Configs 42 * Available * Save your own custom Config preset here.
Two Source Configs 43 * Available * Save your own custom Config preset here.
Two Source Configs 44 * Available * Save your own custom Config preset here.
Two Source Configs 45 * Available * Save your own custom Config preset here.
Two Source Configs 46 * Available * Save your own custom Config preset here.
Two Source Configs 47 * Available * Save your own custom Config preset here.
Two Source Configs 48 * Available * Save your own custom Config preset here.
Two Source Configs 49 * Available * Save your own custom Config preset here.

Config ROM Presets (Bank 2)

Category # Name Description
Two Source Configs 50 2 Src: Stereo Out Both units are processed separately and then mixed to one stereo output.
Two Source Configs 51 2 Src: Mono Out Each unit is processed independently. Dual mono; useful as channel inserts.
Two Source Configs 52 Chorus + Delay Stereo mixed output, setup for sending from console aux sends.
Two Source Configs 53 Slaps + Plate Long plate reverb and slapback delay.
Two Source Configs 54 Vocal Detuners Two different stereo detune settings for lead or backing vocals.
Two Source Configs 55 Pair of Plates Diffuse plate with nice depth & a large plate with exceptionally smooth decay.
Two Source Configs 56 2 Digital Halls Clear, bright, aggressive vintage digital verb simulations.
Two Source Configs 57 Explosive Halls Two variations. Very slow attack with thunderous buildup.
Two Source Configs 58 Drum Rooms 1 A pair of small spaces; send 2 signals from your console to Inputs 1 and 2.
Two Source Configs 59 Drum Rooms 2 Two more small spaces; send 2 signals from your console to Inputs 1 and 2.
Two Source Configs 60 Dry Kick & Snare Tight mic’ed kick sound along with a snare reverb.
Two Source Configs 61 Wet Kick & Snare Big rock kick drum and snare drum reverbs.
Two Source Configs 62 2 Vintage Rooms Small and large vintage digital reverb simulations.
Two Source Configs 63 Tight + Wet Chorus and slapback echo in Unit A; Tight plate in Unit B.
Two Source Configs 64 Echos and Hall Set up in mono for channel inserts. Delays in Unit A, Hall reverb in Unit B.
Two Source Configs 65 2 Bright Plates Small and large. Mixed stereo output.
Two Source Configs 66 2 Smooth Plates Small and large. Mixed stereo output.
Two Source Configs 67 2 Country Verbs Small and large; for guitar, vocal.
Two Source Configs 68 2 Monaural Rooms 2 different small ambiences.
Two Source Configs 69 Mono Plates Two different mono plate reverbs, long and short.
Two Source Configs 70 2 MIDI ClockDDLs MIDI clocks appearing at the MIDI IN jack will set the tempo.
Two Source Configs 71 2 MONO Delays Dual mono mode is used here; useful live or as a channel insert when mixing.
Two Source Configs 72 2 Slapback DDLs Dual mono mode; setup for channel inserts.
Two Source Configs 73 2 Tempo Delays Internal clock. Dual mono mode; Unit A is 1/4 notes, Unit B is 1/8 notes.
Two Source Configs 74 2 FS Tap Delays Use Foot switch 1-L to tap the tempo. Unit A is 1/4 notes; Unit B is 1/8 notes.
Two Source Configs 75 2 Dual Delays Each unit has different delay times.
Two Source Configs 76 2 MultiTapDelays Each unit has a different set of four delay times.
Two Source Configs 77 2 Mono Choruses Use as insert effects when mixing.
Two Source Configs 78 Phaser Flanger Phaser in Unit A; Flanger in Unit B. Use as insert effects.
Two Source Configs 79 Mono Slap Echos Two sets of slap echos; Unit B’s delays are longer than Unit A’s.
Two Source Configs 80 Double Chorus Two stereo chorus units; try blending some of each for electric piano.
Two Source Configs 81 Phaser Chorus Phaser in A, Chorus in B for electric keyboards. Stereo output.
Two Source Configs 82 Dbl&Slap-Chorus Doubling and slap echos in A; Chorus in B.
Two Source Configs 83 Organ Roto Spkrs Beef up wimpy organ sounds. B is more distorted. Use as console inserts.
Two Source Configs 84 Kick, Snare Comp Two compressors for drums; use as console inserts.
Two Source Configs 85 EQ’d Drum Comp Two identical compressors, with EQ, for controlling live snares and toms.
Two Source Configs 86 Mixdown Warmer Tube saturation emulation. Two identical settings.
Two Source Configs 87 2 Tube Thickeners Insert across mixer channel for warmth.
Two Source Configs 88 Dual EQ&TiteGate Each channel goes through its own gate and EQ.
Two Source Configs 89 Album EQ wGates EQ with a slight bass and treble boost.
Two Source Configs 90 Stereo Telephone Extreme EQ. Two identical settings.
Two Source Configs 91 2 Limiters Two identical settings. Dual mono mode; setup for channel inserts.
Two Source Configs 92 Dual Exciters Adjust parameters 03 and 04 to suit the source material.
Two Source Configs 93 Dual Expanders Two identical settings. Use as console inserts when mixing.
Two Source Configs 94 2 Inv. Expanders Two 15:1 ratio inverse expanders.
Two Source Configs 95 Dual Comp & Gate 2:1 compression on each channel.
Two Source Configs 96 2 Noise Gates Parameters 09 and 10 adjust the thresholds.
Two Source Configs 97 2 Fast Expanders Two 1:30 ratio expanders. Use as console inserts.
Two Source Configs 98 Dual Rumble Fltr Filters frequencies below 150 Hz on each channel.
Two Source Configs 99 2 Parametric EQs No boost or cut is applied; try your own settings.

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

One Response

  1. Managed to find myself a DP/2 some month ago. Took my over a year to find one in good conditioons. They dont appear often for sale. Prefere it to th DP/4 which I also own. Quietly compared to DP4 which has noise floor. Sounds high-end but with a beautiful vintage touch. Very characterful and deep. Highl recommendet.

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