TC Electronic D-Two Multitap Rhythm Delay

TC Electronic D-Two
Think of delays and chances are our delays are what you hear in your head. Not to toot our own horn, but our delays are the best out there – end of story. With TC Electronic D-Two we wanted to combine our awesome delays with fun – we’ve added the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly on the unit for results that are sure to quickly whip your creativity to new highs!

TC Electronic D-Two Multitap Rhythm Delay Details

With TC Electronic D-Two we wanted to combine our awesome delays with fun – we’ve added the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly on the unit for results that are sure to quickly whip your creativity to new highs!

  • TC quality delays and effects
  • Multitap rhythm delay
  • Absolute repeat control

 

TC Quality. ‘Nuff Said.
We’re not into repeating ourselves – we like to let our delays do that. They sound great and TC Electronic D-Two houses some cool chorus effects and some sweet filters. All the TC classics are here from a Ping Pong to a Reverse delay, all ported straight from our 2290.

Terrifically Tappable
TC Electronic D-Two offers 3 ways to control your delays: ‘traditional’, which is the setup used by every delay unit since the dawn of mankind, ‘straight’ which allows you to control the exact number of repeats and ‘rhythm mode’ which allows you to tap a tempo.

Control Your Repeats
Absolute repeat control is a nifty feature that allows you to do exactly what you thought it did when you read it: absolutely control your repeats. It’s great for sculpting some awesome sounds with precision and ease.

Backstage Pass – All Access
TC Electronic D-Two is the most successful marriage of technology and our love for music to date. Filled to the brim with the best of the best in delays and with a UI that caters to your inner musician and not your inner technician, you can be sure to get TC Electronic D-Two rocking hard in no time.

Specifications

Released in: 1999
Made in: Thailand
  • Digital Connectors: RCA phono (S/PDIF)
  • Digital Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958
  • Output Dither: HPF/TPDF dither 24/20/16/8 bit
  • Sample Rates: 44.1 kHz, 48 kHz
  • Processing Delay: 0.1 ms at 48 kHz
  • Frequency Response: DC to 23.9 kHz ±0.01 dB at 48 kHz
  • Analog Input Connectors: 1/4″ phone jack, balanced
  • Input Impedance (Bal/Unbal): 21 kΩ / 13 kΩ
  • Maximum Input Level: +24 dBu
  • Minimum Input Level for 0 dBFS: 0 dBu
  • Sensitivity: -12 dBu to +12 dBu (at 12 dB headroom)
  • A/D Conversion: 24 bit, 128× oversampling bitstream
  • A/D Delay: 0.65 ms / 0.70 ms at 48 kHz / 44.1 kHz
  • THD (Input): <92 dB (0.0025%) at 1 kHz
  • Crosstalk (Input): <95 dB, 20 Hz to 20 kHz
  • Analog Output Connectors: 1/4″ phone jack, balanced
  • Output Impedance: 40 Ω
  • Maximum Output Level: +20 dBu (balanced)
  • Output Ranges: Balanced: 20/14/8/2 dBu; Unbalanced: 14/8/2 dBu
  • D/A Conversion: 24 bit, 128× oversampling bitstream
  • D/A Delay: 0.63 ms / 0.68 ms at 48 kHz / 44.1 kHz
  • Dynamic Range (Output): 104 dB typical, 20 Hz to 20 kHz
  • THD (Output): <94 dB (0.002%) at 1 kHz, +20 dBu output
  • Frequency Response (Output): ±0.5 dB at 48 kHz, 20 Hz to 20 kHz
  • Crosstalk (Output): <100 dB, 20 Hz to 20 kHz
  • Power Consumption: Less than 15 W
  • Dimensions: 483mm x 44mm x 195mm
  • Weight: 1.85 kg
See All: Products
TC Electronics D-Two Rear
User Reviews

TC Electronic D-Two Multitap Rhythm Delay User Reviews

Super delay – Worst build quality

By Rene Kirchner

Sound Quality 90%
Build Quality 10%
Usefullness 90%
Mojo/Funk 90%
Reliability 5%

I have had a D two in the Rack und I have to admit that it was the worst unit ever from a build quality. All knobs to the right hand side had literally no contact to make adjustments once pressed. Once I turned the Alpha dial to right hand side, the Display went nuts or changed presets randomly after some runtime. Even a factory reset and some service to the knobs did not solved the issues. Once it was up and running it did the job and I liked it – but if a unit is so unreliable, it was not fun to use at all.

Review

By Arnaud Cambon

Sound Quality 80%
Build Quality 70%
Usefullness 65%
Mojo/Funk 70%
Reliability 45%

Review

By Anonymous

Sound Quality 80%
Build Quality 65%
Usefullness 85%
Mojo/Funk 60%
Reliability 100%

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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