Fostex MC102 Keyboard Mixer Recorder

Fostex MC102
Compact and versatile, the Fostex MC102 Keyboard Mixer Recorder combined a twelve-channel line mixer with a high-quality cassette recorder in a rackmount unit, making it an ideal all-in-one solution for quick demos, song sketches, and simple multitrack recording in the early 1990s.

Fostex MC102 Keyboard Mixer Recorder Details

Released in 1992, the Fostex MC102 Keyboard Mixer Recorder was an innovative hybrid device that combined a twelve-channel line mixer with a high-performance cassette recorder in a compact rack-mountable format. Designed to streamline the creative process for keyboard players, guitarists, and home studio musicians, it allowed ideas and demos to be captured quickly and efficiently without the need for separate mixers and tape machines.

The Fostex MC102 offered twelve line input channels, with two adjustable-gain channels capable of accepting microphone-level sources as well as electric and bass guitars or other low-level instruments. This flexibility made it particularly well suited to musicians working with sequencers and drum machines, as it could mix live instruments alongside pre-programmed backing tracks. To extend its versatility further, the Fostex MC102 included two independent AUX send and return circuits, enabling the connection of two different external processors such as digital reverb and delay units.

At the heart of the Fostex MC102 was its cassette recorder section, engineered for use with high-bias Type II tapes such as Maxell UD-XLII or TDK SA. Dolby C noise reduction was provided to maintain clarity, while the transport delivered reliable operation with wow and flutter rated at ±0.1%. A pitch control offered ±10% variation in tape speed, opening creative options such as recording at a slower speed and playing back at standard pitch for experimental effects.

The integrated design of the Fostex MC102 made it an ideal tool for musicians wanting to record rough sketches of songs, layer overdubs, or prepare quick demo tapes without fuss. It could also function as a simple multitrack setup by mixing previously recorded cassette tracks with new material and recording the combined result to another deck. With solid build quality in a 3U rackmount package and weighing approximately 5 kg, the MC102 was a practical and portable solution for home and project studios of the early 1990s.

Features

  • Twelve-channel line mixer with two mic/low-level instrument inputs
  • Integrated cassette recorder with Dolby C noise reduction
  • Two independent AUX send/return loops for external processors
  • Pitch control with ±10% variation for creative effects
  • Designed for high-bias Type II cassettes (C-60/C-90)
  • Frequency response of 20 Hz–20 kHz (mixer) and 40 Hz–14 kHz (recorder)
  • Compact 3U rackmount format
  • Simple multitrack capability when used with an external deck

Specifications

Released in: 1992
Made in: Japan
  • Inputs A/B: Mic impedance 10 kΩ or less; input impedance 20 kΩ; nominal input level mic −60 dBV (1 mV), line −10 dBV (0.3 V)
  • Inputs 1–10: Input impedance 10 kΩ or 20 kΩ; nominal input level −10 dBV (0.3 V) or −20 dBV (0.1 V)
  • Stereo Output: Nominal output −10 dBV (0.3 V); load impedance ≥10 kΩ
  • Monitor Output: Nominal output −10 dBV (0.3 V); load impedance ≥10 kΩ
  • Tape Type: IEC Type II high bias (C-60 or C-90 recommended)
  • Noise Reduction: Dolby C
  • Tape Speeds: 4.75 cm/s
  • Wow And Flutter: ±0.1%
  • Fast Wind Time: Approximately 120 seconds (C-60)
  • Pitch Control Range: ±10%
  • Recording Time: 60 minutes (C-60)
  • Frequency Response: Mixer 20 to 20,000 Hz; recorder 40 to 14,000 Hz
  • Signal To Noise Ratio: 70 dB (Dolby On, weighted)
  • Erasure: ≥70 dB at 1 kHz
  • Head Configuration: 1 record/play, 1 erase
  • Headphone Output: Stereo, load impedance 8–50 Ω
  • Dimensions: 201.5mm x 482mm x 141.5mm
  • Weight: 5 kg
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