Prism Sound DA-2 D/A Converter

Prism Sound DA-2
The Prism Sound Dream DA-2 is a reference-quality 96 kHz, 24-bit digital to analogue converter delivering exceptional transparency, jitter rejection and analogue performance for professional monitoring, mastering and broadcast applications.

Prism Sound DA-2 D/A Converter Details

Prism Sound DA-2 is a professional 96 kHz, 24-bit digital to analogue converter developed to provide ultimate-quality monitoring for critical recording, mastering and broadcast environments. Designed as the natural counterpart to the Prism Sound AD-2, the Prism Sound DA-2 focuses on absolute transparency, precision and stability, delivering highly revealing analogue outputs that allow engineers to hear exactly what is present in the digital signal.

A central design goal of the Prism Sound DA-2 is the elimination of jitter-related artefacts. The converter employs an exceptionally stable phase-locked loop with very high jitter attenuation, ensuring accurate clock recovery and rock-steady conversion even when locked to imperfect external sources. In addition to this, the Dream DA-2 can operate in a dedicated master clock mode, in which the effects of incoming clock jitter are eliminated completely. The digital outputs can also provide a de-jittered digital feed-through, supporting reliable downstream digital transfers.

The analogue output stage of the Prism Sound Dream DA-2 is engineered for both simplicity and performance. Outputs are fully floating, electronically balanced and transformerless, minimising noise and preserving signal integrity. Precision attenuators allow the analogue line-up level to be adjusted over a wide range, covering both professional and consumer operating levels with very fine resolution. This makes the unit suitable for use in a wide variety of studio and mastering signal chains without compromise.

Interfacing flexibility is another defining characteristic of the Prism Sound DA-2. The unit supports both high-speed and two-wire digital interfacing for 88.2 kHz and 96 kHz operation, allowing straightforward integration with a broad range of professional and consumer digital audio equipment. Multiple digital input and output formats are provided, enabling the Dream DA-2 to function as a high-quality monitoring converter as well as a reliable digital routing and distribution point.

Measured performance reflects the Prism Sound DA-2’s design intent. Dynamic range exceeds 115 dB A-weighted, with extremely low distortion, excellent channel matching and negligible idle noise. Frequency response is flat across the audible band, and inter-channel phase deviation is kept exceptionally low, contributing to stable stereo imaging and accurate spatial reproduction. These characteristics established the Prism Sound DA-2 as a reference-grade monitoring converter in demanding professional environments.

Features

  • Professional 96 kHz, 24-bit digital to analogue conversion
  • Exceptionally stable clock generation and recovery with high jitter attenuation
  • Master clock mode to eliminate incoming clock jitter effects
  • De-jittered digital feed-through for reliable digital transfers
  • Fully floating, electronically balanced, transformerless analogue outputs
  • Precision analogue output level adjustment covering professional and consumer levels
  • Support for high-speed and two-wire interfacing at 88.2 kHz and 96 kHz
  • Multiple professional and consumer digital input and output formats
  • Designed for critical monitoring in recording, mastering and broadcast environments

Specifications

Released in: 1998
Made in: U.K.
  • Converter Type: Digital To Analogue
  • Converter Resolution: 24-bit
  • Maximum Sample Rate: 96 kHz
  • Dynamic Range: Greater than 115 dB RMS A-weighted, greater than 112 dB unweighted or CCIR-RMS
  • THD + N: Less than -104 dB (less than 0.0006%) at 997 Hz, 0 dBFS
  • Frequency Response: 1 Hz to 20 kHz, ±0.1 dB
  • Inter-Channel Phase Deviation: Less than 1 degree from 1 Hz to 20 kHz
  • Idle Channel Noise: Less than -115 dBFS RMS
  • Jitter Rejection: Corner frequency less than 40 Hz, greater than 60 dB rejection at 500 Hz
  • Analogue Outputs: Fully floating, balanced, transformerless
  • Analogue Line-Up Level: +5 dBu to +28 dBu in 0.05 dB steps
  • Digital Inputs: AES3 XLR, optical consumer, AES3-ID or S/PDIF coaxial, SDIF-2 via BNC, S/PDIF RCA
  • Digital Outputs: AES3 XLR, optical consumer, optional SDIF-2 BNC, optional S/PDIF RCA
  • Dimensions: 44mm x 483mm x 260mm
  • Weight: 4 kg
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