TASCAM DA Series

The TASCAM DA Series, introduced in the early 1990s, brought high-quality digital multitrack recording to studios transitioning from analogue tape. Centred around DAT- and DTRS-based recorders such as the DA-30, DA-40, DA-88, and DA-98, the series offered reliable 16- and 24-bit digital recording with SMPTE and MIDI synchronisation, modular expandability, and robust tape-based workflows. The DA-88 in particular became a studio standard, widely adopted for music, film, and television production due to its stability and sound quality. Combining TASCAM’s analogue engineering heritage with digital precision, the DA Series defined an era of professional multitrack digital recording throughout the 1990s.

1989
DAT Recorders
/ Made In Japan
The TASCAM DA-50 Digital Audio Tape Recorder was the first US-legal DAT tape recorder with SCMS Copy protection, it was also a rebadged high-end TEAC or in Japan, Esoteric DAT recorder with some cosmetic changes to suit professional studio use.
1993
DTRS Recorders
Made In Japan /
The year of 1993 saw the arrival of the first challenger to the groundbreaking Alesis ADAT, and what a challenger it was too, with smaller tape size, and importantly better sound quality! It went on to become the biggest selling product in Tascam's history, selling more than 60,000 units!
1994
DAT Recorders
/ Made In Japan
The TASCAM DA-30 MkII is a professional-grade DAT recorder that is designed for high-quality audio recording and playback. It offers a range of advanced features that make it suitable for use in professional recording studios, post-production facilities, and broadcasting environments.
1997
DAT Recorders
Made In Japan /
The TASCAM DA-60MKII is a synchronisable 4-head DAT powerhouse that's perfect for both production and postproduction environments. It delivers superior sound quality, full-featured functionality and durability that studio pros expect from TASCAM.
1997
DTRS Recorders
/ Made In Japan
The TASCAM DA-98 takes all the advantages offered by the DTRS format and significantly ups the ante for the professional and post-production professional alike. With enhanced A/D and D/A convertors, a comprehensive LCD display and full compatibility with the DA-88 and DA-38, the TASCAM DA-98 delivers the absolute best in digital multitrack functionality.
1997
DTRS Recorders
Made In Japan /
The TASCAM DA-38 Multitrack DAT Recorder is an 8-track Hi-8mm digital multitrack system from 1997, offering extended recording time, DA-88 compatibility, and a modular design for scalable digital recording setups.
1999
DAT Recorders
/ Made In Japan
Tascam DA-40 is a feature rich DAT recorder, bringing together deep recording and playback capabilities, plus a wealth of control functions. Controlling the DA-40 is easy through the clearly marked buttons on the front panel.
1999
DAT Recorders
Made In Japan /
The Tascam DA-45HR is a professional-grade digital audio recorder that improves upon the feature set of its predecessor, the DA-40. With the DA-45HR, Tascam has elevated the recording quality to 24-bit resolution, allowing for a greater dynamic range and a more accurate representation of the original audio source.
2000
DTRS Recorders
/ Made In Japan
The TASCAM DA-78HR is the first 24-bit DTRS format 8-track Modular Multitrack Recorder, designed primarily for professional recording studios, project studios and home recording studios where 24-bit high quality digital audio recording is essential.
2004
DTRS Recorders
Made In Japan /
The TASCAM DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post-production and the highest end of commercial recording facilities. Since its introduction in 1993, TASCAM's DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry.
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