Thermionic Culture The Earlybird 4 Microphone Preamplifier

Thermionic Culture The Earlybird 4
The Thermionic Culture The Earlybird 4 is a four-channel valve preamplifier in a nineteen-inch rack, offering 3 dB to 62 dB of clean class A gain, switchable input impedance and handwired point-to-point construction. Its custom Sowter transformers deliver minimal phase shift and high headroom, and a pair of VU metres and peak LEDs provide clear level monitoring.

Thermionic Culture The Earlybird 4 Microphone Preamplifier Details

The Thermionic Culture The Earlybird 4 contains four channels of extremely high-quality valve preamplification. Originally introduced in black in 1999, this red limited edition is restricted to forty-nine units. The original black edition remains available with updated circuitry.

Simplifying each channel’s circuitry to fit four channels into a nineteen-inch rack unit has raised the individual channel specifications, making this the most natural-sounding, highest-quality version of the Earlybird preamplifier to date.

The unit delivers the cleanest possible valve gain from three decibels to sixty-two decibels, with a switchable input impedance for optimal matching to a wide range of microphones. Every Thermionic Culture The Earlybird 4 is handwired with point-to-point wiring throughout.

The circuit design uses a push-pull class A valve amplification topology to provide exceptionally clean gain, yielding the lowest noise and distortion figures achievable in a microphone amplifier. Input and output transformers have been specially developed in collaboration with Sowter transformers to achieve minimal phase shift and maximum headroom.

Vic Keary describes the Thermionic Culture The Earlybird 4 as the best, most real microphone amplifier ever, a claim borne out by its beautiful sonic results. A pair of VU metres displays signal levels for two selectable channels. Metre A may be switched between channels 1 and 3, and metre B between channels 2 and 4. Four red indicators illuminate when the amplifier output exceeds plus ten decibels, while twenty decibels of headroom remain.

Features

  • 4 Channels of extremely high quality push pull’ ‘class A’ type of valve pre amplification.
  • Clean gain, giving the lowest noise and distortion figures possible in a mic. Amp.
  • Hand wired with point to point wiring throughout.
  • Lowest phase shift and highest headroom.

 

Controls on each channel for:

  • Switchable input impedance to help in matching the unit with different microphones.
  • Switchable 48V phantom power .
  • Switched gain 42 dB to 62 dB, 20dB pad.
  • 2 position high pass filter.
  • Variable output trim with phase inverter.
  • Vu meters switchable between channels.
  • Peak overload indicators.

Specifications

Released in 2010
  • Input impedance (with pad): 300 Ω or 1200 Ω, switchable, balanced
  • Input impedance: 2 kΩ
  • Output impedance (output level control at maximum): 55 Ω, balanced
  • Output impedance (output level control at minimum): 500 Ω, balanced
  • Maximum gain: 62 to 64 dB
  • Maximum output level: +34 dBm
  • Distortion (THD) @ 1 kHz, unweighted, 40 dB gain: 0.0035 %
  • Distortion (THD) @ 100 Hz, unweighted, 40 dB gain: 0.008 %
  • Frequency response (±0.5 dB at 40 dB gain): greater than 10 Hz to less than 35 kHz
  • Gain settings (microphone): 40 dB, 45 dB, 50 dB, 55 dB and 60 dB
  • High-pass filter: 50 Hz and 100 Hz
  • Output trim: minus 17 dB to plus 2 dB reverse linear attenuator
  • Input and output connectors: four 3-pin XLRs, wired balanced
  • Valve complement: four 12AX7LPS /ECC803 /7025 and four 6189 /ECC82
  • Pilot light bulb: 12 V, 3 W
  • Fuses (115 V): T1 A
  • Fuses (230 V): T500 mA
  • Typical THD @ 100 Hz to 10 kHz: 0.003 % at 40 dB gain, 0.015 % at 50 dB gain, 0.03 % at 60 dB gain
  • Typical noise (dB reference MOL): minus 117 dB at 40 dB gain, minus 113 dB at 50 dB gain, minus 104 dB at 60 dB gain
  • Phase shift @ 100 Hz: 0° (0 %) at all gain settings
  • Phase shift @ 1 kHz: 1° (0.3 %) at 40 dB gain, 1.4° (0.4 %) at 50 dB gain, 2° (0.6 %) at 60 dB gain
  • Phase shift @ 10 kHz: 14° (3.9 %) at 40 dB gain, 17° (4.7 %) at 50 dB gain, 31° (8.6 %) at 60 dB gain
  • Phase shift @ 20 kHz: 28° (7.8 %) at 40 dB gain, 35° (10 %) at 50 dB gain, 62° (17 %) at 60 dB gain

The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

User Reviews

Thermionic Culture The Earlybird 4 Microphone Preamplifier User Reviews

There are currently no reviews, why not be the first?

Used it? Leave your rating and review.

Audio Samples

Thermionic Culture The Earlybird 4 Microphone Preamplifier Audio Samples

There are no samples available at the moment. If you can help, please contact us.

Alternatives

Alternatives to the Thermionic Culture The Earlybird 4 Microphone Preamplifier

Currently no information available…

Plugin Alternatives

Thermionic Culture The Earlybird 4 Microphone Preamplifier Plugins

Currently no information available…

Classic Tracks

Thermionic Culture The Earlybird 4 Microphone Preamplifier Used on these Recordings

Currently no information available…
The absence of information doesn’t necessarily mean it hasn’t been used on classic tracks or albums; it just means we don’t have the details.

Famous Racks

Thermionic Culture The Earlybird 4 Microphone Preamplifier Appears in These Famous Racks

No results found.

Related Articles

Articles related to the Thermionic Culture The Earlybird 4 Microphone Preamplifier

No results found.

Historical Advertising
Thermionic Culture The Earlybird 4 Microphone Preamplifier

Leave a Reply