Zoom Studio 1202 Effects Processor

Zoom Studio 1202
The Zoom Studio 1202 is a versatile effects processor with 512 presets across 32 effects and 16 variations. With a 44.1 kHz sampling frequency, it delivers high-quality sound, ideal for guitars, bass, and synthesizers. Its full stereo configuration provides rich, natural reverb and allows independent use of both channels.

Zoom Studio 1202 Effects Processor Details

The Zoom Studio 1202 is a sophisticated effects processor offering a total of 512 preset programs, covering 32 effects with 16 variations each, making it versatile for a wide range of creative applications.

With a 44.1 kHz sampling frequency, it ensures the Zoom Studio 1202’s high-performance sound processing, making it ideal for instruments like guitars, bass, and synthesizers.

The Zoom Studio 1202 features a full stereo configuration, a first in its class, delivering rich, natural reverb effects, while also allowing the two channels to be used independently.

Specifications

Released in: 1995
Made in: Japan
  • Preset Programs: 512 (16 Effects × 2 Banks; A/B × 16 Patterns)
  • Program Controls: 2 (EDIT 1, EDIT 2)
  • Effect EQ: HIGH, LOW
  • Level & Mix Controls: INPUT, MIX (100% DRY — 100% EFFECT), OUTPUT
  • Rear I/O: INPUTS (L/MONO, R); –10dBm — +4dBm / 7kΩ (MONO), 14kΩ (STEREO), OUTPUTS (L, R); –10dBm — +4dBm / 330Ω or more, EFFECT OFF (with optional foot switch FS01)
  • A/D Conversions: 2 channels, 16-bit Linear, 44.1kHz, 64 times over sampling
  • D/A Conversions: 2 channels, 16-bit, 44.1kHz
  • Dimensions: 482mm × 44mm × 115mm
  • Weight: 1.4 kg
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User Reviews

Zoom Studio 1202 Effects Processor User Reviews

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Bank A

Effects Description Patterns EDIT 1 EDIT 2
1. Hall Simulates a medium-sized concert hall Pattern 2–16: Variations with different reverb time
1: 2.2Sec/2–16: 1.0–3.8Sec
Diffusion Attack
2. Room Simulates an acoustically dead space such as a rehearsal studio Pattern 2–16: Variations with different reverb time
1: 0.7Sec/2–16: 0.5–3.3Sec
Diffusion High Cut
3. Plate Reverb with rich bass Pattern 2–16: Variations with different reverb time
1: 4.2Sec/2–16: 3.0–9.0Sec
Pre Delay
0–100mS
High Mpy
4. Vocal Reverb for adding depth and suppleness, to vocals Pattern 2–16: Variations with different reverb time
1: 4.5Sec/2–16: 1.7–4.5Sec
Pre Delay
0–100mS
Attack
5. Ambience Reverb for brightening up the sound and adding depth Pattern 2–16: Variations with different reverb time
1: 1.2Sec/2–16: 0.6–3.4Sec
High Damp Density
6. Orche. Reverb with very wide sound stage and distinct body Pattern 2–16: Variations with different reverb time
1: 1.5Sec/2–16: 0.5–3.3Sec
Pre Delay
0–100mS
Density
7. Session Simulates a small, acoustically live room Pattern 2–16: Variations with different reverb time
1: 1.0Sec/2–16: 0.6–3.4Sec
Diffusion High Cut
8. Studio Simulates a large studio with high ceiling Pattern 2–16: Variations with different reverb time
1: 0.9Sec/2–16: 0.5–3.3Sec
Pre Delay
0–100mS
High Cut
9. Percus. Conventional type reverb suitable for all kinds of percussion Pattern 2–16: Variations with different reverb time
1: 1.8Sec/2–16: 0.6–3.4Sec
Diffusion High Damp
10. Drums Reverb suitable for adding body to snare drums Pattern 2–16: Variations with different reverb time
1: 1.7Sec/2–16: 0.5–3.3Sec
High Damp Density
11. Solo Reverb with pronounced predelay, ideal for reed solos Pattern 2–16: Variations with different gate time
1: 3.5Sec/2–16: 2.3–55Sec
Pre Delay
0–100mS
High Cut
12. Gate Intense gate type reverb Pattern 2–16: Variations with different gate time
1: 448mS/2–16: 88–1,152mS
Density Gate Threshold
13. Power Gate type reverb for creating a heavy sound Pattern 2–16: Variations with different gate time
1: 312mS/2–16: 88–1,152mS
High Damp Gate Threshold
14. Reverse Effect similar to a tape recorder running backwards Pattern 2–16: Variations with different gate time
1: 858mS/2–16: 88–1,152mS
Diffusion Gate Threshold
15. Delay Long delay up to 740 ms, with cross-feedback between L and R. Use EDIT 1/2 to adjust L/R delay time. Pattern 2–8: Variations with different feedback time. The delay time variation range is 0.4 to 180 mS.
Pattern 9–16: Variations with different feedback time. The delay time variation range is 11 to 370 mS.
1: L: 185mS
R: 173mS
Delay Time 1
0.4–180mS
OR
11–370mS
Delay Time 2
0.4–180mS
OR
11–370mS
16. Echo Fully discrete two-channel echo. Use EDIT 1/2 to adjust L/R delay time. Pattern 2–8: Variations with different feedback time. The delay time variation range is 0.4 to 180 mS.
Pattern 9–16: Variations with different feedback time. The delay time variation range is 11 to 370 mS.
1: L: 173mS
R: 185mS
Delay Time 1
0.4–180mS
OR
11–370mS
Delay Time 2
0.4–180mS
OR
11–370mS

Bank B

Effects Description Patterns EDIT 1 EDIT 2
17. Chorus Chorus with a total of six voices for L and R Pattern 2–16: Variations with different modulation depth Mod Delay Mod Freq
0.13–1.39Hz
18. Flanger Flanger with wide sweep range Pattern 2–16: Variations with different modulation rate
1: 0.76Hz/2–16: 0.1–1.9Hz
Mod Depth Mod F/B
19. Pitch Pitch shifter with a range of up to one octave up or down. When changing the pattern, the pitch is shifted along the major scale (*see right page illustration). Patterns 2–8 are negative pitch shift variations, and patterns 10–16 are positive pitch shift variations. Pattern 9 is a detune effect.
1: +10Cents
Semi Tone Shift Detune Width
Pattern2–8:
0– +13Cent
Pattern1,10–16:
0– -7Cent
20. Tremolo Tremolo with delay and opposite phase for L/R Pattern 2–16: Variations with different modulation rate
1: 2.54Hz/2–16: 0.14–5.24Hz
Delay Time
11–370mS
Delay F/B
21. ZNR Zoom noise reduction. Use EDIT 1/2 to adjust the L and R depth of the effect. Pattern 2–16: Variations with different threshold. Select the pattern which yields the best noise reduction. Depth-L Depth-R
22. Cho+Rev Serial connection of chorus and reverb Pattern 2–16: Variations with different modulation depth
1: Rev Time = 1.9Sec
Rev Time
0.5–3.3Sec
Rev Mix
23. Fla+Rev Serial connection of flanger and reverb Pattern 2–16: Variations with different modulation rate
1: 0.22Hz, Rev Time = 3.1Sec
Rev Time
0.5–3.3Sec
Mod Depth
24. Pit+Rev Serial connection of pitch shifter and reverb. When changing the pattern, the pitch is shifted along the major scale. Patterns 2–8 are negative pitch shift variations, and patterns 10–16 are positive pitch shift variations. Pattern 9 is a detune effect.
1: -10Cents, Rev Time = 2.7Sec
Rev Time
0.5–3.3Sec
Rev Mix
25. Cho/Rev Parallel effect with chorus in the left channel and reverb in the right channel Pattern 2–16: Variations with different modulation depth
1: Rev Time = 1.7Sec
Rev Time
0.5–3.3Sec
Rev Mix
26. Fla/Rev Parallel effect with flanger in the left channel and reverb in the right channel Pattern 2–16: Variations with different modulation rate
1: 0.76Hz, Rev Time = 2.7Sec
Rev Time
0.5–3.3Sec
Rev Mix
27. Pit/Rev Parallel effect with pitch shifter in the left channel and reverb in the right channel Patterns 2–8 are negative pitch shift variations, and patterns 10–16 are positive pitch shift variations. Pattern 9 is a detune effect.
1: +7Semi Tone,
Rev Time = 1.9Sec
Rev Time
0.5–3.3Sec
Rev Mix
28. Trem/Rev Parallel effect with tremolo in the left channel and reverb in the right channel Pattern 2–16: Variations with different modulation rate
1: 3.5Hz, Rev Time = 0.7Sec
Rev Time
0.5–3.3Sec
Rev Mix
29. Cho/Echo Parallel effect with chorus in the left channel and echo in the right channel Pattern 2–16: Variations with different modulation depth
1: Delay Time = 185mS
Delay Time
11–370mS
Echo Mix
30. Fla/Echo Parallel effect with flanger in the left channel and echo in the right channel Pattern 2–16: Variations with different modulation rate
1: 0.27Hz, DLY Time = 126mS
Delay Time
11–370mS
Echo Mix
31. Pit/Echo Parallel effect with pitch shifter in the left channel and echo in the right channel Patterns 2–8 are negative pitch shift variations, and patterns 10–16 are positive pitch shift variations. Pattern 9 is a detune effect.
1: -5Semi Tone,
DLY Time = 150mS
Delay Time
11–370mS
Echo Mix
32. Trem/Echo Parallel effect with tremolo in the left channel and echo in the right channel Pattern 2–16: Variations with different modulation rate
1: 4.62Hz, DLY Time = 161mS
Delay Time
11–370mS
Echo Mix

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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