March 1992 - Vintage Digital

Released in 1992

Studer D780 DAT Recorder

In the dynamic world of broadcasting, professionals demand excellence in their studio equipment. The Studer D780 R-DAT recorder rises to meet these exacting standards, ushering in a new era of efficiency and precision.

Released in 1992

dbx 1046 Quad Compressor Limiter

The dbx 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder.

Released in 1992

Eventide H3500 DFX Sampling Ultra Harmonizer®

The Eventide H3500 is capable of creating effects you have never heard before (1992) and is fully MIDI controllable with click less, real-time MIDI control. The Eventide H3500 incorporates all the effects of the Eventide H3000-SE, plus the Mod Factory dynamic presets, and the Eventide HS322/395 Sampler card.

Released in 1992

Sony DPS-M7 Sonic Modulator

After a digital reverb and a digital delay, the next logical choice for Sony was a modulation processor, and that is exactly what they delivered with the Sony DPS-M7. With the new Sony DPS-M7, Sony continued to improve the sonic characteristics of the internals, with the DPS-M7 showing even better noise floor performance than even the DPS-D7 that preceded it.

Released in 1992

Sony DPS-F7 Dynamic Filter Plus

After the digital reverb, digital delay and then a modulation processor, what could Sony release next? A dynamic filter, which lacked the appeal of the first three effects in the DPS line up. The Sony DPS-F7 is suited to keyboard players that studios, as it generates rather interesting effects for keyboards including vocoder and synthesizer. Having said that, creative engineers could find great use for this effect in their racks.