Classic Recording Studio Equipment

Vintage Digital

Eventide H3500

Eventide H3500 DFX Sampling Ultra Harmonizer®

The Eventide H3500 is capable of creating effects you have never heard before (1992) and is fully MIDI controllable with click less, real-time MIDI control. The Eventide H3500 incorporates all the effects of the Eventide H3000-SE, plus the Mod Factory dynamic presets, and the Eventide HS322/395 Sampler card.

Details

The Eventide H3500 came several years after the H3000 and added little more other than the sampling feature. Internal electronics of the Eventide H3500 remained the same as the Eventide H3000 so performance was ultimately the same.

Eventide H3500 Effects Options

  • DIATONIC SHIFT – A pitch shifter that stays in key
  • DUAL SHIFT – Two separate pitch shifters
  • LAYERED SHIFT – Two pitch shifts from one input
  • STEREO SHIFT – Mono-compatible stereo pitch shifting (maintains stereo imaging)
  • REVERSE SHIFT – Backwards-talking pitch shift
  • SWEPT COMBS – Six sweepable delay lines, with stereo panning
  • SWEPT REVERB – A dense reverb with smooth sweep capability
  • REVERB FACrORY – A full-featured reverb with EQ and flexible gating
  • ULTRA-TAP – Twelve delay taps with full control over panning, level, and delay. Includes a diffusor to generate dense gated reverb effects.
  • DUAL DIGIPLEX – A stereo delay with smcx)th delay change
  • LONG DIGIPLEX – A 1.5 second delay with delay control
  • PATCH FACTORY – A “modular” effects program which lets you design your own effect. “Patch” together delay filters and pitch shifting to create never-heard-before effects.
  • STUTTER – Get that St..st..stutter sound
  • DENSE ROOM – Our densest reverb, with unique front/back position control
  • VOCODER – This is our version of the classic vocoding effect
  • MULTISHIFT – Two six-octave pitch shifters, two delays, panning and patchable feedback paths make this program incredibly useful
  • BAND DELAY – A multi-tap delay line feeding eight resonant bandpass filters make for some sounds like you’ve never heard
  • STRING MODELLER – This program lets the H30 double as an extra voice in your MIDI rack
  • PHASER – A wonderfully thick, smooth, phase-shifting effect that is hard to beat
  • MOD FACTORY – The latest algorithms that add effects such as delay ducking, BPM delays and sweeps, compression, manual flanging, smooth autopanning, audio triggered sweeps and much more
  • HS322/395 SAMPLER – Digitally records up to 11.8 seconds stereo or 23.7 seconds mono audio (47.5 seconds of stereo or 95 seconds of mono audio with the Eventide H3500 dfx/e).

Specifications

Released

  • Quantization: 16 Bit
  • Sampling Frequency: 44.1
  • Frequency Response: 5Hz-20kHz
  • Dynamic Range: 92dB
  • THD: Below 0.01%
  • Delay: Up to 23.7 seconds or 95 seconds with H3500 DFX/e
  • Pitch Variation: 3 octaves up, 3 octaves down
  • Dimensions: 483mm x 343mm x 89mm
  • Weight: 5.9kg

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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The Convology XT Plugin is head and shoulders above the rest.  No importing one file at a time.  With the Convology XT plugin, you simply click on the library that you want to explore and then on the right hand side of the plugin, all of the associated files will appear.  This allows the user to quickly A/B which reverbs they’d like to use.  It’s that simple and it’s how plugins ought to react.  It’s a breeze to load library content.

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The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer® a studio legend.

We designed MicroShift to nail the vibe of sought-after hardware pitch shifters like the Eventide H3000 (which featured algorithms originally designed by Soundtoys’ founders) and the AMS DMX 15-80s.

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OMG THIS IS GOD’S FX BOX

by Zach

Sound Quality 100%
Build Quality 100%
Usefullness 100%
Mojo/Funk 95%
Reliability 95%

Full stereo with the lushest chorus (underwater chorus is my favorite), unique effects (try crystal echoes on distorted guitars) and reverbs that give Lexicon a run for their money. I still like my PCM-70 reverbs better, but it’s only a mono input / stereo out unit – using the two together can create the lushest most divine reverb tails you’ll ever hear. And it does all the vocal processing, broadcast functional stuff like megaphones, aircraft comms channel, harmonization, and plus it has a sampler too… which I haven’t even begun to tap into yet. The possibilities of combining this with another stereo unit, or using a TC-2290 in front of it… make one drool.

This is God’s effect unit. They made some other units later, but I don’t see much better stuff in the 4000 range and the 8000 / 9000 range don’t have the sampling that can loop up to something like 48 seconds of audio… those are still selling on the used market but this one isn’t really available much since all the units are installed in the holy ambience chamber beyond the pearly gates. I happened to find one locally and it is never going out of my sight for more than a nanosecond, even has a GPS locator installed, although I don’t know if that will correctly locate it if is gets snarfed by some kind of higher being, be that a deity or advanced alien race that wants to “borrow” it for “the weekend”.

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