1998

Released in 1998
The E-MU E6400 Ultra was a cost-effective sampler with pro-level features, offering 64-voice polyphony, EOS 4.0, and deep synthesis tools. Fully upgradeable, it delivered serious power and flexibility in a studio-friendly format.
Made In U.S.A.
Released in 1998
The Studer V-Eight recorder incorporates the S-VHS recording principle and possesses all the necessary features required for professional audio applications. It is designed to meet the stringent demands of a professional studio environment, with a sturdy and distortion-free die-cast aluminium alloy chassis. Its modular design allows for sample-accurate interconnection of multiple units through a straightforward sync bus.
Made In Switzerland
Released in 1998
Sony made a killer effects processor with the DPS-V77, so next step was to capitalise on that with a four-channel version, right? But something went wrong…On paper at least, the Sony DPS-V55 should be a killer effects processor, but by all accounts, it does not succeed. Just as Roland did with their SRV-3030, the sound quality leaves a lot to be desired.
Made In Japan
Released in 1998
The Fostex D-160 is a 16-track digital multitrack recorder with eight additional tracks that employs a 3.5-inch E-IDE type removable hard disk as the recording media.
Made In Japan
Released in 1998
The TL Audio 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equaliser and noise gate all in one easy-to-use package: now with an optional digital output.
Made In U.K.
Released in 1998
The TASCAM MMR-8 is an eight-track non-linear digital recorder and player that uses SCSI hard drives or removable media to record 16-bit or 24-bit audio at 44.1 kHz or 48 kHz (with pull-up/pull-down for fourteen sampling rates), offers balanced analogue +4 dBu and AES/EBU digital I/O, synchronises precisely.
Made In Japan
Released in 1998
The TC Electronic M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. The VSS3-reverb technology inherent in the TC Electronic M3000 is an industry standard.
Made In Denmark
Released in 1998
The TC Electronic FireworX is the most radical sounding Multi-Effects Processor you’ve ever heard and a real challenge to your imagination. Take whatever you need from the broad palette of internal effects, drop it into the forge at the heart of the TC Electronic FireworX, and turn your music into a fireball of sound.
Made In Denmark
Released in 1998
The TL Audio 5050 came directly from user requests for a simple yet great sounding valve front end and boasts the winning combination of a mic/line/instrument preamp and mono compressor: making it the most cost-effective way of processing your sources.
Made In U.K.
Released in 1998
The Digitech 2120 Artist Valve Guitar System is a versatile dual-tube multi-effects processor with limitless tone configurations and presets, including a programmable foot controller.
Made In U.S.A.
Released in 1998
You’ve wanted professional CD recording for ages, you’ve needed it for even longer. But the ability to professionally master audio compact discs has until now been somewhat of a luxury, with only the very top studios and recording professionals having the kind of investment to purchase a CD mastering machine.
Made In Japan
Released in 1998
Apogee DA-2000 Studio Reference Standard Digital to Analog Converter – Switcher represents a milestone in digital conversion technology. Contained within the design are technologies that Apogee pioneered, such as low jitter clocking and critically matched filter designs.
Made In U.S.A.
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