Akai

Akai truly made its mark in the 1980s by delivering innovative, reliable samplers that quickly became staples for keyboard players and producers. Their S-series samplers, like the S900 and S1000, were groundbreaking, offering high-quality sampling at a more accessible price point than competitors, with easy-to-use interfaces and powerful editing features. This dominance made Akai synonymous with sampling, particularly in genres like hip-hop and electronic music, where the Akai MPC series became legendary for its combination of sampling and sequencing capabilities. In 1988, Akai expanded its focus, introducing digital effects processors to complement their sampler lineup. Notable among these were the Akai PEQ6, a programmable equaliser that allowed keyboard players to tailor their sound with precision, and the Akai AR900, a digital reverb unit known for its versatility and depth. These units, while not as widely celebrated as Akai’s samplers, showcased the brand’s commitment to providing comprehensive audio solutions.

Akai S1000
Akai MG14D
Decades
Made In Japan
Released in 1976 /
Introduced in 1976, the Akai GXC-730D was an automatic reverse stereo cassette deck featuring bidirectional recording and playback, a GX record and playback head, two erase heads, solenoid transport control, Dolby noise reduction and selectable one-way, one-cycle and continuous operation.
Made In Japan
Released in 1978 /
The Akai GXC-735D was a deluxe Quick Reverse cassette deck featuring automatic bidirectional recording and playback, a long-life GX head, Dolby noise reduction, memory rewind, ferrichrome tape compatibility and illuminated VU meters.
Made In Japan
Released in 1978 /
Introduced in Japan in 1978, the Akai GXC-570D was a three-motor, dual-capstan cassette deck featuring GX recording and playback heads, direct-drive reel motors, Dolby noise reduction, automatic distortion reduction, built-in calibration facilities and Sensi-Touch transport controls.
Made In Japan
Released in 1985 /
The Akai S612 Sampler provides synth enthusiasts with affordable sampling technology. Offering 12-bit resolution, 32 kHz bandwidth, and 6-voice polyphony. With the Akai S612, you can sample a variety of audio sources like voices, instruments, or any analogue or digital signal, and play it back on any MIDI keyboard within 8 seconds.
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Made In Japan
Released in 1986 /
Released in 1986, the Akai GX912 Stereo Cassette Deck is a 2U rackmount professional 3-head cassette deck featuring a Super GX head system, closed loop double capstan transport, microcomputer control, and extended 20Hz to 21kHz frequency response on Metal tape.
Made In Japan
Released in 1986 /
The Akai S900 is an 8-voice digital sampler with up to 32 sampling points and a frequency range of 7.5 kHz to 40 kHz. It offers up to 63.3 seconds of sampling time, advanced editing features, and supports MIDI mono mode multitracking. With a 20 kHz frequency response and extensive MIDI connectivity, it’s ideal for both studio and live use.
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Made In Japan
Released in 1987 /
The Akai MG1214 combined a 12 channel mixer, 12 track audio recorder, sync facilities, auto location and computerised patching into one integrated recording system. Released in 1985, it used AKAI’s ½ inch MK20 cassette format and was designed to give musicians a powerful, flexible and self-contained multitrack production system.
Made In Japan
Released in 1987 /
One of the most unusual tape recorders released during the golden period of the 1980s, is without a doubt, the Akai MG14D, a tape based analogue recorder that offered excellent sound quality in a relatively compact chassis, released hot on the heels of a wave of digital multitrack recorders.
Made In Japan
Released in 1987 /
The Akai MG614 Recorder was a high-end cassette multitrack recorder and mixer offering four audio tracks plus a dedicated sync signal on track 1. With a six-channel mixer, twin parametric EQs, dbx noise reduction, dual tape speeds, and a built-in auto locator, it delivered professional features for serious home recording. Designed for seamless MIDI integration and efficient workflow, it was a powerful tool for musicians committed to four-track production.
Made In Japan
Released in 1987 /
The Akai S700 is a 2U rackmount 12-bit digital sampler released in 1987, offering up to 8 seconds of sampling per voice, multi-mode looping, auto-splicing, and MIDI integration. With expandability, front-panel playback, and velocity-sensitive filtering, it provided powerful sampling features in a compact, affordable format.
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Made In Japan
Released in 1988 /
Akai S950 MIDI Digital Sampler features a 48kHz Sampling Rate and up to 99 Mult samples which allow you to reproduce the beautiful sounds of acoustic instruments.
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Made In Japan
Released in 1988 /
The Akai S1000 is a legendary sampler known for its CD-quality sound, advanced editing features, and full MIDI integration. Its flexibility and compatibility with AKAI S900 disks made it a studio favourite, solidifying its status as an industry-standard tool for producers and musicians.
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Classic Tracks Using Akai Gear

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