Akai

Akai truly made its mark in the 1980s by delivering innovative, reliable samplers that quickly became staples for keyboard players and producers. Their S-series samplers, like the S900 and S1000, were groundbreaking, offering high-quality sampling at a more accessible price point than competitors, with easy-to-use interfaces and powerful editing features. This dominance made Akai synonymous with sampling, particularly in genres like hip-hop and electronic music, where the Akai MPC series became legendary for its combination of sampling and sequencing capabilities. In 1988, Akai expanded its focus, introducing digital effects processors to complement their sampler lineup. Notable among these were the Akai PEQ6, a programmable equaliser that allowed keyboard players to tailor their sound with precision, and the Akai AR900, a digital reverb unit known for its versatility and depth. These units, while not as widely celebrated as Akai’s samplers, showcased the brand’s commitment to providing comprehensive audio solutions.

Akai S1000
Akai MG14D
Decades
Made In Japan
Released in 1988 /
Akai could have gone down the path of trying to compete in the lower end of the multi-effects market with the likes of Alesis, but instead aimed to produce a high quality dedicated reverb, with the Akai AR900 being the end result.
Made In Japan
Released in 1988 /
Akai Professional Products released their Akai AR900 Digital Reverb alongside the PEQ6 Programmable Equaliser with similar commercial acceptance. The Akai PEQ6 was targeted more towards the keyboard player rather than studios, and with its MIDI implementation it was perfect for that purpose too.
Made In Japan
Released in 1988 /
The Akai GX-95 was a Reference Master three-head cassette deck featuring LC-OFC Super GX heads, a direct-drive closed-loop dual-capstan transport, manual level and bias calibration, Dolby B and C noise reduction, Dolby HX Pro, IPSS programme search and wireless remote control.
Made In Japan
Released in 1988 /
The Akai MPC60, launched in 1988 and co-designed with Roger Linn, was the first all-in-one sampling drum machine and MIDI sequencer. With its 12-bit sound, expressive pads, and unmatched sequencing power, it revolutionised music production, defining hip-hop, R&B, and electronic music for decades.
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Made In Japan
Released in 1990 /
The Akai DR1200 was a 12-track digital hard disk recorder from the early 1990s. It was designed as a professional digital multitrack recorder, aimed at studios looking for high-quality digital recording without relying on tape formats like ADAT or DASH.
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Made In Japan
Released in 1991 /
The Akai MPC60II is a classic 12-bit, 40 kHz sampler and sequencer combining performance features (pads, real-time controls, swing) with flexible sequencing and external sync options. It differs from the original MPC-60 through a redesigned chassis, built-in headphone output, and a fixed display, while retaining the core audio and sequencing architecture.
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Made In Japan
Released in 1991 /
The Akai DD-1000 Magneto Optical Audio Recorder is a significant development in audio technology, known for its innovative digital recording and editing capabilities. Combining advanced technology with professional functionality, it has established itself as a key piece of studio equipment history.
Made In Japan
Released in 1993 /
With the Akai DR4d Version 4, Akai has taken affordable digital recording to the next level. Building on the power and flexibility of the original DR4, the DR4d Version 4 further expands your creative horizons with our new VirtualTracks and Stereo Ping Pong capabilities.
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Made In Japan
Released in 1994 /
The Akai DR8 is an 8-track digital hard disk recorder and editor, with a built-in digital mixer. Features CD quality audio, non-destructive editing, etc, but unlike computer-based systems, the Akai DR8 is as easy to use as an ordinary multi-track tape recorder.
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Made In Japan
Released in 1994 /
The Akai MPC3000 advanced the MPC legacy with 16-bit stereo sampling, expanded memory, SCSI storage, and an ultra-tight sequencer. Renowned for its musical feel and intuitive design, it remains one of the most influential production instruments ever made.
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Made In Japan
Released in 1995 /
The Akai DR16 is a digital hard disk recorder with sophisticated non-destructive editing functions allowing near-instant data access, and a 16-channel programmable mixer. It’s as easy to use as a conventional analogue MTR machine but gives true 16-track performance from a single hard disk at a highly cost-effective price level per track.
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Made In Japan
Released in 1995 /
The Akai DD1500 Digital Audio Recorder System is a dedicated multi-unit digital recording and editing platform combining processing, storage, analogue interfacing, and hardware control to deliver a complete professional solution for multi-track audio production and synchronisation.

Classic Tracks Using Akai Gear

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