Classic Recording Studio Equipment

Vintage Digital

Dynacord DRP-15

Dynacord DRP-15 Reverb Processor

The Dynacord DRP-15 provides numerous varying effects in 100 pre-set programs and 126 freely programmable memory locations. A maximum of six effects can be used in the multi-effects structures at one time.

Details

Dynacord DRP-15 Reverb Processor – Besides the familiar and popular DYNACORD reverberation (Room, Plate, Reverb, Gated Reverb, Early Reflections) the Dynacord DRP-15 comprises echo effects (Delay Line, Stereo Delay, Ping-Pong), modulation effects (Chorus, Flanger, Phaser, Space Rotor), along with Equalizer, Pitch Shifting, Voice Filter, Distortion etc.

The Dynacord DRP-15 can be used as a pre-switched unit, e.g for guitars, or for looping into your mixing console. The inputs and outputs can be switched to -6dBm or +4dBm as required, allowing for straightforward adaption of the DRP-15 to your existing equipment.

The flat frequency response of 20Hz to 20kHz in the effect line ensures that the effects sound clear and transparent especially as regards the highs. It goes without saying that the DRP-15 is equipped with a MIDI interface.

MIDI can be used to change programs via remote control, to alter parameters dynamically, to edit parameters, transfer programs to other units and load them back to the Dynacord DRP-15 again at any time.

Specifications

Released

Quantization: 16bit
Sampling Frequency: 44.1kHz
Frequency Response: 20Hz-20kHz
Dynamic Range: 90dB
THD: Below 0.003%

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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The Convology XT Plugin is head and shoulders above the rest.  No importing one file at a time.  With the Convology XT plugin, you simply click on the library that you want to explore and then on the right hand side of the plugin, all of the associated files will appear.  This allows the user to quickly A/B which reverbs they’d like to use.  It’s that simple and it’s how plugins ought to react.  It’s a breeze to load library content.

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MY FAVOURITE SNARE REVERB

by Alexandros

Sound Quality 90%
Build Quality 80%
Usefullness 90%
Mojo/Funk 85%
Reliability 85%

Got it from a friend’s studio and use it in every mix, mainly as my main snare reverb. Have used it as a (vocal) hall reverb as well. Overall a very very affordable effect unit with great sound! Can’t recommend it enough.

PERFECT FOR STRINGS

by Guilherme Canaes

Sound Quality 85%
Build Quality 80%
Usefullness 90%
Mojo/Funk 100%
Reliability 90%

This unity was my “secret” of a spectacular strings recording during many years and made me a engineer to go when a strings or a entire orchestra should be nice recorded. In that time (90s 2000s) I worked in a excellent big studio in São Paulo, Brasil, but the room was quite poor for a big ensemble. So I fed the signal from the ambient microphones to the unity using the first program you find when turn It on, the “reference” reverb.

This program come in 4.1s of release, so I always corrected it to 3.1 then I blended the return to the channels from mic ambience, just enough to create a rich room I had not in reality and recorded all the thing together, this way no one realized my secret to achieve that fantastic sound. Was stunning, that fucking unity fix better with strings than unitys far more expensive as L480 or TC3000/6000! I still with my own here but the strings recording was drop down to less than one in a year…

Also If someone need a rotor speaker there is in my opinion no one unity better than Dynacord DRP 15!

CLASSIC GERMAN STUDIO REVERB

by John

Sound Quality 85%
Build Quality 85%
Usefullness 85%
Mojo/Funk 85%
Reliability 80%

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