Vintage Digital & Analogue Studio Effects
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The Dynacord DRP-15 provides numerous varying effects in 100 pre-set programs and 126 freely programmable memory locations. A maximum of six effects can be used in the multi-effects structures at one time.
Besides the familiar and popular DYNACORD reverberation (Room, Plate, Reverb, Gated Reverb, Early Reflections) the Dynacord DRP-15 comprises echo effects (Delay Line, Stereo Delay, Ping-Pong), modulation effects (Chorus, Flanger, Phaser, Space Rotor), along with Equalizer, Pitch Shifting, Voice Filter, Distortion etc.
The Dynacord DRP-15 can be used as a pre-switched unit, e.g for guitars, or for looping into your mixing console. The inputs and outputs can be switched to -6dBm or +4dBm as required, allowing for straightforward adaption of the Dynacord DRP-15 to your existing equipment.
The flat frequency response of 20Hz to 20kHz in the effect line ensures that the effects sound clear and transparent espectally as regards the highs. It goes without saylng that the Dynacord DRP-15 is equipped with a MIDI interface.
MIDI can be used to change programs via remote control, to alter parameters dynamically, to edit parameters, transfer programs to other units and load them back to the Dynacord DRP-15 again at any time.
Sampling Frequency: 44.1kHz
Frequency Response: 20Hz-20kHz
Dynamic Range: 90dB
THD: Below 0.003%
Got it from a friend’s studio and use it in every mix, mainly as my main snare reverb. Have used it as a (vocal) hall reverb as well. Overall a very very affordable effect unit with great sound! Can’t recommend it enough.
This unity was my “secret” of a spectacular strings recording during many years and made me a engineer to go when a strings or a entire orchestra should be nice recorded. In that time (90s 2000s) I worked in a excellent big studio in São Paulo, Brasil, but the room was quite poor for a big ensemble. So I fed the signal from the ambient microphones to the unity using the first program you find when turn It on, the “reference” reverb.
This program come in 4.1s of release, so I always corrected it to 3.1 then I blended the return to the channels from mic ambience, just enough to create a rich room I had not in reality and recorded all the thing together, this way no one realized my secret to achieve that fantastic sound. Was stunning, that fucking unity fix better with strings than unitys far more expensive as L480 or TC3000/6000! I still with my own here but the strings recording was drop down to less than one in a year…
Also If someone need a rotor speaker there is in my opinion no one unity better than Dynacord DRP 15!