Aphex Archives - Vintage Digital

Released in 1975

Aphex Aural Exciter

An effects box that provided a very special kind of enhancement to your tracks, that you could not buy, but instead had to rent, really? The Aphex Aural Exciter was something of a mystery box when it was released in 1975, but it provided a solution that was perfectly timed, however is no longer relevant in today’s recording world.

Released in 1983

Aphex Aural Exciter Type B

Aphex Systems Limited introduced the Aphex Aural Exciter Type B in 1983 as a low-cost version (US$495) of the original Exciter which was offered on a $30 per minute hire basis.

Released in 1989

Aphex Model 250 Aural Exciter Type III

The slimmer and more powerful Aphex Model 250 Aural Exciter is the latest successor to the premium product in the field of Aural Excitement.

Released in 2001

Aphex Aural Exciter & Optical Big Bottom

Since its introduction in 1975, close to a million Aphex Aural Exciters have found their way into recording studios and broadcast facilities, nightclubs and concert halls, arenas and airports, musicians’ and DJs’ rigs and houses of worship.

Released in 2003

Aphex 320D Compellor

By going beyond conventional design ideas, the Aphex 320D Compellor provides audio processing with unprecedented sound transparency, yet is exceedingly effective at controlling levels.

Released in 2012

Aphex Channel Master Preamp & Input Processor

The Aphex Channel Master Preamp is a microphone preamplifier used for professional recording. It has a clean sound with low noise and distortion, and includes features such as a high-pass filter, impedance control, and optical compression.

Overstayer Stereo Field Effect Model 3706 Compressor Limiter

The Overstayer Stereo Field Effect, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain. Classic FET ratios, as well as gentle low ratio and limit settings, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits...

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