Reel to Reel Recorders

The reel to reel recording format, encompassing both stereo and multitrack configurations, represents a pivotal era in audio recording technology. Originating in the early 20th century, reel to reel tape recorders allowed users to capture and playback audio on magnetic tape. In the stereo configuration, two tracks on the tape enabled the recording and playback of left and right audio channels, facilitating the production of high-fidelity stereo recordings. This format gained popularity in the mid-20th century for its superior sound quality and versatility, finding widespread use in professional studios and among audiophiles. Multitrack reel-to-reel recording further revolutionised the industry by enabling the simultaneous recording of multiple audio tracks on a single tape, allowing for complex layering and editing of sound. This innovation transformed music production, giving rise to the concept of multitrack recording and enabling artists to create intricate arrangements and sonic landscapes. Despite the advent of digital recording technologies, reel to reel formats remain revered for their warmth, character, and historical significance in the evolution of audio recording.

Released in 1964
The Studer J 37 Tape Recorder is a legendary piece of audio equipment that has etched its name in music history. Renowned for its exceptional sound quality and reliability, the J 37 was the tape recorder of choice at the iconic Abbey Road Studios. This masterpiece of engineering played a pivotal role in recording some of the most celebrated albums in history, including The Beatles’ groundbreaking work.
Made In Switzerland
Released in 1973
The 3M 79 Series Multitrack Recorders set a professional benchmark with IsoLoop capstan control, modular electronics, wide format flexibility, and reliable transport. Built for performance and serviceability, they remain a respected part of multitrack recording history.
Made In U.S.A.
Released in 1976
In the world of two track analogue mastering audio recorders, the Ampex ATR-100 Series recorders are regarded as the finest reel to reel audio mastering recorders ever made. The fact that they are still in use today, more than forty years later is surely testament to that.
Made In U.S.A.
Released in 1976
The TEAC A-2300SX is a 4-track, 2-channel reel-to-reel recorder from the mid-1970s, designed for home and semi-pro use. It features a three-motor transport, three-head design, and supports 7-inch reels at two speeds. With solid build quality and a frequency response up to 28 kHz, it remains a reliable and respected machine.
Made In Japan
Released in 1976
The Ampex MM1200 was a professional multitrack analogue recorder available in 8-, 16-, and 24-track formats, using one- or two-inch tape. Designed for demanding studio use, it offered selectable tape speeds, NAB and IEC equalisation, and built-in Sel-Sync for precise overdubbing. With robust construction, modular design, and excellent audio performance, it became a trusted studio standard for high-quality multitrack recording.
Made In U.S.A.
Released in 1977
The Revox B77 is a ¼-inch reel-to-reel recorder released in 1977, known for its robust build, high-fidelity sound, and precise tape handling. It features a three-motor drive, Revodur heads, and real-time monitoring, with multiple speed variants and Dolby noise reduction options. Widely used in professional and home studios, it remains one of the most iconic analogue tape machines ever made.
Made In Germany
Released in 1977
The Pioneer RT-707 is a compact, high-performance 4-head reel-to-reel tape deck featuring auto-reverse playback, direct-drive capstan, and a 3-motor transport system. With independent left/right recording, pitch control, dual-speed operation, and selectable bias and EQ, it offers professional-grade functionality in a domestic format. Renowned for its reliability, precision engineering, and enduring design, the RT-707 remains a highly respected and collectible deck from the golden era of hi-fi.
Made In Japan
Released in 1978
The Studer A800 holds a special place in recording history as one of the most legendary multitrack tape machines ever made. Introduced in 1978, it became a studio staple throughout the 1980s and 1990s, prized for its exceptional sound quality, reliability, and engineering precision. Widely adopted by top studios around the world, the Studer A800 was used on countless classic albums across genres, becoming synonymous with the rich, warm sound of analogue multitrack recording.
Made In Switzerland
Released in 1978
The Brenell Mini 8 is a professional-grade tape recorder that combines traditional precision engineering with cutting-edge electronic circuitry, offering superior performance and reliability for recording and broadcasting studios.
Made In U.K.
Released in 1979
The TASCAM 32 is a half-track, ¼-inch reel-to-reel recorder introduced in 1979, designed for professional stereo mastering. Featuring a 3-head design, direct-drive capstan, and dual tape speeds (15 and 7½ ips), it offered reliable performance with NAB EQ and both XLR and RCA connections. Known for its sonic clarity and robust build, it became a staple in studios and broadcast settings, and remains sought after by analogue enthusiasts today.
Made In Japan
Released in 1979
The Pioneer RT-909 is a premium 4-head, 3-motor reel-to-reel tape deck featuring a closed-loop dual capstan transport, auto-reverse playback, ±6% pitch control, and full logic operation. Designed for high-fidelity home use but built to a near-professional standard, it offers outstanding speed stability, low distortion, wide frequency response, and intuitive controls.
Made In Japan
Released in 1980
The Mitsubishi X-80 Digital Recorder was a pioneering audio recorder that offered significant improvements in fidelity and accuracy over analogue recording technologies upon its release in 1980.
Made In Japan
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