Vintage Digital

Compressor/Limiters

Classic Recording Studio Equipment

Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and color to a recording. For example, some compressors have a “vintage” or “analog” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

The Alesis CLX-440 is a powerhouse dynamics processor featuring a Compressor, Limiter, Expander and Gate in a two unit rack mount.
The striking front panel, machined from 1/4″ aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, mark the dbx 162SL as a leader for decades to come. Or so it seemed…
The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs.
The Electro-Harmonix NY-2A is a professional compressor that was designed to meet the demanding requirements necessary to attain the highest level of audio quality for recording and professional mastering.
This is the 1U rack mounting version of the SSL G Series console master bus compressor, utilising the classic SSL G Series centre compressor design elements within a SuperAnalogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.
Universal Audio 1176LN limiting amplifier is a legendary FET compressor with tone and attitude that is true to the original EREI model released many years before it.
Inspired by some of the most popular compressors in the world, the Dramastic Audio Obsidian is a stereo feed-forward VCA style compressor designed with the recording, mixing, and mastering engineer in mind.
The Retro STA-LEVEL is a recreation of the legendary 1956 Gates Sta-Level tube compressor.
Tegeler Vari-Tube Compressor is a Vari Tube Compressor for Mastering and/or Bus Compressor duties.
The Al.So Dynax 2 is a stereo optical compressor/limiter offering a very low distortion rate with unique “AntiDyna” feature, and is 100% made in France.
The Also Dynax M is a mastering grade stereo optical compressor/limiter offering a very low distortion rate and 7 side-chain filters and it is 100% made in France.
For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.