Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Related Articles: Vintage Compressor or Replica | The History of Compressor/Limiters | The History of Western Electric

Released in 2004

TL Audio 5060 Tube Compressor

The TL Audio 5060 is the latest product to join the acclaimed Ivory 2 series. Using the same high quality discrete microphone preamp as other Ivory 2 products the 5060 also has stereo line level or stereo instrument inputs.
Released in 2005

Electro-Harmonix NY-2A Stereo Compressor

The Electro-Harmonix NY-2A is a professional compressor that was designed to meet the demanding requirements necessary to attain the highest level of audio quality for recording and professional mastering.
Released in 2005

SSL Buss Compressor

This is the 1U rack mounting version of the SSL G Series console master bus compressor, utilising the classic SSL G Series centre compressor design elements within a Super Analogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.
Released in 2005

Universal Audio 1176LN Limiting Amplifier

Universal Audio 1176LN limiting amplifier is a legendary FET compressor with tone and attitude that is true to the original EREI model released many years before it.
Released in 2006

Dramastic Audio Obsidian Stereo Compressor

Inspired by some of the most popular compressors in the world, the Dramastic Audio Obsidian is a stereo feed-forward VCA style compressor designed with the recording, mixing, and mastering engineer in mind.
Released in 2006

Retro STA-LEVEL Tube Compressor

The Retro STA-LEVEL is a recreation of the legendary 1956 Gates Sta-Level tube compressor, first introduced way back in 1956.
Released in 2006

Tegeler Vari-Tube Compressor

Tegeler Vari-Tube Compressor is a Vari Tube Compressor for Mastering and/or Bus Compressor duties.
Released in 2007

Al.So Dynax 2 Stereo Compressor

The Al.So Dynax 2 is a stereo optical compressor/limiter offering a very low distortion rate with unique “AntiDyna” feature, and is 100% made in France.
Released in 2007

Al.So Dynax M Stereo Compressor/Limiter

The Also Dynax M is a mastering grade stereo optical compressor/limiter offering a very low distortion rate and 7 side-chain filters and it is 100% made in France.
Released in 2007

TUBE-TECH LCA 2B Tube Compressor

The TUBE-TECH LCA 2B is a dual-channel, all-tube VCA compressor/limiter with independent, linkable channels. As a true TUBE VCA compressor, it uses a tube as the voltage-controlled amplifier (VCA), a design commonly referred to as a Vari Mu compressor.
Released in 2007

Chandler Limited Germanium Compressor

The Chandler Limited Germanium Compressor features a class A amp, transformer-balanced I/O, and an FET gain reduction element. It offers flexible controls, including a Wet/Dry mix, adjustable Comp Curve, Clean/Dirty compression switch, and a sidechain filter. Crafted through real studio testing, it’s designed for musicality and is well-suited for tracking, mixing, and mastering.
Released in 2008

Weiss DS1 Mk3 Digital De-Esser Compressor Limiter

For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.