Digital Delays

Digital delay processors expanded time-based effects through precision timing, programmability and extended delay times. Emerging in the late 1970s and developing rapidly through the 1980s and 1990s, digital hardware delays became central to studio production, live sound and post production environments.

This archive includes classic and modern digital delay hardware used in professional recording. From early rack mounted processors to advanced programmable systems, digital delays provided clean repeats, modulation options and complex rhythmic processing capabilities.

Decades
Made In Japan
Released in 1985 /
The Boss RDD-10 Digital Delay released in 1985, delivered studio quality digital delay for the ultimate refinement of basic performance.
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Made In Japan
Released in 1985 /
The Boss RSD-10 Digital Sampler Delay, released in 1985 offers a two octave plus range and controllable dynamics.
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Made In U.S.A.
Released in 1985 /
The Ursa Major MSP-126 is a stereo tapped delay digital delay line with a 20kHz bandwidth, eight pre-programmed processing modes and more. The Ursa Major MSP-126 is a signal processor that creates a whole range of interesting effects inlcuding great balanced stereo with flat response from any kind of program material.
Made In Japan
Released in 1985 /
The Roland SDE-2500 Digital Delay came after the Roland SDE-3000 and coincided with the release of the equally excellent Roland SRV-2000 Digital Reverb.
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Made In U.S.A.
Released in 1985 /
New creative worlds of musical adventure can be discovered through the magic of Lexicon Prime Time II, the successor to the most popular digital delay ever.
Made In Japan
Released in 1986 /
The Boss RPS-10 Digital Pitch Shifter Delay from 1986 is ideal for Ultra-High Speed Pitch Shifting and Superior Sound Quality.
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Made In Denmark
Released in 1986 /
When the TC Electronic TC 2290 arrived in 1986, it changes the landscape for digital delays forever and it is still in use around the world today because of its unique abilities. The TC Electronic TC 2290 was so iconic during the mid to late eighties, and it continued to show up everywhere in both studios and on stage with some of the biggest guitarists in history.
Made In Japan
Released in 1986 /
The Korg SDD-3300 features three delay units in a compact 2U size with triple digital delay, MIDI compatibility, and extensive sound modulation capabilities, making it ideal for professional studio and live use.
Made In Denmark
Released in 1987 /
The TC Electronic TC 1280 is a stereo digital delay with precision control, 18-bit conversion, and a uniquely natural sound. It supports fine-resolution delay, MIDI control, and up to 10 seconds of expandable memory.
Made In Denmark
Released in 1987 /
The TC Electronic TC 1380 is a high-precision multitap digital delay, offering one input to three independently adjustable outputs, with pristine sound and up to 20 seconds delay per channel.
Made In U.K.
Released in 1988 /
The AMS S-DMX is a dual-channel, microprocessor-controlled digital audio processor. It offers adjustable delay times with an 18kHz bandwidth, memory backup, and de-glitched pitch shifting. Key features include regeneration controls, silent ‘Nudge Buttons’ for precise adjustments, and modular design for easy updates and maintenance.
Made In U.K.
Released in 1989 /
The Bel BDE Series represent the latest in studio-quality delay and sampling technology with the Bel BDE-2400 model providing up to 48 seconds of delay/sample time at a lower bandwidth, or up to 24 seconds at 15kHz bandwidth.