Other Digital Effects

Other digital effects encompass specialised hardware processors that fall outside standard categories such as reverb, delay and dynamics. As digital signal processing expanded throughout the 1980s and 1990s, manufacturers introduced a wide range of dedicated effects units designed for pitch shifting, harmonisation, filtering and experimental processing.

This archive includes studio digital effects hardware used in professional recording environments. From early pitch processors and harmonisers to specialised multi-function units, these systems reflect the continued evolution of dedicated digital signal processing technology.

Decades
Made In China
Released in 2005 /
The Mackie QUAD Comp/Gate along with its sibling the Mackie QUAD EQ where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of analogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
Made In China
Released in 2005 /
The Mackie QUAD EQ along with it’s sibling the Mackie QUAD Comp/Gate where two of the last great products to come out of Mackie Corporation. The Mackie QUAD series products provided four channels of anlaogue in and out, with quality digital conversion to treat the signal in the digital domain, with analogue conversion out.
Made In China
Released in 2005 /
Whether you’re looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the Lexicon MX200.
Made In Japan
Released in 2005 /
The Zoom RFX-1100 is a versatile digital reverb and multi-effect processor offering 33 effects, professional-quality reverb, innovative sound options, and easy-to-use controls for quick sound adjustments.
Explore the full Series
Made In U.S.A.
Released in 2005 /
The Eventide H8000 was a high-power multi-channel Ultra-Harmonizer effects processor based on the Orville platform, with Monolithic Tandem processing, 5.1 reverbs and effects, extensive post-production algorithms, flexible routing, MIDI Virtual Racks, UltraShifter pitch processing, sample and delay memory, analogue and digital I/O, and support for editing through VSIG.
Made In China
Released in 2006 /
You want the rich, luscious sound that’s defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Made In U.S.A.
Released in 2006 /
You want the rich, luscious sound that’s defined studio reverb for three decades: then you need a genuine Lexicon hardware processor like the MX400XL. But you also want the flexibility of programming high-quality effects right inside your DAW program…without bogging down your CPU or resorting to expensive processing cards.
Made In U.S.A.
Released in 2006 /
The Eventide H7600 Ultra-Harmonizer is a high-performance two-channel effects processor that builds on the legacy of the H3000, DSP4000 and DSP7000 series. Designed for studio, broadcast and live applications, it combines expanded processing power, modular programme architecture and an extensive library of factory algorithms within a single, flexible platform.
Made In China
Released in 2007 /
The Lexicon MX300 is designed to be ultra-easy-to use in demanding live sound situations, as well as in the studio environment. Lexicon’s revolutionary MX200 and MX400 changed everything. The great sound of a hardware Lexicon reverb — plus the ability to put that power to work as part of your DAW workflow via plug-ins (32-bit only).
Made In China
Released in 2011 /
The TASCAM TA-1VP is a 1U vocal processor combining Antares Auto-Tune Evo pitch correction, microphone modelling, tube warmth, compression, de-essing and EQ. Designed for studio and live use, it delivers modern, polished vocal sound with simple, fast control.
Made In U.S.A.
Released in 2017 /
The Eventide H9000 may very well be the very last hardware based multi-effects processor we ever see out of Eventide, as the performance simply cannot get any better. The Eventide H9000 continues Eventide’s unbroken tradition of delivering industry-leading signal processing power to the pro audio community. The culmination of a multi-year development cycle, the H9000 features 8x the processing power of the H8000 and a huge array of I/O options, as well as network capability.