Lexicon 300L Digital Reverberator

Lexicon 300L
The Lexicon 300L not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates new functions. The Lexicon 300L contains the very best of the Lexicon Sound – with new refinements such as dynamic size parameters in the Reverb and Ambience algorithms.

Lexicon 300L Digital Reverberator Details

Even with the best functions and features, the heart of any signal processor is its sound. The Lexicon 300L contains the very best of the Lexicon Sound – with new refinements such as dynamic size parameters in the Reverb and Ambience algorithms.

For both analogue and digital use, the Lexicon 300L takes full advantage of recent advances in converter technology and combines them with flexible digital interfacing.

The A/D and D/A converters use oversampling techniques to minimise low-level distortion and provide linear phase characteristics. 64x oversampling Delta/Sigma conversion is used in the A/Ds; 8x oversampling is used in the D/As. The result is sonic transparency without the artifacts normally encountered in conversion.

The digital I/O simplifies interfacing with both the AES/EBU professional and the EIAJ consumer format. XLR, RCA and Optical connectors are provided for both input and output.

The digital inputs of the Lexicon 300L will automatically accept and lock to any AES/EBU/SPDIF format; the Lexicon 300L’s digital output format is user-selectable for feeding either professional or consumer equipment.

This allows for format conversion as well as using the high-quality A/D converters to feed digital recorders. Control of additional Channel Status information is provided as well.

The Lexicon 300L utilises two proprietary high performance DSP engines. The configuration of these engines can be determined by the end-user to suit a particular audio application.

The Single Setup configuration unites both DSP engines. Two “split” configurations: Dual Mono and Cascade, allow each DSP engine to run a special program especially designed for “Split“ applications.

The Single algorithms include: Random Hall, Random Ambience, Rich Plate, Stereo Pitch Shift, and Stereo Adjust. The “split” algorithms include: Dual Delays, Chamber, Mono Pitch Shift, Compressor, a special mastering dither program called PONS (Psychoacoustically Optimised Noise Shaping), and a less extensive version of Stereo Adjust.

The Lexicon 300L makes effects automation available in three different ways. If you use time code, the 300’s Event List and Time Code Reader add a new twist to effects processing.

Each entry in the 50-item list contains a time code value and a Lexicon 300L effect preset/register number, allowing incoming time code to trigger setup and effect changes, as well as setup and effect parameter glides.

For changing effects in music or changing rooms and environments for film and video, the Lexicon 300L’s time code capability opens new avenues to all time code users.

Dynamic MIDI is included for real-time performance control and effects automation. All parameters in the 300L can be patched to most MIDI controllers, allowing full control from remote devices. For full MIDI automation all parameter changes can be recorded on any sequencer. For additional control, complete System Exclusive information is available.

Even with the best functions and features, the heart of any signal processor is its sound. The Lexicon 300L contains the very best of the Lexicon Sound – with new refinements such as dynamic size parameters in the Reverb and Ambience algorithms.

We have also included stereo and mono pitch shifting, both straight delay and modulated delay effects, a mastering algorithm with precision level/balance controls and equalisation.

These sounds, combined with analogue and digital audio I/O, time code-based effect change, an internal LFO, and full MIDI automation result in a system that provides new creative options each time you use it.

Specifications

Released in: 1997
Made in: U.S.A.
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User Reviews

Lexicon 300L Digital Reverberator User Reviews

Review

By Anonymous

Sound Quality 100%
Build Quality 95%
Usefullness 85%
Mojo/Funk 95%
Reliability 95%

Review

By Anonymous

Sound Quality 95%
Build Quality 90%
Usefullness 80%
Mojo/Funk 85%
Reliability 80%

This reverb is the best ever made. I use it for everything like vocals, drums, synths, guitars, effects, percs, etc!

Used it? Leave your rating and review.

Single Setup Presets

Setup# Setup Name SoftSlider Effect: Bank Program
P1 LARGE HALL DECAY MA: B1P1 LARGE HALL
P2 MEDIUM HALL DECAY MA: B1P2 MEDIUM HALL
P3 SMALL HALL DECAY MA: B1P3 SMALL HALL
P4 SYNTH HALL LIVENESS MA: B1P4 SYNTH HALL
P5 DANCE HALL LIVENESS MA: B1P5 DANCE HALL
P6 SOLO HALL DECAY MA: B1P6 SOLO HALL
P7 CHURCH DEPTH MA: B1P7 CHURCH
P8 GOTHIC HALL DEPTH MA: B1P8 GOTHIC HALL
P9 GATED HALL SIZE MA: B1P9 GATED HALL
P10 DEEP END HOW DEEP? MA: B1P10 DEEP END
P11 ROOMS SIZES MA: B2P1 ROOMS
P12 REHURSAL ROOM PADDING MA: B2P2 REHURSALROOM
P13 STUDIO A LIVENESS MA: B2P3 STUDIO A
P14 STUDIO B LIVENESS MA: B2P4 STUDIO B
P15 STUDIO C LIVENESS MA: B2P5 STUDIO C
P16 LARGE ROOM LIVENESS MA: B2P6 LARGE ROOM
P17 SMALL ROOM LIVENESS MA: B2P7 SMALL ROOM
P18 BEDROOM REFLEXIONS MA: B2P8 BEDROOM
P19 W.C. DECAY MA: B2P9 W.C.
P20 INVERSE ROOM DURATION MA: B2P10 INVERSE ROOM
P21 CHAMBER DECAY MA: B3P1 CHAMBER
P22 BRICK WALL DIFFUSION MA: B3P2 BRICK WAL
P23 OIL DRUM TUNING MA: B3P3 OIL DRUM
P24 WIDE CHAMBER DECAY MA: B3P4 WIDE CHAMBER
P25 FAT CHAMBER DECAY MA: B3P5 FAT CHAMBER
P26 CHUNKY CHUNK MA: B3P6 CHUNKY
P27 HOMEROOM DECAY MA: B3P7 HOMEROOM
P28 OPEN WIDE DECAY MA: B3P8 OPEN WIDE
P29 WET SUIT DECAY MA: B3P9 WET SUIT
P30 BASEMENT LIVENESS MA: B3P0 BASEMENT
P31 AMBIENCE SIZES MA: B4P1 AMBIENCE
P32 MARBLE FOYER SLAP LEVEL MA: B4P2 MARBLE FOYER
P33 LARGE AMB. HIGH CUT MA: B4P3 LARGE AMB.
P34 MEDIUM AMB. HIGH CUT MA: B4P4 MEDIUM AMB.
P35 SMALL AMB. HIGH CUT MA: B4P5 SMALL AMB.
P36 V SMALL AMB. HIGH CUT MA: B4P6 V SMALL AMB.
P37 HEAVY AMB. REVERB LVL MA: B4P7 HEAVY AMB.
P38 BRIGHT AMB. REVERB LVL MA: B4P8 BRIGHT AMB.
P39 SMOOTH AMB. HOW SMOOTH? MA: B4P9 SMOOTH AMB.
P40 WAVE AMB. HOW LONG? MA: B4P0 WAVE AMB.
P41 IN A ROOM HOW BIG? MA: B5P1 IN A ROOM
P42 STAIRWELL # OF FLOORS MA: B5P2 STAIRWELL
P43 CAR INTERIOR WINDOW DN/UP MA: B5P3 CAR INTERIOR
P44 MEETING ROOM LIVENESS MA: B5P4 MEETING ROOM
P45 LIVING ROOM LIVENESS MA: B5P5 LIVING ROOM
P46 POWDER ROOM DECAY MA: B5P6 POWDER ROOM
P47 FULL CLOSET HOW FULL? MA: B5P7 FULL CLOSET
P48 PODIUM DISTANCE MA: B5P8 PODIUM
P49 STUDIO D HIGH CUT MA: B5P9 STUDIO D
P50 OFFICE LIVENESS MA: B5P0 OFFICE
P51 LIVEDRUMROOM IMPACT MA: B6P1 LIVEDRUMROOM
P52 ON STAGE LIVENESS MA: B6P2 ONSTAGE
P53 GUITAR CAVE DECAY MA: B6P3 GUITAR CAVE
P54 DRUM CAVE DECAY MA: B6P4 DRUM CAVE
P55 BALLROOM SIZE / SHAPE MA: B6P5 BALLROOM
P56 SCORE STAGE LIVENESS MA: B6P6 SCORE STAGE
P57 DRUM GATE DURATION MA: B6P7 DRUM GATE
P58 LE GATE! HIGH CUT MA: B6P8 LE GATE!
P59 THIN LIZZY SIZZLE MA: B6P9 THIN LIZZY
P60 BAND IN ROOM LIVENESS MA: B6P0 BAND IN ROOM
P61 SPACE & EKOZ BLEND MA: B7P1 SPACE & EKOZ
P62 VOCAL STAGE DECAY MA: B7P2 VOCAL STAGE
P63 WAVE O WALLS DECAY MA: B7P3 WAVE O WALLS
P64 BRAND “X” DECAY MA: B7P4 BRAND “X”
P65 HANGAR HIGH CUT MA: B7P5 HANGAR
P66 EARLY REFLEX SPACING MA: B7P6 EARLY REFLEX
P67 STAGE SLAP PREDELAY MA: B7P7 STAGE SLAP
P68 HUGE SPACE DECAY LEVEL MA: B7P8 HUGE SPACE
P69 VOCAL SHEEN SPACE MA: B7P9 VOCAL SHEEN
P70 ALMOST VERB PREDELAY MA: B7P0 ALMOST VERB
P71 RICH PLATE DECAY MA: B8P1 RICH PLATE
P72 GLOSSY PLATE DECAY MA: B8P2 GLOSSY PLATE
P73 WARM PLATE DECAY MA: B8P3 WARM PLATE
P74 PERC PLATE SIZE MA: B8P4 PERC PLATE
P75 CONTEM-PLATE DECAY MA: B8P5 CONTEM-PLATE
P76 EKO PLATE EKO DELAY MA: B8P6 EKO PLATE
P77 5K HALL DECAY MA: B8P7 5K HALL
P78 ROUND PLATE DECAY MA: B8P8 ROUND PLATE
P79 SALAD PLATE DECAY MA: B8P9 SALAD PLATE
P80 VOX PLATE DECAY MA: B8P0 VOX PLATE
P81 STEREOADJUST LEVEL MA: B9P1 STEREO ADJUST
P82 STEREO DELAY DELAY MA: B9P2 STEREO DELAY
P83 3 FRAME DLY FINE DELAY MA: B9P3 3 FRAME DLY
P84 4 FRAME DLY FINE DELAY MA: B9P4 4 FRAME DLY
P85 PHASE INVERT PHASE MA: B9P5 PHASE INVERT
P86 MS DECODE MATRIX M/S MA: B9P6 MS DECODE
P87 TELEPHONE LEVEL MA: B9P7 TELEPHONE
P88 MULTI CANYON DEPTH MA: B9P8 MULTI CANYON
P89 LFO PANNER LFO SPEED MA: B9P9 LFO PANNER
P90 THIN EKOZ FEEDBACK MA: B9P0 THIN EKOZ
P91 STEREO SHIFT SHIFT DN/UP MA: B0P1 STEREO SHIFT
P92 OCTAVE DOWN FINE PITCH MA: B0P2 OCTAVE DOWN
P93 VOX CHORUS SPLIT SHIFT MA: B0P3 VOX CHORUS
P94 POLE FLANGE FEEDBACK MA: B0P4 POLE FLANGE
P95 BULKIE ROLL DELAY MA: B0P5 BULKIE ROLL
P96 MR. BIG FINE PITCH MA: B0P6 MR. BIG
P97 ZORCH! FEEDBACK MA: B0P7 ZORCH!
P98 GOING, GOING FEEDBACK MA: B0P8 GOING, GOING
P99 GTR CHORUS FINE PITCH MA: B0P9 GTR CHORUS
P100 FADE DOWN FINE PITCH MA: B0P0 FADE DOWN

 

Dual Setup Presets

Setup # Setup Name SoftSlider Mach A Effect Mach B Effect
P101 DM: REV/REV INPUT PAN MA:B13P1 CHAMBER MB:B13P2 KEY CHAMBER
P102 DM: REV/DLY INPUT PAN MA:B11P3 DRUM CHAMBER MB:B12P8 LFO:FAZE DELAYS
P103 DM: REV/PCH INPUT PAN MA:B13P4 GUITAR ROOM MB:B15P2 GUIT SHIFT
P104 DM: REV/COMP INPUT PAN MA:B14P9 PLATE MB:B16P1 EZ COMP 2:1
P105 DM: DLY/DLY LFO RATE MA:B12P3 CHORUS MB:B12P4 CHORUS+EKOZ
P106 DM: DLY/PCH DELAY MACH A MA:B11P1 BASIC DELAY MB:B15P7 SKY DOWN
P107 DM: DLY/COMP SPACE MACH A MA:B11P4 SPACE EKOZ MB:B16P2 DRUMCOMP3:1
P108 DM: PCH/PCH INPUT PAN MA:B15P3 UP SHIFT MB:B15P8 ECHO DOWN
P109 DM: PCH/COMP INPUT PAN MA:B15P6 VOCAL SHIFT MB:B16P3 VOICE OVER
P110 DM: COMP/COMP INPUT PAN MA:B16P5 SMAKO! MB:B16P5 SMAKO!
P111 DM: SLOW SPIN LFO RATE MA:B12P8 LFO:FAZEDLYS MB:B12P3 CHORUS
P112 DM: WIDEFLANG LFO RATE MA:B12P1 OVERTHE TOP1 MB:B12P2 OVERTHE TOP2
P113 DM: X-TRAFFIC DELAY MACH B MA:B12P4 CHORUS+EKOZ MB:B12P0 SKY DELAYS
P114 DM: GEAR UP INPUT PAN MA:B15P3 UP SHIFT MB:B15P5 EKO SHIFT
P115 DM: TWO ROOMS INPUT PAN MA:B13P0 JOE’S GARAGE MB:B13P8 BASEMENT
P116 DM: TWO HALLS INPUT PAN MA:B14P7 RECITAL HALL MB:B14P1 BIG HALL
P117 DM: DELAYS DELAY SPACE MA:B11P2 SLAP ECHO MB:B11P0 VOX DOUBLER
P118 DM: REVPAN DECAY TIME MA:B13P7 “U”CHAMBER MB:B13P6 “L”CHAMBER
P119 DM: UP&DOWN DELAY MA:B15P9 HALFSTEPSUP MB:B15P0 HALFSTEPSDN
P120 DM: MYGUITAR INPUT PAN MA:B15P2 GUIT SHIFT MB:B12P6 ENV:PEAK
P121 DM: ENVSPOOGE INPUT PAN MA:B12P6 ENV:PEAK MB:B12P7 ENV:PHAZER
P122 DM: FLNG&DLYS DELAY MACH B MA:B12P5 NEGATIVEFLNG MB:B11P4 SPACE EKOZ
P123 DM: DLY DAZE DELAY MA:B11P6 3 VOICE DLYS MB:B11P5 PINGOPONGO
P124 DM: CLUSTERS DELAY MACH B MA:B12P4 CHORUS+EKOZ MB:B11P6 3 VOICE DLYS
P125 DM: 2 FLANGES INPUT PAN MA:B12P2 OVERTHE TOP2 MB:B15P7 SKY DOWN

 

Cascade Setup Presets

Setup # Setup Name SoftSlider Mach A Effect Mach B Effect
P126 CC: REV ->DLY DELAY SPACE MA:B13P1 CHAMBER MB:B11P3 STEREO SLAPS
P127 CC: DLY->REV SLAP & SIZE MA:B11P2 SLAP ECHO MB:B13P9 JOE’S B&G
P128 CC: REV->PCH DECAY MACH A MA:B13P7 “U”CHAMBER MB:B15P2 GUIT SHIFT
P129 CC: PCH->REV BMIX MA:B15P7 SKY DOWN MB:B13P3 DRUM CHAMBER
P130 CC: REV->COMP THRESHOLD MA:B13P4 GUITAR ROOM MB:B16P4 COMP 4 VERB
P131 CC: COMP->REV NONE MA:B16P2 DRUM COMP 3:1 MB:B13P8 BASEMENT
P132 CC: DLY->PCH LFO RATE MA:B12P3 CHORUS MB:B15P1 SHIFT IT!
P133 CC: PCH->DLY DELAY SPACE MA:B15P6 VOCAL SHIFT MB:B11P5 PINGOPONGO
P134 CC: DLY->COMP DELAY SPACE MA:B11P6 3 VOICE DLY MB:B16P1 EZ COMP 2:1
P135 CC: SLAPS SPACE MA:B16P9 SPATIAL EQ MB:B11P3 STEREO SLAPS
P136 CC: PCH->COMP LFO RATE MA:B15P2 GUIT SHIFT MB:B16P5 SMAKO!
P137 CC: SURRVERB SPATIAL EQ MA:B14P7 RECITAL HALL MB:B16P9 SPATIAL EQ
P138 CC: V3COMP NONE MA:B16P6 SMALL ST ADJ MB:B16P1 EZ COMP 2:1
P139 CC: EQ/DITHER NONE MA:B16P6 SMALL ST ADJ MB:B16P0 PONS
P140 CC: FILT DLYS DLY/BANDPASS MA:B11P4 SPACE EKOZ MB:B16P8 FILTER PASS
P141 CC: JETVERB LFO RATE MA:B14P3 GREAT HALL MB:B12P5 NEGATIVEFLNG
P142 CC: BIGBRICKS DIFFUSION MA:B14P4 BIG BRICKS MB:B16P2 DRUM COMP 3:1
P143 CC: REV->EKOZ RVB LEVEL MA:B14P1 BIG HALL MB:B12P4 CHORUS+EKOZ
P144 CC: REV->KORUS RVB LEVEL MA:B13P5 BIG & SHORT MB:B12P3 CHORUS
P145 CC: OVER!TOP LFO RATE MA:B12P1 OVERTHE TOP1 MB:B12P2 OVERTHE TOP2
P146 CC: GUITAR XP LFO RATE MA:B12P9 LFO:PAN&FAZE MB:B12P8 LFO:FAZEDLYS
P147 CC: EKO->FAZE AMIX MA:B15P5 EKO SHIFT MB:B12P7 ENV:PHAZER
P148 CC: VERB->DOWN B MIX MA:B14P7 RECITAL HALL MB:B15P8 ECHO DOWN
P149 CC: THE SKY DELAYS MA:B15P7 SKY DOWN MB:B12P0 SKY DELAYS
P150 CC: SPINOLA LFO RATE MA:B12P3 CHORUS MB:B16P7 PANOLA

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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