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Classic Recording Studio Equipment

Aphex Aural Exciter

An effects box that provided a very special kind of enhancement to your tracks, that you could not buy, but instead had to rent, really? The Aphex Aural Exciter was something of a mystery box when it was released in 1975, but it provided a solution that was perfectly timed, however is no longer relevant in today’s recording world.
Aphex Aural Exciter

Eventide Model FL201 Instant Flanger

Flanging may not be a popular effect these days, but back in 1975 when the Eventide Model FL201 Instant Flanger was released, it was. The Eventide Model FL201 Instant Flanger was designed to simulate true tape flanging and offered a much deeper flanging effect than anything previously available, it was widely used on many legendary recordings.
Eventide Model FL201 Instant Flanger

MXR Model 129 Pitch Transposer

The MXR Model 129 Pitch Transposer is a classic piece of audio equipment that was released in the late 1970s. The unit was designed to allow musicians and audio engineers to transpose the pitch of audio signals up or down by a fixed amount, ranging from one octave below to one octave above the original pitch.
MXR Model 129 Pitch Transposer

MXR Model 113 Digital Delay

The MXR Model 113 Digital Delay is a self-contained audio delay line which utilizes sophisticated technology to achieve a new standard of professional quality. The culmination of an intensive design program, the MXR Model 113 Digital Delay is unparalleled in versatility, ease of operation, and creative application.
MXR Model 113 Digital Delay

Ampex ATR-100 Series Professional Audio Recorder

In the world of two track analogue mastering audio recorders, the Ampex ATR-100 Series recorders are regarded as the finest reel to reel audio mastering recorders ever made. The fact that they are still in use today, more than forty years later is surely testament to that.
Ampex ATR-100

EMT 250 Digital Reverb

The EMT 250 Digital Reverb is completely electronic, with no moving parts; ruggedly built and insensitive to shock or vibrations…and a studio legend! Extremely versatile with many programming possibilities and adjustment of parameters. The EMT 250 Digital Reverb uses high-value digital words (12 bit, quasi 15 bit) to virtually eliminate intrinsic and quantizing noise.
EMT 250

dbx 160 Compressor/Limiter

The dbx 160 and 161 are single-channel compressor/limiters combining sophisticated technology and user-oriented features in a compact package. Unique circuit designs, such as true rms level-detection and feed-forward gain reduction, place the 160 and 161 in a completely different class from conventional compressor/limiters.
dbx 160

MXR Model 126 Flanger/Doubler

For more than 30 years now, both engineers and musicians have relied upon the MXR Model 126 Flanger/Doubler as one of best-sounding bucket-brigade* flanging effects ever made. Through its signature flanging, doubling, and delay effects, the MXR Model 126 Flanger/Doubler imprints a very unique sonic signature on guitars, bass, keys, drums, or just about any source needing depth and movement.
MXR Model 126 Flanger-Doubler

Klark Teknik DN50 Spring Reverb

The Klark Teknik DN50 Spring Reverb was introduced around the mid seventies, just prior to the launch of digital reverbs.
Klark Teknik DN50

Urei LA-5 Audio Leveler

Urei introduced the Urei LA-5 Audio Leveler with the specific needs of sound reinforcement professionals in mind.
Urei LA-5

Roland RE-301 Chorus Echo

The Roland RE-301 Chorus Echo is a vintage tape delay unit known for its warm analog sound. It features a built-in chorus for added modulation. The unit has straightforward controls for easy manipulation and is suitable for musicians seeking a classic, reliable delay effect with a touch of vintage charm.
Roland RE-301 Chorus Echo

Eventide Model H949 Harmonizer®

The Eventide Model H949 Harmonizer is a combination digital delay line, pitch changer, and all-round special effects unit. The TIME REVERSAL feature is entirely new. When used with a variable-speed tape recorder, the Harmonizer is capable of shortening or lengthening a piece of program material to fit a given time slot, without altering the pitch.
Eventide Model H949
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