Roland SRV-2000 MIDI Digital Reverb

Roland SRV-2000
The Roland SRV-2000 Digital Reverb combined early digital reverberation processing with parametric equalisation, programmable memory and MIDI control, providing engineers with a flexible rackmount reverb unit capable of producing both natural ambience and gated-style effects.

Roland SRV-2000 MIDI Digital Reverb Details

The Roland SRV-2000 Digital Reverb was developed during the early years of professional digital signal processing, offering a compact rackmount unit capable of producing a wide range of artificial reverberation effects. Designed for studio and live sound applications, the Roland SRV-2000 combined digital reverb algorithms with parametric equalisation, programmable memory and MIDI control. By integrating these features within a single processor, the Roland SRV-2000 allowed engineers and musicians to shape and store customised reverberation settings for use across different recording and performance environments.

At the core of the Roland SRV-2000 is a digital signal processing architecture that uses 16-bit linear analogue-to-digital and digital-to-analogue conversion together with 28-bit parallel internal arithmetic. This design provided a dynamic range of 90 dB with total harmonic distortion below 0.03 percent. The system allowed the Roland SRV-2000 to generate both conventional reverberation effects and specialised gated-style reverbs, expanding its usefulness across a range of production techniques that were emerging during the digital recording era.

The Roland SRV-2000 offers two primary operating modes. In Reverb Mode the processor functions as a traditional digital reverberation unit with three fundamental reverb types: Room, Hall and Plate. The Room program produces a sharp and expansive reverberation with a high density of reflections. Hall generates a deeper ambience with lower density, while Plate produces a bright metallic reverb that is particularly suitable for percussive sounds. Two variations of plate reverb are available, labelled Plate A and Plate B, with the B version producing a stronger effect.

In addition to standard reverberation, the Roland SRV-2000 also provides a Non-Linear Mode. This type of reverb is automatically cut off at a specified gate time, producing the distinctive gated ambience that became widely used in drum production during the 1980s. Traditionally this effect required a combination of reverb, compression and noise gating devices, but the Roland SRV-2000 integrated the process directly into its internal algorithms, simplifying setup and operation.

A key component of the Roland SRV-2000 signal processing chain is its built-in three-band digital parametric equaliser. This equaliser processes the signal before it enters the reverberation processor, allowing the tonal characteristics of the reverb to be shaped independently of the original sound. The equaliser section affects the reverberated signal only and does not alter the direct audio signal.

The Roland SRV-2000 also includes a programmable memory system capable of storing up to 32 user-defined reverb settings. All parameters associated with the reverb algorithms, non-linear processing and equaliser configuration can be stored and recalled. In addition to manual recall, the Roland SRV-2000 supports MIDI Program Change messages, allowing external MIDI devices to select stored reverb programs remotely.

Connectivity on the rear panel provides several practical control options for integration with external equipment. Dedicated jacks are included for effect on and off switching, preset up and down control, and an Infinite function that can generate extremely long reverb decay times. These connections allowed the Roland SRV-2000 to be integrated into both studio systems and live performance rigs where remote control of reverb functions was required.

Features

  • 16-bit linear A/D/A conversion with 28-bit parallel internal processing
  • Dynamic range of 90 dB with total harmonic distortion under 0.03 percent
  • Standard reverb algorithms including Room, Hall and Plate
  • Two plate reverb variations labelled Plate A and Plate B
  • Non-linear reverb mode with gated decay for percussive sounds
  • Built-in three-band digital parametric equaliser for shaping reverb tone
  • Equaliser affects reverberated signal without altering the direct sound
  • Memory system capable of storing 32 user-programmed reverb settings
  • MIDI Program Change support for remote recall of stored programs
  • Rear panel control jacks including Effect On/Off and Preset Up/Down
  • Infinite reverb function for extremely long reverberation time

Specifications

Released in: 1985
Made in: Japan
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User Reviews

Roland SRV-2000 MIDI Digital Reverb User Reviews

Pumping 1980s drums

By Rene Kirchner

Sound Quality 95%
Build Quality 95%
Usefullness 95%
Mojo/Funk 95%
Reliability 70%

Had an SRV 2000 from 2010 – 2017 in the studio. Works on pretty much anything. Drove my TR-808 sum signal thru it – bang. Reminds me on all the 1980s hits. I really liked the easy to use approach and the spot on reverbs of it. Features an EQ as well! You can set it to SDE 2000 mode with some knob-combination – nice to have. Drawbacks: Units gets pretty warm in the rack (requires space), DRY WET knob is on the backside of the unit. Mine had some issues with the Output jacks.

Today’s prices, a great buy

By Simon Alexander

Sound Quality 85%
Build Quality 80%
Usefullness 80%
Mojo/Funk 75%
Reliability 80%

So, over the years I’ve had a plethora of Reverbs and to this day, I’m a bit of a geek when it comes to 19 inch rack effects. I own a couple of these SRV 2k’s and for what they seem to be selling for now, is a ridiculous price for a lot of tech !

When these came out in 84, Yamaha released the Rev 7 as an alternative, and I own 4 of those too. The SRV is more than just a reverb and as such, you can utilise its “test: function to operate as a Digital Delay. The Reverb itself is really warm, and I love it for Vocal and softness.

It is equally suited for woodwind and acoustic instruments but can also be quite snappy for gated (non-linear) effects on drums, but I have to say, I do prefer the Rev 7 for percussion reverbs. Like all vintage outboard gear, its a little noisy but not any worse than other gear from the same era.

If you buy one, you will definitely need to change the internal battery and be warned…. SRV’s can go into spasm if the battery is completely dead. A great feature is re-loading the factory reverb patches if the unit loses its memory, by holding “Reverb/Non-Linear & Write” buttons while powering up. Unfortunately, this will only load the first 16/32 programs, but better than nothing.

Best 50 bucks I ever spent

By Xenomorph Productions

Sound Quality 100%
Build Quality 65%
Usefullness 100%
Mojo/Funk 100%
Reliability 65%

Came across this unit at a flea market yesterday. Did not know what I was in store for. This unit just goes places I never expected to. The sound is amazing, lush, deep, bright..anything you want it to be. Turning up the mid band EQ really makes this come to life. Such a fantastic vibe to it. LOVE IT! Downsides? None really, except its heavy as a horse but who cares, it sounds great!

Finally, professional reverberation had come within reach

By Cardioid

Sound Quality 100%
Build Quality 65%
Usefullness 100%
Mojo/Funk 100%
Reliability 65%

Like most people at the time, I was torn between this unit and a Yamaha REV-7. I sat there comparing features with the brochures and the eventual purchase was postponed many times. When I later actually heard both units, I was so relieved that I did not buy the REV-7 which to my ears had a terrible brittle sound to it.

I eventually bought my Roland SRV-2000 when the DEP-5 was released and therefore the SRV-2000 was greatly discounted. I always thought that this unit was far superior than the DEP line of effects. I was starved for reverberation in my little closet studio for so long that this was a total coup. Literally *everything* I played and recorded instantly sounded so much more appealing and I loved tweaking all those parameters, even though the presets were programmed very well.

Later I discovered the hidden features on how to turn it into a delay unit as well. I remember working in a larger studio which had a Lexicon 480L as their main reverb. I had brought my SRV-2000 in as an auxiliary unit and left it there for a few days.

One of the engineers actually preferred it over the Lexicon because he thought it sounded ‘more natural’! If it wasn’t for the fact that everything is being done in the box now, the SRV-2000 would still be my go-to box for everything reverb, even though by now I own a bunch of larger effects boxes, including a 480L.

A must have for snares

By Steven

Sound Quality 85%
Build Quality 80%
Usefullness 90%
Mojo/Funk 85%
Reliability 60%

This old Roland Reverb is absolutely brilliant on snares. With it’s grainy reverb tails being very well suited to the task, and this graininess can work well on brass too I find. They tend to get really hot in use, so space above it in your rack is advised.

Used it? Leave your rating and review.

Memory No. Preset Name Mode
1 Vocal I Reverb
2 Vocal II Reverb
3 Large Hall Reverb
4 Medium Hall (I) Reverb
5 Small Hall Reverb
6 Large Room (I) Reverb
7 Medium Room (I) Reverb
8 Small Room (I) Reverb
9 Clear Plate Reverb
10 Tunnel Reverb
11 Concrete Pipe Reverb
12 Large Chapel Reverb
13 Basin Reverb
14 Outdoor Theater Reverb
15 Non Linear Non LNR
16 Non Linear (Inverse) Non LNR
17 Small Room (II) Reverb
18 Medium Hall (II) Reverb
19 Slap Back Reverb
20 Medium Bright Room Reverb
21 Concert Hall Reverb
22 Live Room Reverb
23 Small Bright Hall Reverb
24 Large Room (II) Reverb
25 Reflections Reverb
26 Digital Chamber Reverb
27 Reverb #1 Reverb
28 Medium Room (II) Reverb
29 Delay Small Hall Reverb
30 Digital Taj Mahal Reverb
31 Drum Gate Non LNR
32 Backwards Reverb Non LNR

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Further Reading on the Roland SRV-2000 MIDI Digital Reverb

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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