Lexicon PCM 70 Digital Effects Processor

The Lexicon PCM 70, released in 1985, is a single-rack digital effects processor offering over 40 factory programs, 50 user memories, extensive parameter editing, and advanced Dynamic MIDI control for real-time performance integration.

Lexicon PCM 70 Digital Effects Processor Details

The Lexicon PCM 70 Digital Effects Processor was introduced in 1985 as a compact single-space rackmount unit designed to deliver the same class of digital effects heard in leading professional studios. Positioned as an accessible entry into Lexicon’s high-end processing heritage, the Lexicon PCM 70 combined advanced reverb design with extensive programmability and forward-thinking MIDI control in a format suited to both studio and stage environments.

The Lexicon PCM 70 provided more than 40 factory digital effects and reverb programs, covering chorus and echo, resonant chords, multiband delays, rich chamber, rich plate, and concert hall algorithms. In addition to the preset library, the Lexicon PCM 70 allowed users to create and store 50 custom programs in user registers, giving immediate access to more than 90 total programs. This structure enabled engineers and musicians to move seamlessly between established Lexicon spaces and highly personalised treatments tailored to specific sessions.

Editing depth was central to the Lexicon PCM 70 design. More than 70 different parameter types could be adjusted, including delay times, feedback, filtering, panning, and early reflections. This level of control allowed the Lexicon PCM 70 to move beyond static ambience and into detailed spatial design, where modulation, diffusion, and timing could be shaped precisely for each source.

A defining feature of the Lexicon PCM 70 was its implementation of Dynamic MIDI. This system enabled real-time remote control of up to ten parameters simultaneously from a MIDI keyboard or sequencer. Any effect or reverb parameter could be assigned to variable MIDI controllers such as modulation wheel, pitch wheel, data slider, sustain switch, or other assignable controls. Parameters could also respond directly to MIDI performance data including key velocity, pressure, and aftertouch, allowing expressive, performance-based manipulation of reverb and delay characteristics.

When used with a sequencer, control changes transmitted to the Lexicon PCM 70 could be recorded and replayed accurately, ensuring repeatable automation of effects movements. A complementary register feature allowed remote program selection from sequencers, synthesisers, and other MIDI devices, integrating the Lexicon PCM 70 directly into evolving MIDI production workflows of the mid-1980s. The user interface was designed to make this functionality accessible, enabling rapid navigation of programs and parameters despite the unit’s depth.

While the Lexicon PCM 70 was positioned above many budget digital processors of its era, including the widely adopted Yamaha SPX90, it established itself in professional studios through its distinctive algorithm design, programmability, and comprehensive MIDI integration. The Lexicon PCM 70 became a fixture in music production throughout the late 1980s and early 1990s, valued for its flexible spatial effects and its ability to bridge performance control with studio precision.

Features

  • Single-space rackmount digital effects processor
  • More than 40 factory digital effects and reverb programs
  • Chorus, echo, resonant chords, multiband delays, rich chamber, rich plate, and concert hall algorithms
  • 50 user-programmable registers
  • Access to more than 90 total programs
  • More than 70 editable parameter types
  • Adjustable delay times, feedback, filters, panning, and early reflections
  • Dynamic MIDI real-time parameter control
  • Simultaneous control of up to ten parameters via MIDI
  • Assignable control from modulation wheel, pitch wheel, data slider, sustain switch, and other MIDI controllers
  • Parameter response to velocity, pressure, and aftertouch
  • Remote program selection via MIDI
  • Recordable and repeatable MIDI control changes via sequencer
  • Integrated and accessible user interface design

Specifications

Released in: 1985
Made in: U.S.A.
  • Frequency Response
    • Processed Signal: 20 Hz to 15 kHz, ±1 dB
    • Direct Signal: 20 Hz to 20 kHz, ±0.25 dB
  • Dynamic Range
    • Processed Signal: 80 dB, 20 Hz to 20 kHz noise bandwidth
  • THD + Noise
    • Processed Signal: <0.05% @ 1 kHz and full level
    • Direct Signal: <0.025% @ 1 kHz @ 3V out
  • Audio Input
    • Levels:
      • +4 dB; -8 to +18 dBV balanced
      • -20 dB; -23 to +3 dBV unbalanced
    • Impedance:
      • +4 dB; 40 kilohms, paralleled with 150 pF (balanced)
      • -20 dB; >500 kilohms, paralleled with 150 pF (unbalanced)
    • Connector: 1/4″ tip/ring/sleeve phone jack
  • Audio Outputs (Two)
    • Levels:
      • +4 dB; +10 dBV into 600 ohms
      • +16 dBV into >10 kilohms
      • -20 dB; -8 dBV into >10 kilohms
    • Impedance: 600 ohm unbalanced
    • Connectors: 1/4″ tip/sleeve phone jack
  • Dimensions: 483mm x 45mm x 344mm
  • Weight: 4.9 kg
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Lexicon PCM 70
User Reviews

Lexicon PCM 70 Digital Effects Processor User Reviews

Great in pure processing

By Mixroom.One

Sound Quality 100%
Build Quality 85%
Usefullness 100%
Mojo/Funk 85%
Reliability 90%

Using it primarily for Tiled Room, which sounds really lively and spacey on drums, separate percussion or to get some instrument, mostly guitars, move a little bit to the back of the mix, but retaining it’s urgency. It does not sound like a 224 or 224X as you read sometimes, but it sure has a classy sound. The delay sound quality is great also, really biting through the mix, and the flange and chorus FX are up with the better of them. Admitting that i actually use it not that often maybe comes from the fact that i sure have some big workhorses in the control room that often get used because they are default connected to the sends and returns of the console, like 2 224’s, 2 300’s, an AMS RMX16 and a SST282 by Ursa. But the PCM70 sure deserves to be used big time!

My main reverb for pro recordings

By Magnus Consitt

Sound Quality 90%
Build Quality 90%
Usefullness 100%
Mojo/Funk 85%
Reliability 95%

Stalwart of processors

By Marcus

Sound Quality 90%
Build Quality 90%
Usefullness 100%
Mojo/Funk 60%
Reliability 90%

It’s my main reverb for a start point on vocals. Most of times it’ handles the vocals to glue perfect in the mix, that’s why this is the most used machine in studios around the world. Soft, no harsh tales as the software reverbs. For a pro level studio this is a most to have!

Classic but noisy

By Simon Alexander

Sound Quality 85%
Build Quality 80%
Usefullness 65%
Mojo/Funk 90%
Reliability 90%

This was my first Lexicon, back around 1990. I absolutely loved it and the presets, but is was so noisy it had to go. While all outboard gear from this era suffer with a bit of noise, this unit is notorious from suffering with this annoying trait. Sadly, it had to go for the PCM 90, which I love.

A classic but not killer

By Martin Jones

Sound Quality 75%
Build Quality 75%
Usefullness 85%
Mojo/Funk 85%
Reliability 75%

This is still a reverb you will find in many studios, but it is not because it is so pristine and great, but because it sits in mixes well and has some mojo compared to many others from the period. I would not make it my only reverb, but would have one for that something different.

Used it? Leave your rating and review.

Lexicon PCM 70 Digital Effects Processor Audio Samples

Lexicon PCM 70 Digital Effects Processor Used on these Recordings

The Joshua Tree

U2

Nothing Compares 2U

Sinead O’Connor

Nevermind

Nirvana

Lexicon PCM 70 Digital Effects Processor Appears in These Famous Racks

3 Abbey Road, St. John’s Wood, London NW8 9AY, UK
Albany House Claremont Lane, Esher Surrey KT10 9FQ, UK
2806 Azalea Place Nashville, TN USA
Los Angeles, California, USA
1750 North Vine Street, Hollywood, CA 90028. USA
Köthener Straße 38, Berlin, Germany
Los Angeles, California, USA
1073 Main Street Housatonic, MA 01236
Box, Wiltshire, UK
6650 Sunset Blvd, Los Angeles, CA 90028, USA
New York, New York, USA
417 E Iris Drive, Nashville, USA
1616 Butler Ave. Los Angeles, California

Lexicon PCM 70 Digital Effects Processor Plugins

Further Reading on the Lexicon PCM 70 Digital Effects Processor

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The details provided above are drawn from historical documents like advertising brochures or user manuals. They’re shared without bias or review. This info is given solely for your consideration, helping you gauge its usefulness to you.

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