DAT Recorders

The Digital Audio Tape (DAT) format was developed by Sony in the late 1980s as a professional digital audio recording and playback technology. The DAT format is a magnetic tape technology primarily used for recording and playback of high-quality digital audio. DAT tapes store audio data in a digital format, allowing for precise reproduction of sound without the degradation associated with analogue formats. DAT became popular in professional audio production due to its high fidelity and ability to store large amounts of data in a compact form factor. The format utilises helical scanning to record and read data from the tape, and DAT players are equipped with specialised heads and electronics for accurate playback. Despite its initial popularity, DAT has been largely supplanted by other digital audio storage formats such as CDs and digital files due to their greater convenience and versatility.

Relates Articles: Digital Audo Tape (DAT)

Released in 1995
The Fostex D-5 fits both professional and home project studios and offers three sampling frequencies, including a 32 kHz long play mode with up to four hours of continuous recording on 120-minute tape.
Made In Japan
Released in 1995
Otari proudly introduced a new R-DAT recorder in 1995, the Otari DTR-8. The Otari DTR-8 follows the concept of the familiar DTR-7, but with greatly enhanced capabilities.
Made In Japan
Released in 1996
The Sony PCM-7010, an affordable recorder in the PCM-7000 Series, is ideally suited to simple program transmission applications. As a playback machine, the PCM-7010 is designed to provide compatibility with both professional and consumer audio equipment.
Made In Japan
Released in 1996
As flexible, cost-effective recorders for professional audio applications, the Sony PCM-7030 provide the superb quality of DAT digital recording on compact and easy to handle cassettes.
Made In Japan
Released in 1996
The Sony PCM-7040 was set to enhance the long-standing reputation earned by Sony PCM-7000 Series recorders for their cost effectiveness and functionality in broadcast studios and in post-production houses.
Made In Japan
Released in 1996
As flexible, cost-effective recorders for professional audio applications, the Sony PCM-7050 provide the superb quality of DAT digital recording on compact and easy to handle cassettes.
Made In Japan
Released in 1996
Based on the popular SV-3700, the Panasonic SV-3800 incorporates technological refinements for enhanced sound quality and functionality.
Made In Japan
Released in 1997
Incorporating Sony’s legendary high-reliability 4 D.D. Mechanism, the Sony PCM-R500 sets the standard for professional-use DAT. The Shuttle and Jog Dial offer outstanding operational ease, while extensive interface options and multiple menu modes meet a wide range of application needs.
Made In Japan
Released in 1997
The TASCAM DA-60MKII is a synchronisable 4-head DAT powerhouse that’s perfect for both production and postproduction environments. It delivers superior sound quality, full-featured functionality and durability that studio pros expect from TASCAM.
Made In Japan
Released in 1997
The Fostex D-15 started out as the replacement model for the former D-10, but as you can see from the extensive list of new features and functionality, the D-15 represents a new level of price/performance value in a timecode capable DAT recorder.
Made In Japan
Released in 1998
The TASCAM DA-302 was upon its release, the world’s only dual DAT recorder, and it brought the convenience of a dual cassette deck to the DAT format for the very first time.
Made In Japan
Released in 1998
The TASCAM DA-20 MkII is an affordable DAT recorder bringing the best of the DAT format to the home studio, project studio or budget minded professional.
Made In Japan
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