Vintage Digital

Compressor/Limiters

Classic Recording Studio Equipment

Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and color to a recording. For example, some compressors have a “vintage” or “analog” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

There are few modern classics in the world of professional studio effects hardware, but the Manley Stereo Variable MU limiter compressor is most definitely one such processor. An all tube limiter built in the great tradition of the Fairchild 660, the Manley Stereo Variable MU has been a cherished part of many studios for decades.
Set it and forget it! The Langevin Elop Stereo Electro-Optical Limiter makes your job easy.
The Focusrite Red 3 employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting, without the compromise and unnecessary processing involved in traditional designs.
The D.W. Fearn VT-7has a highly transparent sound, although it can be used more aggressively when needed. Artifacts of the compression process are substantially lower than in most other compressors.
The Crane Song STC-8 is a high quality compressor combined with a remarkably dependable peak limiter, that provides overload protection critical to digital recording and broadcast transmitters.
The dbx 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics – even with complex signals, such as voice or reverb decays.
At the heart of the dbx 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics.
Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function.
The Empirical Labs Distressor is the product that started it all for Empirical Labs, and has become a studio standard the world over. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain, the Empirical Labs Distressor incorporates his favorite sonic characteristics of these, along with other and interesting features.
Crane Song Trakker  is a high quality Single Channel Discrete Class A Compressor-Limiter.
With innovative, state-of-the-art engineering, the dbx 576 Vacuum Tube Preamp/Compressor carries the dbx heritage into the vacuum tube arena.
The inclusion of 2 vacuum tubes makes the dbx 566 Vacuum Tube Compressor no ordinary compressor.