Vintage Digital

Compressor/Limiters

Classic Recording Studio Equipment

Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range.

In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and color to a recording. For example, some compressors have a “vintage” or “analog” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

The dbx DDP offers you the processing power of digital, with the great sounds you know and want from the analog world. Plus, with digital technology, we can offer you more precise control and extended parameters than you could ever have with analog processing.
GML Model 8900 Dynamic Range Controller, Twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other.
The TL Audio C-1 compressor maintains its position as the most flexible, polished sounding high end compressor on the market today.
The Maselec MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
The Maselec MLA-4 is a multiband Compressor / Expander developed from the popular MLA-3 with added expander functions for all frequencies.
The Empirical Labs FATSO is one of those effects that until you use one, you really do not fully understand just how useful it truly is, and it is one truly useful box of tricks it has to be said!
The Avalon Design AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements.
Two class A mic preamps & DI’s drive two ELOP and two fast FET “brick wall” limiters to tame any tone one can throw at it. The Manley Slam is jammed with tubes, transformers, technology, and tricks. Get it in, and get it LOUD.
The Universal Audio 6176 Vintage Channel Strip is a classic tube microphone preamp and 1176LN compressor in a single unit.
The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and only EMI owned studios had access to them.
The GML Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded.