Vintage Digital

EMT

EMT was founded by Wilhelm Franz in Germany in 1940 and as a manufacturer introduced the EMT 140 Plate Reverb in 1957. The EMT 140 revolutionised the recording industry because it was the first artificial reverb to market. Prior to it’s introduction, reverb chambers were required, and those chambers ranged from a stairwell or large basement, with a speaker at one end, and a microphone at the other. The EMT 140 was developed with close co-operation with Dr W Kuhl and the Institute for Radio Technology in Hamburg Germany. A plate reverb is essentially a steel plate 2m2 and .5mm thick, on which a transducer would create waves. The EMT 140 remained the only studio reverb of quality for the next ten years.

The EMT 140 was originally fitted with a single microphone to pickup the reverberant sound of the plate. In 1961 the EMT 140 was fitted with two microphones, enabling two uncorrelated signals to be obtained, creating a stereo reverb effect. Even though the EMT 140 was very large and heavy, it’s footprint was significantly smaller than a basement or stairwell and as such it sold very well, for 25 years! In 1972 EMT introduced the world’s first digital reverb unit, the EMT 144, which was a largely unsuccessful unit. Undeterred, in 1976 EMT teamed up with American company Dynatron to produce the EMT 250 digital reverb. The EMT 250 was a huge success, and is much loved today as it was decades ago. The EMT 250 was not however, just a reverb, it was also the world’s first multi-effects unit offering delay, echo, chorusing and phase effects as well. There have been many models between the EMT 140 and the EMT 250, and more after the EMT 250, but it is the 140 and 250 that are most sought after today and they still command several thousand dollars a piece when they come up for sale.

EMT 252 Digital Reverb

It’s no secret that the “EMT sound” is a key ingredient of many hit records. It’s been that way for over 25 years. The very first unit, the EMT 140, is still used by major studios. And the sound of their big digital units. the 250 and 251, is legendary. In 1985 EMT introduced the EMT 252, offering more features than the 250 and 251.

EMT 250 Digital Reverb

The EMT 250 Digital Reverb is completely electronic, with no moving parts; ruggedly built and insensitive to shock or vibrations…and a studio legend! Extremely versatile with many programming possibilities and adjustment of parameters. The EMT 250 Digital Reverb uses high-value digital words (12 bit, quasi 15 bit) to virtually eliminate intrinsic and quantizing noise.

EMT 240 Reverb Foil

In 1971 after huge success with the EMT 140, EMT delivered the EMT 240 Reverb Foil. The surface of the vibrating 0.02 mm gold foil measured only 30 X 30 cm. The foil was contained in a double enclosure affording very high isolation from airborne and solid-borne disturbances, sufficient to allow placement of the EMT 240 even in mobile units or – at a sound pressure level of 105 dB – next to monitor loudspeakers

EMT 140 Plate Reverb

The EMT 140 was the worlds first artificial reverb unit and it changed the recording world by allowing any studio to have “reverb on tap”, even smaller studios who did not have physical echo/reverb chambers. A echo/reverb chamber is essentially a large room, a very large room usually, with a speaker at one end and a microphone at the other. Usually there would be multiple microphones placed at varying distances from the speaker to provide long or short reverb times.
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