Mastering

Mastering gear refers to the equipment and tools used in the audio mastering process, which involves preparing a final mix for distribution by enhancing its overall sound quality and ensuring it meets certain technical standards. Mastering gear can include hardware processors such as equalizers, compressors, limiters, and analog-to-digital converters, as well as software plugins that simulate the effects of these tools.

The gear is used to adjust the tonal balance, dynamic range, stereo image, and other aspects of the mix to achieve a polished and cohesive final product. Effective use of mastering gear requires a thorough understanding of both the equipment and the mastering process itself. An experienced mastering engineer will be able to use their gear to make subtle adjustments that enhance the mix without introducing unwanted artifacts or compromising the integrity of the original recording.

Released in 2007
The Dangerous S&M is an all-analogue mid-side processor that gives mixing and mastering engineers precise control over stereo width, centre/side balance, and targeted outboard processing in a clean, transparent signal path.
Made In U.S.A.
Released in 2007
In the SPL PASSEQ they have revived the concept of the passive equaliser that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equaliser.
Made In Germany
Released in 2007
The Elysia Museq is an equaliser that combines premium sound shaping with optimally matched parameters and highest quality components, enabling the user to create musical results in no time at all.
Made In Germany
Released in 2008
A mastering engineer’s dream to the world, the Manley Backbone mastering insert switcher. This unit is the centrepiece of a mastering system allowing precise control and manipulation of up to eight pieces of outboard gear.
Made In U.S.A.
Released in 2008
For precise and musical dynamics control, the Weiss DS1 Mk3 is one of the most revered dynamics processors ever created. Leading mastering and mixing engineers praise its transparency, unique feature set, and versatility.
Made In Switzerland
Released in 2008
The Requisite L2M Mastering Limiter MkIII is a high-end analogue hardware limiter designed for mastering engineers and is known for its transparent sound and precise control over dynamics.
Made In U.S.A.
Released in 2008
The Elysia Alpha Compressor has earned its status as a contemporary masterpiece, solidifying its position as a potent instrument for professional dynamic manipulation since its debut in 2008.
Made In Germany
Released in 2008
Shadow Hills Industries (to use their full name) is a company that produces and sells one of the finest compressors ever made, a true modern classic by any standard. The fact anyone knows about the Shadow Hills brand at all is amazing, given that their website is so out of date and inaccessible to most people, but despite that, this compressor has become legendary.
Made In U.S.A.
Released in 2013
The Cartec Audio THC (Tone Harmonic Compressor) is a two-channel hybrid compressor that employs eight tubes and four discrete amplifiers to achieve a unique level of control over dynamic range, harmonic distortion content, and tonal balance.
Made In U.K.
Released in 2013
Gyraf Audio G22 is an elaborated and dual’ified version of our venerable G10 vari-mu compressor. This incarnation allows it to be dual-mono, while still keeping a backwards-compatibility “G10 mode” where one set of knobs controls real stereo compression, like you’d want most of the time in mastering.
Made In Denmark
Released in 2014
The Maselec MTC-1X Stereo Mastering Console measures 3 U height with a depth ‘behind panel’ of 260mm and 10kg weight.
Made In U.K.
Released in 2014
“The IGS Tubecore is the finest mastering compressor ever created and it adds density and dimension to your mix in a magical way.”
Made In Poland
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