Vintage Digital

Microphone Preamplifiers

Classic Recording Studio Equipment

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

The Neve 1073DPD combines two world-famous Class A 1073® microphone preamplifiers with flexible 192kHz digital output capabilities – all in a single rack space. With legendary analogue circuitry and superior digital conversion, the 1073DPD is the obvious choice as an ideal front-end recording system for modern digital workstations.
Enter audio excellence with the Electronaut M63 Microphone Preamplifier. Combining cutting-edge tech and vintage design, it features Lundahl Amorphous-Core Audio Transformers, 63 dB gain, and a reliable tube-rectified power supply. This preamp is your gateway to sonic brilliance.
The Focusrite ISA 428 MkII incorporates four of Focusrite’s renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips.
Combining the iconic Neve® mic preamplifier, powerful EQ and the incredible 88R dynamics processor; the 8801 delivers Neve console sound in a convenient 1U rackmount design, with the convenience of Total Recall™ and digital conversion.
The Universal Audio LA610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design – heard on classic albums by Coldplay, The Beach Boys, and Van Halen – with authentic Teletronix T4 opto-compression circuitry.
The Requisite PAL Preamplifier and Limiter is now in its Mk III version, but retains all the goodness of previous version with some sonic improvements.
The ART MPA Gold Two-Channel microphone preamplifiers use differential input Class-A two-channel tube microphone preamp design with variable input impedance and selectable tube plate voltage to create the most versatile high performance microphone preamplifiers in its class. It delivers unmatched warmth, presence and clarity.
The ART Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.
The TL Audio A1 Dual Preamp features two independent channels, with each channel offering mic and instrument inputs.
The TL Audio A3 Channel Strip is a single channel unit, accepting mic, line and instrument inputs. Processing includes gain and phase control, compression and equalisation. A tube stage may be switched into the signal path, with variable drive control.
The SPL Frontliner has everything to record voices and instruments in perfect quality: Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.
Focusrite ISA Two brings together a totally independent pair of classic ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve – the Lundahl LL1538.
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