Vintage Digital

Microphone Preamplifiers

Classic Recording Studio Equipment

In recording studios, microphone preamplifiers (or preamps) are essential tools used to boost the low-level signal from microphones before it is sent to a mixer or recording device. The preamp is the first device in the signal chain, and its primary function is to amplify the microphone’s signal to a usable level without adding too much noise or distortion. A good preamp will provide clean gain, clarity, and warmth to the recorded signal.

In addition to amplifying the signal, preamps also provide other features that are crucial for recording. Many preamps offer phantom power, which is used to power condenser microphones, and they may also have high-pass filters to remove low-frequency rumble and other unwanted noise. Some preamps also provide a selection of input impedance options, which can affect the way the microphone responds to certain frequencies, resulting in different tonal qualities. Preamps can be solid-state or tube-based, each with their unique sound and characteristics. Overall, preamps are critical tools in the recording process, and choosing the right preamp for a particular recording can greatly impact the final sound quality of the recorded track.

The Undertone Audio MPDI-4 Microphone Preamplifier is a compact powerhouse, providing four channels of high-quality preamplification for your audio needs. Whether you’re recording in a studio or on the go, this versatile unit ensures that your sound remains clear and transparent, making it a valuable addition to your audio setup.
The Focusrite ISA 828 MkII incorporates eight of Focusrite’s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel.
The LaChapell Audio Model 992EG is a boutique, two channel, fully balanced instrument and microphone Tube Preamplifier hat no recording studio is complete without at least one.
The elegantly crafted Neve 1073SPX adopts the 1073® Class A design, exquisite 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter – making the 1073SPX the obvious choice for modern studios.
The Knif V804 Pre Microphone Preamplifier uses only two amplifier stages, only one pentode and one triode per channel and the absolute minimum of other components.
The Overstayer Modular Channel Model 8755D is a stereo channel with filters, eq, compression, and harmonics stages throughout, with sophisticated routing and a series/parallel mixer matrix.
The IGS Pure Tube Channel is a high-end, no compromise channel strip design haling from Europe.
The LaChapell Audio Model 983S is a two channel vacuum tube instrument and microphone preamp delivery LaChapell performance in a cost effective two channel package.
The Warm Audio WA73-EQ British Mic Preamplifier + EQ provides proper reproduction of the most legendary console sound of all time.
The SPL Crescendo 8 Microphone Preamplifier provides Eight-Channels of Microphone Preamplifiers, all with 120V technology.
The Warm Audio WA273-EQ Dual-Channel British Mic Preamplifier + EQis a proper reproduction of the most legendary console sound of all time.
Packing eight 1073® remote-controllable preamps in a 2U rackmount case, the 1073OPX suits modern DAW-based workflows, where space is at a premium, whilst also offering that 1073 sound everyone knows and loves. It’s the Swiss Army knife for modern studios.
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