Vintage Digital


MXR was founded in Rochester, New York in 1972 by Keith Barr and Terry Sherwood. Starting life as a guitar pedal manufacturer they ventured into studio rack effects in the mid 1970s. The MXR Model 126 Flanger/Doubler is perhaps the most recognised of those rack effects, and you can still find these distinctive looking effects in studios around the world today. During the mid 1980s they did a deal with fellow Rochester natives ART to produce the MXR 01A Digital Reverb, which is clearly a rebranded ART 01A.

MXR 01A Digital Reverb

In 1985 it would seem MXR employed the team at ART (Applied Research & Technology) to produce a digital reverb, based on the ART 01A, and it even had ART listed as the manufacturer on the front panel.

MXR Model 126 Flanger/Doubler

For more than 30 years now, both engineers and musicians have relied upon the MXR Model 126 Flanger/Doubler as one of best-sounding bucket-brigade* flanging effects ever made. Through its signature flanging, doubling, and delay effects, the MXR Model 126 Flanger/Doubler imprints a very unique sonic signature on guitars, bass, keys, drums, or just about any source needing depth and movement.

MXR Model 113 Digital Delay

The MXR Model 113 Digital Delay is a self-contained audio delay line which utilizes sophisticated technology to achieve a new standard of professional quality. The culmination of an intensive design program, the MXR Model 113 Digital Delay is unparalleled in versatility, ease of operation, and creative application.

MXR Model 129 Pitch Transposer

The MXR rack line of gear line began with 2-space rack units such as the MXR Model 113 Digital Delay, MXR Model 124 Dual 15-Band Graphic EQ, MXR Model 126 Flanger/Doubler, and the MXR Model 129 Pitch Transposer.
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