Released in 1955

Pultec MEQ-5 Mid-Range Equaliser

The Pultec MEQ-5 provides fine control over the “power region” (300 Hz to 5000 Hz), where most audio energy is focused and the ear is highly sensitive. Smooth handling of this range is crucial, as minor acoustic or equipment resonances can greatly affect sound clarity and listenability.
Released in 1956

Gates STA-Level Limiting Amplifier

The Gates STA-Level is an automatic gain amplifier that maintains consistent audio levels with up to 40 dB compression and low distortion. It features adjustable recovery times, built-in attenuators to prevent signal overload, and operates efficiently with minimal supervision. Its push-pull circuitry reduces noise and distortion, ensuring clear audio for broadcasting applications.
Released in 1956

Langevin EQ-258-A Program Equalizer

The Langevin EQ-258-A Program Equalizer is a rare 1950s passive EQ, offering selectable frequencies at 40Hz, 100Hz, 3kHz, 5kHz, 10kHz, and 15kHz, with up to +12dB boost and -16dB cut. Known for its smooth, musical tone and rugged build, it remains a prized tool for adding vintage character and tonal balance to recordings.
Released in 1956

EMI RS 114 Limiter

The EMI RS114 Limiter was a valve-based mono limiter developed in the 1950s and used extensively at Abbey Road Studios, especially on Beatles recordings from 1962 to 1964. Known for its distinctive attack and recovery controls, it helped shape the sound of the group’s early work. Though technically complex and prone to drift, it was one of the first gain-control devices available to EMI engineers.
Released in 1956

UTC 4-B EQ Filter

The UTC 4-B EQ Filter was introduced in the 1950s, crafted by the United Transformer Corporation (UTC), and renowned for its warm and natural sound, achieved through a transformer-coupled design that shapes audio signals without active electronics.
Released in 1957

EMT 140 Plate Reverb

The EMT 140, introduced in 1957, was the world’s first artificial reverb unit and revolutionised recording by providing “reverb on tap.” Using a suspended metal plate, it delivered rich, natural reverberation, allowing even smaller studios without reverb chambers to create professional-quality ambience. Its warm, versatile sound quickly made it a studio essential.
Released in 1957

Gates 28-CO Limiting Amplifier

The Gates 28-CO Limiting Amplifier improves broadcast audio by limiting peaks with minimal distortion. It features adjustable release times, simple controls, and a durable steel-grey chassis with a self-contained power supply.
Released in 1958

Collins 26U-1 Limiting Amplifier

The Collins 26U-1 Limiting Amplifier delivers maximum modulation with minimal distortion for clear broadcasting. It prevents overmodulation, enhances signal-to-noise ratio, and supports over 30 dB compression. Key features include a self-balancing circuit, efficient power supply, VU meter, and adjustable controls, all in a durable, easy-access design.
Released in 1958

Gates Level Devil Automatic Gain Control Amplifier

The Gates Level Devil is a professional-grade audio amplifier designed for broadcasting and audio applications. It features four amplification stages, regulated power supply, and input pads for flexible signal control. The amplifier includes a differential design for noise rejection, push-pull signal configuration for stability, and advanced peak limiting and expander circuits to manage gain and distortion effectively. Its reliable performance in TV and FM broadcasting environments makes it a versatile and trusted tool for maintaining audio clarity under challenging conditions.
Released in 1958

Blonder-Tongue Audio Baton Equaliser

The Blonder-Tongue Audio Baton, introduced in 1959, is an equaliser featuring nine octave-band controls, each capable of boosting or attenuating specific frequency ranges by up to ±14 dB. Designed for high-fidelity systems and public address applications, it offered users the ability to finely adjust frequency balance to correct system deficiencies, enhance tonal characteristics, and improve speech intelligibility.
Released in 1959

Fairchild 660 Limiting Amplifier

The Fairchild 660 is a legendary tube-driven, single-channel audio compressor, designed by Rein Narma and first produced by the Fairchild Recording Equipment Corporation in 1959.
Released in 1959

Gates SA-39B Limiting Amplifier

The Gates SA-39B limiter offers smooth, fast compression with minimal distortion, even at high levels. Designed with input from BBC engineers, it features near-instant attack, six release settings, and precise calibration via a 4-inch meter. Its serviceable design includes a hinged front panel for easy maintenance and cleaning.