Vintage Digital

Classic Recording Studio Equipment

The DeltaLab DL-4 TIME LINE is a studio quality special effects processor designed for the professional musician to use in live performances. The DeltaLab DL-4 is a derivative of their highly successful DL-2 ACOUSTICOMPUTER which brings total performance to the performing musician previously attainable in very expensive delay lines.
The Urei LA-4 Compressor/Limiter can reduce the dynamic range of an audio signal, making it more consistent and balanced. The Urei LA-4 Compressor/Limiter can also limit the maximum level of the signal, preventing distortion and clipping.
The first point of make clear about the Dynacord DRS 78 is that it is a digital echo and reverb system in a three rack unit high enclosure. Besides giving a very wide range of reverb and echo effects it produces above all true and absolutely natural reverb effects as they have been obtainable so far only in studios or in cathedrals.
The AMS DMX 15-80S is a true stereo microprocessor controlled digital delay line. Originally designed to meet specifications laid down by the British Broadcasting Corporation for equipment to be supplied to them, it offers two completely independently delayed channels with precisely controlled delay times.
The Lexicon 224 digital reverb announced in 1978 is the kind of stuff legends are made of. It is without a doubt the most admired and desirable reverb of the Lexicon line-up. It may be 45 years old now, but the Lexicon 224 is still in use today at many studios regardless of it’s limited bandwidth, and is loved by so many engineers, that they will only replace it when it dies. If it dies…
The Ursa Major SPACE STATION is an advanced signal processor using time delay techniques to transform a mono source into a new, stereo, output signal.  It is as different from earlier delay units as the complex reverberant sound of a room is from a single repeat of a sound slapping off a wall.
The dbx 162 compressor/limiter is one of the most iconic studio compressor/limiters to have ever graced a studio. The dbx 162 compressor/limiter is a stereo device using true rms level detection circuitry tor signal sensing and sophisticated voltage controlled amplifiers as the gain control elements.
The AMS DMX Series Keyboard Interface and Chorus Controller is an ultra rare device to add on to the AMS DMX 15-80S Digital Delay. The chorus controller can be used to add functionality and effects to the DMX 15-80S.
The Roland RSS RV-800 stereo reverberation unit incorporates an optional compressor to increase headroom and allow reverberation effects to be added to low level signals.
DeltaLab introduces the Delatlab DL-2 Acousticomputer, a flexible and rugged all-electronic ‘space machine’ with highly musical sound quality and a surprisingly modest price. The Delatlab DL-2 Acousticomputer is a combination digital delay and special effects processor designed for use both on stage and in the studio, providing well known functions plus some new effects not available in any other device.
The Roland SBF-325 is a stereo flanger with dual audio delay lines. It has three different flanger effect modes and one chorus mode. It preceded the now famous Roland SDD-330 by two years in terms of rack mount chorus effectors.
The Urei 1178 compressor was introduced in 1979 by Universal Audio. It became a popular choice in recording studios during the late 1970s and throughout the 1980s, and it remains a sought-after vintage piece of audio equipment today.