Vintage Digital & Analogue Studio Effects

Vintage Digital

Teletronix LA-2A

Teletronix LA-2A Leveling Amplifier

The Teletronix LA-2A was released in 1962, and along with the Urie 1176, is one of the most iconic compressors ever made, and is still in use today. With Universal Audio having purchased the Teletronix company way back in the mid 1960s, this iconic compressor is available new, made to the exacting specifications.


The Teletronix LA-2A is a hand-wired, tube-compressor. It uses an electroluminescent panel together with a cadmium-sulfide light dependent resistor to provide gain reduction, which is called the T4 cell. The properties of the T4 give the Teletronix LA-2A its unique character by making it an entirely program dependent design. The average attack time is 10 milliseconds, while the release time is about 60 ms for 50% release and 0.5 to 5 seconds for full release, depending on the previous program material.

The Teletronix LA-2A was originally produced in the early 1960s by Teletronix, which was later acquired by Babcock Electronics Corporation. Bill Putnam purchased the product rights and the name Teletronix from Babcock Engineering in 1967, folding it into his Studio Electronics Corporation, shortly before he changed the name to UREI. There were three different variations of the LA-2A during this period before production was discontinued around 1969.

Straightforward in its design, and initially intended for broadcast applications, the Teletronix LA-2A quickly became standard equipment in studios worldwide. Many have been painstakingly maintained for the 30 years that they have remained in use since production stopped. A tube-based compressor, the Teletronix LA-2A features hand-wired components and two simple controls.

At the time, its electro-luminescent optical gain reduction was quite revolutionary: applying the audio signal to an electro-luminescent light panel which shines on a photoelectric cell which in turn controls the gain. In contrast to the electro-optical devices which preceded it, the electro-luminescent light source provided the fast attack necessary for broadcast applications.

Additionally, the cadmium-sulfide photo-cells provided a very natural “two-stage” release which resulted in a compression characteristic more transparent than the other compressors of its day.  To this day the Teletronix  LA-2A delivers a trademark sound treasured by engineers worldwide.



Frequency Response: 30Hz – 15kHz
Dynamic Range: > 70 dB
THD: < 0.5%

Gain Reduction: up to 40dB
Gain: 40 dB

Dimensions: 482.6mm x 133mm  x 184mm

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Plug-in Options

Slate Digital FG-2A Compressor/Limiter

The most legendary opto-compressor in the history of recorded music. We spent over a year modeling every peak, curve, and sonic nuance with unparalleled accuracy. Add incredible warmth and tone to your tracks within seconds.

Waves CLA-2A Compressor/Limiter

Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original’s smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere.

Native Instruments
The VC 2A is an instantly useable software emulation of a legendary precision studio tool — an electro-optical tube compressor/limiter with a smooth, silky sound.
Universal Audio Teletronix LA-2A
The LA-2A Classic Leveler Plug-In Collection for UAD-2 hardware and Apollo interfaces features immaculate models of three highly sought-after LA-2A units.

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