Audio Recorders

Audio Recording formats, encompassing both stereo and multitrack configurations, are essential tools in the creation and preservation of audio content. Stereo recording formats capture two audio channels, typically left and right, providing a simple yet effective method for reproducing sound with spatial accuracy. Stereo formats are commonly used in music production, broadcasting, and consumer audio devices, offering immersive listening experiences across various media platforms.

Multitrack recording formats, on the other hand, enable the simultaneous recording of multiple audio channels or tracks onto a single medium. This allows for the independent manipulation of each track during the mixing and editing process, offering unparalleled flexibility and creativity in audio production. Multitrack formats are widely used in professional music studios, film and television production, live sound reinforcement, and podcasting, enabling artists and engineers to craft complex arrangements, add effects, and achieve precise control over the final audio product.

Both stereo and multitrack recording formats have evolved over the years, from analog tape-based audio recorders to digital technologies such as hard disc recording, solid-state recording, and computer-based digital audio workstations (DAWs). These advancements have democratized audio production, making high-quality recording accessible to a broader audience while pushing the boundaries of creativity and innovation in the field of sound engineering and music production.

Made In Japan
Released in 1989 /
TASCAM 644 MIDIStudio combines analogue cassette multitrack recording with built-in MIDI synchronisation and a 99-scene recall memory. It offers sixteen inputs on eight channels, dual-mix routing into four busses, two inputs per channel with trim and three-band EQ, two sends, four effect returns and real-time MIDI mute automation.
Made In Switzerland
Released in 1989 /
The Studer D820X – developed for stand-alone use also fits effortlessly into any system through its extensive interfaces and offers advanced facilities for digital mastering.
Made In Japan
Released in 1989 /
The TASCAM 688 MIDIStudio is an eight-channel cassette multitrack recorder with dual-mix routing, built-in MIDI synchronisation, 99-scene recall, real-time MIDI mute automation and extensive EQ, send and insert flexibility for hybrid analogue-MIDI production.
Made In Japan
Released in 1990 /
The Akai DR1200 was a 12-track digital hard disk recorder from the early 1990s. It was designed as a professional digital multitrack recorder, aimed at studios looking for high-quality digital recording without relying on tape formats like ADAT or DASH.
Made In Japan
Released in 1990 /
Released in 1990, the Sony MU-D100 recorder features a design aesthetic that matches the Sony MU-R201, while offering advanced editing capabilities and a highly durable mechanism for professional use.
Made In Japan
Released in 1991 /
The Tascam 488 Portastudio is an eight-track, eight-channel rackmount recording system that combines a twelve-input mixer (eight mono channels with trim and EQ plus two stereo auxiliaries, four group busses and dual effect sends) with a four-track simultaneous overdub recorder at 9.5 cm/s.
Made In Japan
Released in 1991 /
The Yamaha DTR2 is a professional rack-mounted DAT recorder designed for studio mastering. It offers optical and coaxial digital I/O, balanced and unbalanced analogue connections, and high-quality 1-bit AD/DA conversion. With excellent audio specs, intuitive controls, and a full-function remote, it delivers strong performance but lacks external control ports for integration with automation systems.
Made In Japan
Released in 1991 /
The Roland DM-80 is an affordable mufti track recorder system for tapeless recording. It is a complete music production system that provides comprehensive control over recording, playback and editing operations.
Made In Japan
Released in 1991 /
The Akai DD-1000 Magneto Optical Audio Recorder is a significant development in audio technology, known for its innovative digital recording and editing capabilities. Combining advanced technology with professional functionality, it has established itself as a key piece of studio equipment history.
Made In U.S.A.
Released in 1992 /
The Alesis ADAT recorder when it arrived in 1992, literally changed the world overnight for studios and home musicians alike, by bringing digital recording to an affordable level for small studios and musicians.
Made In Switzerland
Released in 1992 /
In the dynamic world of broadcasting, professionals demand excellence in their studio equipment. The Studer D780 R-DAT recorder rises to meet these exacting standards, ushering in a new era of efficiency and precision.
Made In Japan
Released in 1992 /
Compact and versatile, the Fostex MC102 Keyboard Mixer Recorder combined a twelve-channel line mixer with a high-quality cassette recorder in a rackmount unit, making it an ideal all-in-one solution for quick demos, song sketches, and simple multitrack recording in the early 1990s.