Digital Reverbs

Digital reverb, also known as artificial reverb, is a type of audio effect used in recording studios to simulate the sound of a natural acoustic environment. The first digital reverb units were developed in the late 1970s, with early examples including the EMT 250 and the Lexicon 224. These early digital reverbs used a combination of digital signal processing and analogue-to-digital converters to create a convincing simulation of different acoustic spaces. Digital reverb quickly became popular in the recording industry, as it provided a more flexible and cost-effective solution than traditional mechanical reverbs or echo chambers. Digital reverb units could simulate a wide range of acoustic spaces, from small rooms to large halls, and could be easily adjusted and automated to create dynamic and complex reverb effects. Over time, digital reverb technology continued to evolve, with improvements in processing power, algorithms, and user interfaces. Today, digital reverb is an essential tool in the recording industry, and a wide range of software and hardware reverbs are available to suit different recording needs and budgets. Despite the advances in digital technology, however, many recording engineers still value the unique character and sound of traditional mechanical reverb units, and these continue to be used in certain recording environments.

Related Articles: The Evolution of Reverb | Choosing the Best Hardware Reverb in 2024 | The History of Digital Reverb

Released in 1995
The Yamaha ProR3 marks a new era in Yamaha’s reverberation technology. Third-generation Yamaha digital signal processors (DSP) with 32 bit digital signal processing and high-performance 20 bit linear A/D and D/A converters provide unprecedented density and resolution, with breathtaking dynamics.
Made In Japan
Released in 1995
The Alesis MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects.
Made In Malaysia
Released in 1996
Digitally reproducing the complex reflection patterns of natural reverberation is a daunting task that can only be effectively handled by custom LSI circuitry. Yamaha was a pioneer in the field of DSP (Digital Signal Processor) LSI production, and continues to lead the way in products such as the Yamaha REV500.
Made In Japan
Released in 1996
The Alesis Microverb 4 brought full bandwidth 18 bit effects processing to the masses at an incredibly low price, with limited editing and a mass of presets. While not as flexible as Alesis’s other models, such as the Quadraverb, the Alesis Microverb 4 offered good value for money a range of effects for the home recording musician.
Made In Taiwan
Released in 1997
The Quantec 2402/F Yardstick room simulators are high-quality, digital sound processing devices based on the original 1982 QRS Room Simulation algorithm. More information is needed, if you can help please contact us.
Made In Germany
Released in 1997
The Lexicon PCM 91 gives you Lexicon’s renowned high-end reverb effects with a powerful new interface that provides easy access to superbly crafted presets as well as a wealth of programming capabilities for the sound designer. The Lexicon PCM 91 contains a built-in library of 450 reverb effects that simulate realistic halls, rooms and plates, and let you create completely natural, or other-worldly spaces.
Made In U.S.A.
Released in 1997
The Lexicon PCM 90 gives you Lexicon’s renowned high-end reverb effects with a powerful new interface that provides easy access to superbly crafted presets as well as a wealth of programming capabilities for the sound designer. The Lexicon PCM 90 contains a built-in library of 250 reverb effects that simulate realistic halls, rooms and plates, and let you create completely natural, or other-worldly spaces.
Made In U.S.A.
Released in 1997
The Lexicon 300L not only contains the finest sounds, as you’ve come to expect from Lexicon, it incorporates new functions. The Lexicon 300L contains the very best of the Lexicon Sound – with new refinements such as dynamic size parameters in the Reverb and Ambience algorithms.
Made In U.S.A.
Released in 1997
The Zoom Studio 1201 is a digital reverb and multi-effects processor with 363 presets and high-quality specs, including 44.1 kHz sampling and 18-bit converters. It’s ideal for creating dynamic tracks with effects like Lo-Fi and KARAOKE.
Made In Japan
Released in 1998
The TC Electronic M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. The VSS3-reverb technology inherent in the TC Electronic M3000 is an industry standard.
Made In Denmark
Released in 1999
The Zoom RFX-2000 is a flagship 24-bit multi-effects processor featuring high-quality reverb, mastering tools, MIDI control, and 100 editable presets. With real-time tap tempo, digital output, and software support for Windows and Mac, it offers powerful, flexible sound shaping for studio and live use.
Made In Japan
Released in 1999
After the lacklustre DPS-V55, Sony had one last shot at the studio effects market, and they went out on a high with the spectacular DRE-S777 Sampling Reverb. The Sony DRE-S777 was a new type of reverb, one that used real impulse responses to capture real space, rather than the traditional method from the past of trying to emulate a real space.
Made In Japan